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What happens when a villain becomes a hero?
Mr. Hyde is trapped, locked in Dr. Jekyll?s surgical cabinet, counting the hours until his inevitable capture. As four days pass, he has the chance, finally, to tell his story?the story of his brief, marvelous life.
Summoned to life by strange potions, Hyde knows not when or how long he will have control of ?the body.? When dormant, he watches Dr. Jekyll from a remove, conscious of this other, ...
What happens when a villain becomes a hero?
Mr. Hyde is trapped, locked in Dr. Jekyll’s surgical cabinet, counting the hours until his inevitable capture. As four days pass, he has the chance, finally, to tell his story—the story of his brief, marvelous life.
Summoned to life by strange potions, Hyde knows not when or how long he will have control of “the body.” When dormant, he watches Dr. Jekyll from a remove, conscious of this other, high-class life but without influence. As the experiment continues, their mutual existence is threatened, not only by the uncertainties of untested science, but also by a mysterious stalker. Hyde is being taunted—possibly framed. Girls have gone missing; someone has been killed. Who stands watching in the shadows? In the blur of this shared consciousness, can Hyde ever be confident these crimes were not committed by his hand?
“Riveting Hyde renders evil in shades of gray . . . in his spellbinding first novel [Levine] offers many surprises and rich, often intoxicating prose. It’s a fascinating read.” — Washington Post
“Levine’s account is a masterpiece of hallucination; his narrator is feverish, righteous, intense . . . And about that confession: Hyde doesn’t open it, and neither does Levine. He leaves it to Stevenson, to whom he is faithful with his prose. The shockers may be born of this century, but this chilling new version is a remarkably good fit with the original horror classic.” — Miami Herald
“Levine’s intelligent and brutal first novel, Hyde, puts a fresh spin on the well-worn material . . . It goes beyond a companion piece to an independent novel worth reading in its own right.” — Columbus Dispatch
“Hyde is masterfully told, with plenty of damp and spooky London gothic atmosphere . . . A haunting yarn with a sumptuous Victorian atmosphere exquisitely re-imagines Stevenson’s ‘monster,’ the maligned Hyde.” — Shelf Awareness
“Richly detailed and engrossing portrait of psychological disintegration.” — LitReactor
“Levine’s evocation of Victorian England is marvelously authentic, and his skill at grounding his narrative in arresting descriptive images is masterful.” — Publishers Weekly, starred and boxed review
“Ambitious and imaginative . . . Taking the parameters of Stevenson’s story, but deepening and extending the details, Levine allows us to view Hyde not merely as the venal incarnation of Jekyll’s soul, but as a fully fledged character in his own right—and, in many ways, a sympathetic one as well . . . With compelling intensity, Levine makes a noteworthy literary debut.” — BookPage
“Levine’s masterful in his surrealistic observations of Hyde subsuming Jekyll . . . Cleverly imagined and sophisticated in execution.” — Kirkus Reviews
“Prepare to be seduced by literary devilry! Go back to Victorian times to find a very postmodern whodunit. Visceral prose, atmosphere you could choke on, characters who seem to be at your very shoulder. My sole regret after spending several hours inside Daniel Levine’s highly literate thriller is that I didn’t think of Hyde for myself.” — Ronald Frame, author of Havisham
“A gloriously disturbing portrait of man’s animal nature ascendant, Hyde brings into the light the various horrors still hidden in the dark heart of Stevenson’s classic tale of monstrosity and addiction. It’s Levine’s extraordinary achievement to give voice to a creature capable of indulging every impulse of transgression, while driving its higher self to damnation. Devious and ingenious, Hyde is a blazing triumph of the gothic imagination.” — Patrick McGrath, author of Asylum, Martha Peake, Spider, and others
“This rich, allusive, erudite novel is a welcome reminder of what a tour de force really is.” — David Leavitt, author of The Indian Clerk and many others
“Levine locates the strange beneath the familiar in this intricately imagined, meticulously executed debut. You may think you know Dr. Jekyll, but this Hyde is a different beast altogether.” — Jon Clinch, author of Finn and The Thief of Auschwitz
“Levine has staked his claim to one of the most compelling stories of all time, The Strange Case of Dr. Jekyll and Mr. Hyde, and brilliantly made it his own in this knockout debut novel. The mind of Hyde is as dark and twisted and alluring as the night-cloaked streets of nineteenth century London, and this book is as much a fascinating psychological query as it is a gripping narrative.” — Benjamin Percy, author of Red Moon, The Wilding, and Refresh, Refresh
Henry Jekyll is dead.
I whisper the words and then listen, as if I’ve dropped a stone into a well and await the plunk and splash . . . But inside my head there is only silence. All around me a chorus of celebratory noises fills the void: the simmering pop of the coals in the stove, the nautical creak of the whole wooden cabinet, and a faint, high-pitched cheeping from beyond the windows that sounds almost like baby birds. Here I sit in Jekyll’s chair by these three encrusted casement windows, with his mildewed overcoat draped about my shoulders like a travelling cloak. My journey’s end. The transformation has never felt so smooth before. No spinning sickness, no pain. Just a gentle dissolution: Jekyll evaporating like atomic particles into the air and leaving me behind in the body. This time for good.
Extinction. That was the word Darwin used in his book, which Jekyll befouled weeks ago and then dumped from the chamber pot out the window (no doubt it still lies down there in the yard like a spine-broken bird tumbled from flight). Extinction. Do the races of men, Darwin said, encroach on and replace one another, so that some finally become extinct? Jekyll refused to explain this concept to me. But now I begin to glimpse what extinction really means. I have been singled out. Selected for survival.
The fine hairs along my forearm rise into filaments. I look down at my left hand, resting in my lap like a pale crab, belly-up, the fingers loosely curled. The fraying cuff of Jekyll’s shirt is folded back once, revealing the lavender tail of the vein that runs to my wrist. Gingerly I draw the cuff farther up the arm and see the purple lines of infection fork and branch into darkened tributaries that reconverge at the crook of my elbow, which I bare with a hissing wince. The abscess in the notch has gone black, juicy and fat, like a blood-gorged spider at the heart of its web, its abdomen a-throb. I brush my thumb down the cubital vein, hard as a violin string under the skin and scattered with systematic punctures, some scabbed over and some red and fresh, my various points of entry. Look at what he’s left me. What he’s made me do. All those experimental powders, those double injections—and for what? The end is the same.
My pulse thumps in vindication as I turn in the chair and stare across the cabinet laboratory at Jekyll’s writing desk. The white envelope sits propped up against the brass-and-bell-glass lamp. Just as he left it an hour ago. Even in this wan light I can read the elaborate contour of ink across the envelope face: Gabriel John Utterson. For the past week I have watched Jekyll scratch out those buckled pages of frantic confession that are folded inside this envelope. Henry Jekyll’s Full Statement of the Case. Possessed by his own demented monologue, Jekyll would scribble, lips twisting, for hours—and then he would stop cold and glance up, as if he’d detected a furtive footstep from behind. Amazed, I peered out, surrounded by the pump of his blood, the fizzling whisper of his thoughts, and watched him ease open the lowest drawer of the desk, lift the false wooden bottom, and stash the accumulating pages in the secret under-space compartment. As if he somehow hoped to hide them from me. As if he believed I could not read through his own eyes every word he was writing—believed I would rip his precious manifesto to scraps if he were to leave it lying in the open. Lunacy! And yet after all that, this very morning when he is finally finished, what does he do? He stuffs the pages into that envelope, addresses the crazy thing to his best friend and solicitor, and props it up right bloody there on his desk for me to destroy at my leisure!
I won’t destroy it, of course. I have no reason to touch it. Let Utterson find it and read it. The solicitor is no fool. From the moment he first heard my name fall from Jekyll’s lips, Utterson knew he was not being given the story entire but rather a carefully manicured account. Why should Jekyll’s written confession be any different? From the first line, Utterson will see that the statement is anything but full, that it is little more than his friend’s dying, desperate protestation of innocence. Why should I waste the effort? No, I won’t deny Jekyll his pathetic self-exoneration. But neither will I let him have the final say.
I don’t know how much longer I have before Poole realises it’s me festering up here—the wanted murderer Edward Hyde—and not his master. Jekyll’s man to the last, trusty old Poole. Twice a day for the past two months, he’s been ferrying his master’s meals on a tray with a domed silver cover across the gravel courtyard from Big House: charred bangers and glutinous eggs and a leaky slice of grilled tomato for breakfast, then a chop or chicken or minced pie sometimes for supper. But this arrangement won’t continue indefinitely. Surely this evening, the moment Poole throws open the rusty steel door, he will feel the change, like a temperature drop, in the gloomy depths of the surgery block below me. With chilled breath he will stand at the foot of the stairs, holding the tray, staring up the dark rickety ascent at the cabinet door behind which I crouch. Will he climb up to the door himself and knock? Or will he fetch Utterson to do it? Yes, it will be Utterson who knocks, Utterson who shouts out, Harry, open this door at once! Jekyll knew his friend would be coming, of course. Jekyll knew how it all would end: Utterson pounding at the door and Poole a step below, armed with some implement to smash the door down, that black-headed axe with a silver gleam along its lip. Take it down, Poole! Utterson will cry, and the door will jump and crack as the blade bites in. Our saviours, who will arrive far too late to save anyone.
I shake off a ripple of goose flesh and peer out one of the three iron-framed casement windows that overlook the white gravel yard. A low stratum of morning fog moves like dense liquid over the stones. Above the boxy, silhouetted back end of the surgery block, to the east, the sky is soft cerulean blue, ribbed with pink fire. My breath mists up the glass, and I draw back, wipe the pane with the squeaky meat of my palm. Seven o’clock. Jekyll stopped winding his pocket watch over a month ago, but I can tell the hour by the light and by Poole’s comings and goings. Breakfast at half past eight, and supper at six. I have some time yet. And anyhow, the end will not come today. I am oddly certain of this. I have been selected. Granted this final spell of solitude, alone in the body, to set our story straight. I don’t want to die with Jekyll’s hectic lies echoing in my mind like the jeers of a mob at an execution. I don’t want to die at all, but if there’s no escaping it, then at the very least I want to remember everything properly first, the way it truly happened. The truth is inside this head. I simply must extract it. In the end no one will know it but me, but that will be enough. I shut my eyes, blow out a trembling breath. A nerve in my hand is twitching an erratic pulse, like a telegraphic code. Tap-tap, tap, down the wire.
I am alone, I whisper.
I am all alone.
Day 1 morning 3
Day 1 afternoon 32
Day 1 nightfall 42
Day 2 before dawn 63
Day 2 morning 83
Day 2 dusk 104
Day 3 before dawn 136
Day 3 noon 186
Day 3 night 228
Day 4 sunrise 277
Introduction to The Strange Case of Dr. Jekyll and Mr. Hyde 303
The Strange Case of Dr. Jekyll and Mr. Hyde 307
Posted March 27, 2014
This book is written from a psychological view point of Dr.Jekyll's alter ego, Mr.Hyde.
The story is interesting in that it feels real, a story of decent into mental illness, instead of the traditional parable of good vs. evil.
I found Levine to be an engaging writer.
5 out of 5 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted April 22, 2014
The story is quite different from Hyde's view. I almost felt sorry for him. It was well written, and somewhat scary. The historical details showed that is was a different time and place for the characters. Overall, it was pretty good.
1 out of 1 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted March 28, 2014
No text was provided for this review.