- The Invisible Church
- Those Flowers Grew
- Kings and Things
- With the Dromedaries
- The Heart Full of Eyes
- Mourned Winter Then
- And Onto PickNickMagick
- Why Did the Fox Bark?
- I Remember the Berlin Boys
- Spring Sand Dreamt Larks
- I Could Not Shift the Shadow
5
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0700175736222
Ossian Brown Hurdygurdy,Vocals
Bobbie Watson Vocals,Voices
Norbert Kox Voices
Tony McPhee Guitar
Andrew Liles Electronics,Electric Cello
David Tibet Vocals,Voices
John Zorn Saxophone,Sax (Alto)
Nick Cave Vocals,Voices
James Blackshaw Bass
Carl Stokes Drums,Percussion
Tony T.S. McPhee Guitar (Acoustic),Guitar (Electric)
Jack Barnett Organ,Voices
Antony Hegarty Vocals,Voices
Reinier VanHoudt Piano
Jon Seagroatt Flute,Clarinet (Bass)
Ania Goszczynska Design
George Barnett Photography
Inez Photography
Jeremy Kox Photography
Joanna Deacon Photography
Nino P. Photography
Patrick Montgomery Photography
Russell Bloor Photography
Andrew Liles Mixing
Current 93 Composer
David Tibet Design,Leader,Mixing,Artwork,Lyricist,Songwriter,Liner Notes
Nick Cave Photography
James Blackshaw Photography
Pablo Clements Engineer
Alex Nizich Engineer
Melon Liles Photography
Jack Barnett Sound Design
Ruth Bayer Photography
Antony Hegarty Vocal Producer
Seadna McPhail Engineer
James Griffith Engineer
Scott Irvine Photography
Vinoodh Matadin Photography
Ossian Brown Design

I Am the Last of All the Field That Fell: A Channel
by Current 93
Current 93

I Am the Last of All the Field That Fell: A Channel
by Current 93
Current 93
CD
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Overview
I Am the Last of All the Field That Fell: A Channel is perhaps the most uncategorizable album in Current 93's catalog. Though it employs a vast array of musics, it strategically integrates them in new ways and dynamically adds elements of improvisational jazz to the mix. Founder and frontman David Tibet's present lineup includes regular collaborators -- James Blackshaw, Andrew Liles, Ossian Brown, Antony Hegarty, and Nick Cave -- as well as new ones: Comus' vocalist Bobbie Watson, the Groundhogs' Tony McPhee and Carl Stokes, These New Puritans' Jack Barnett, Dutch piano wizard Reinier VanHoudt, reed and woodwind master Jon Seagroatt, and saxophonist John Zorn. The album's tracks are a suite meant to be played in order, as dynamics, textures, and styles touch, repel, contract, attract, expand, and merge, often disintegrating into sound itself. At times, Tibet's half-sung/half-spoken poetry is framed by musical arrangements that can evolve so slowly they feel static. "The Invisible Church" is driven by VanHoudt's repetitive, nearly hypnotic series of classical changes, dusted by Stokes' cymbals and made otherworldly by McPhee's out-of-time acoustic slide guitar. Watson's ghostly mezzo-soprano underscores the drama in Tibet's text, which is delivered with restraint. The band's feverish heart is exposed on "Those Flowers Grew." Zorn's bluesy alto and VanHoudt's piano erect a minor-key ascension for the rhythm section, angular shards of electric guitar, bass, and flute propel Tibet's growl inside the maelstrom. In the ballad "Kings and Queens," the two singers articulate a sinister eros as a distorted electric guitar screes in the margin. The bass, guitar, and drum vamp on "The Heart Full of Eyes" recalls the Bad Seeds' drone-blues quake, though Seagroatt's lilting flute above Tibet's poetically rich narrative alters that focus. Hegarty's wrenching vocal on "Mourned Winter Then," is the sound of longing itself, decorated artfully by van Houdt's elegant pianism. "And Onto PickNickMagick" is a pulsing rocker colored by soaring flute, stinging guitar, and Blackshaw's throbbing bassline with Tibet in full rant. Dark sexuality and occult spirituality couple in "I Remember the Berlin Boys," a cabaret song like no other. "Spring Sand Dreamy Larks" (featuring a spoken word intro and outro by artist Norbert Kox) recalls the Bad Plus with its interlocking, syncopated rhythms culminating in a bleating Zorn sax solo. Closer "I Could Not Shift the Shadow" features Cave's lead vocals, singing Tibet's words with endearment, sensuality, and resignation, illumined by Zorn's sweet alto and van Houdt's lilting piano. It's a given that Tibet's brand of art song is an acquired taste: it's arcane, transgressive, and sometimes excessive. But as displayed on I Am the Last of All the Field That Fell: A Channel, it's also simultaneously holistic, maddening, erotic, bleak, bright, and most of all, visionary. ~ Thom Jurek
Product Details
Release Date: | 03/04/2014 |
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Label: | Revolver Usa / The Spheres |
UPC: | 0700175736222 |
Tracks
Album Credits
Performance Credits
Current 93 Primary ArtistOssian Brown Hurdygurdy,Vocals
Bobbie Watson Vocals,Voices
Norbert Kox Voices
Tony McPhee Guitar
Andrew Liles Electronics,Electric Cello
David Tibet Vocals,Voices
John Zorn Saxophone,Sax (Alto)
Nick Cave Vocals,Voices
James Blackshaw Bass
Carl Stokes Drums,Percussion
Tony T.S. McPhee Guitar (Acoustic),Guitar (Electric)
Jack Barnett Organ,Voices
Antony Hegarty Vocals,Voices
Reinier VanHoudt Piano
Jon Seagroatt Flute,Clarinet (Bass)
Technical Credits
Bobbie Watson PhotographyAnia Goszczynska Design
George Barnett Photography
Inez Photography
Jeremy Kox Photography
Joanna Deacon Photography
Nino P. Photography
Patrick Montgomery Photography
Russell Bloor Photography
Andrew Liles Mixing
Current 93 Composer
David Tibet Design,Leader,Mixing,Artwork,Lyricist,Songwriter,Liner Notes
Nick Cave Photography
James Blackshaw Photography
Pablo Clements Engineer
Alex Nizich Engineer
Melon Liles Photography
Jack Barnett Sound Design
Ruth Bayer Photography
Antony Hegarty Vocal Producer
Seadna McPhail Engineer
James Griffith Engineer
Scott Irvine Photography
Vinoodh Matadin Photography
Ossian Brown Design
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