Boris Slutsky, according to this brilliant book, accomplished the seemingly impossible: a poet of Soviet times, he reforged the totality of Russian literary culture, from Church Slavonic to Pushkin to Khlebnikov and beyond, within the crucible of Jewish self-understanding. Marat Grinberg, author of this impressive study, has also accomplished the seemingly impossible. He demonstrates how this supremely Russian poet can and must be read in his totality: “from right to left,” from beginning to end, and from his desk drawer to Red Square.
Boris Slutsky, according to this brilliant book, accomplished the seemingly impossible: a poet of Soviet times, he reforged the totality of Russian literary culture, from Church Slavonic to Pushkin to Khlebnikov and beyond, within the crucible of Jewish self-understanding. Marat Grinberg, author of this impressive study, has also accomplished the seemingly impossible. He demonstrates how this supremely Russian poet can and must be read in his totality: “from right to left,” from beginning to end, and from his desk drawer to Red Square.”
---David G. Roskies, Sol and Evelyn Henkind Professor of Yiddish Literature, Jewish Theological Seminary. Director, Center for Yiddish Studies, Ben Gurion University of the Negev
“In this erudite and insightful book, Marat Grinberg rescues a great poet from a numbing set of mid-century clichés. No longer a “war poet,” or “Soviet diarist,” or sometime Jew, Boris Slutsky emerges as he was in fact—a sometimes playful, sometimes anguished heir to Russian modernism, who read Jewish catastrophe through Jewish texts.”
—Alice Nakhimovsky, Professor of Russian and Jewish Studies, Colgate University
“Grinberg’s illuminating study will be of use to students and scholars interested in modern poetry, comparative literature, Jewish and Russian twentieth-century literature, and the representation of historical memory. It is an important book that sheds new light on the history of Soviet literature and brings to the fore Slutsky’s powerful responses to the manifestations of anti-Semitism in the Soviet Union and to the collapsing Soviet monumental style and ideology in the postwar period."—Alexandra Smith, The Russian Review
"...original, wide-ranging and often provocativeâ?¦ this first monograph-length study of Slutskii in English enables a deeper appreciation of his remarkable talent."—Barry Scherr, The Slavic Review
“From Grinbergâ?¦ we get an entirely different Slutsky, a kind of Soviet Rashi, who created a “Judaic” interpretation of Soviet life. This alone makes Slutsky one of the most interesting and enigmatic literary figures in the history of the 20th century.”—Mikhail Krutikov, The Forward
“Grinberg has written a perceptive work that serves as an original and provocative contribution useful to those interested in studying Slutsky’s work, either in Russian-Jewish literature or Jewish studies more generally, and to those looking to deepen their understanding of the complex processes at work in Russian poetic history in the mid-twentieth century by learning about one of its more important figures.” —Slavic and East European Journal
“Grinberg has written a perceptive work that serves as an original and provocative contribution useful to those interested in studying Slutsky’s work, either in Russian-Jewish literature or Jewish studies more generally, and to those looking to deepen their understanding of the complex processes at work in Russian poetic history in the mid-twentieth century by learning about one of its more important figures.” —Rebecca Pyatkevich, Lewis & Clark College
“Marat Grinberg states that his new reading of Slutsky collapses a number of central Russian and Soviet literary paradigms. It also challenges the interpretative stereotype of Slutsky as a quintessentially Soviet poetâ?¦this well-researched and well-argued book is a significant contribution to the field of Russian Jewish literature and the broader field of Jewish studies.” —Henrietta Mondry (University of Canterbury), H-Judaic
