I Have Landed: The End of a Beginning in Natural History

Paperback (Print)
Buy New
Buy New from BN.com
$14.16
Used and New from Other Sellers
Used and New from Other Sellers
from $12.70
Usually ships in 1-2 business days
(Save 39%)
Other sellers (Paperback)
  • All (20) from $12.70   
  • New (15) from $12.70   
  • Used (5) from $14.15   

Overview

Here is bestselling scientist Stephen Jay Gould’s tenth and final collection based on his remarkable series for Natural History magazine—exactly 300 consecutive essays, with never a month missed, published from 1974 to 2001. Both an intellectually thrilling journey into the nature of scientific discovery and the most personal book he has ever published, I Have Landed marks the end of a significant chapter in the career of one of the most acclaimed and widely read scientists of our time.

Gould writes about the themes that have defined his career, which his readers have come to expect and celebrate, casting new light upon them and conveying the ideas that science professionals exchange among themselves (minus the technical jargon). Here, of course, is Charles Darwin, from his centrality to any sound scientific education to little-known facts about his life. Gould touches on subjects as far-reaching and disparate as feathered dinosaurs, the scourge of syphilis and the frustration of the man who identified it, and Freud’s “evolutionary fantasy.” He writes brilliantly of Nabokov’s delicately crafted drawings of butterflies and the true meaning of biological diversity. And in the poignant title essay, he details his grandfather’s journey from Hungary to America, where he arrived on September 11, 1901. It is from his grandfather’s journal entry of that day, stating simply “I have landed,” that the book’s title was drawn. This landing occurred 100 years to the day before our greatest recent tragedy, also explored, but with optimism, in the concluding section of the book.

Presented in eight parts, I Have Landed begins with a remembrance of a moment of wonder from childhood. In Part II, Gould explains that humanistic disciplines are not antithetical to theoretical or applied sciences. Rather, they often share a commonality of method and motivation, with great potential to enhance the achievements of each other, an assertion perfectly supported by essays on such notables as Nabokov and Frederic Church.

Part III contains what no Gould collection would be complete without: his always compelling “mini intellectual biographies,” which render each subject and his work deserving of reevaluation and renewed significance. In this collection of figures compelling and strange, Gould exercises one of his greatest strengths, the ability to reveal a significant scientific concept through a finely crafted and sympathetic portrait of the person behind the science. Turning his pen to three key figures—Sigmund Freud, Isabelle Duncan, and E. Ray Lankester, the latter an unlikely attendee of the funeral of Karl Marx—he highlights the effect of the Darwinian revolution and its resonance on their lives and work.

Part IV encourages the reader—through what Gould calls “intellectual paleontology”—to consider scientific theories of the sixteenth and seventeenth centuries in a new light and to recognize the limitations our own place in history may impose on our understanding of those ideas. Part V explores the op-ed genre and includes two essays with differing linguistic formats, which address the continual tug-of-war between the study of evolution and creationism.

In subsequent essays, in true Gould fashion, we are treated to moments of good humor, especially when he leads us to topics that bring him obvious delight, such as Dorothy Sayers novels and his enduring love of baseball and all its dramas. There is an ardent admiration of the topsy-turvy world of Gilbert and Sullivan (wonderfully demonstrated in the jacket illustration), who are not above inclusion in all things evolutionary.

This is truly Gould’s most personal work to date. How fitting that this final collection should be his most revealing and, in content, the one that reflects most clearly the complexity, breadth of knowledge, and optimism that characterize Gould himself. I Have Landed succeeds in reinforcing Gould’s underlying and constant theme from the series’ commencement thirty years ago—the study of our own scientific, intellectual, and emotional evolution—bringing reader and author alike to what can only be described as a brilliantly written and very natural conclusion.

From the Hardcover edition.

Read More Show Less

Editorial Reviews

From Barnes & Noble
In distinction to Gould's monumental The Structure of Evolutionary Theory, the tenth and final collection of the his Natural History columns can be sampled an essay or two at a sitting. They reveal an intellectual curiosity so brimming that Gould seems good-spirited even as he robustly debunks another anti-Darwinian argument. As always, his alert exercises in problem solving are delightfully colored by his own obsessions, e.g., baseball and his beloved Boston Red Sox. Apart from Gould's scientific achievements, he deserves to be acknowledged as one of the premier essayists in our language.
New York Review of Books

These essays have entranced millions, from company presidents to penitentiary inmates, with the wonders of evolution...One of the joys of reading about good science is the chance not only to observe how scientific theory works, but also to participate in the workings of the mind behind the works. In Gould's I Have Landed...the reader will find such joy in abundance.
— Tim Flannery

New York Review of Books - Tim Flannery
These essays have entranced millions, from company presidents to penitentiary inmates, with the wonders of evolution...One of the joys of reading about good science is the chance not only to observe how scientific theory works, but also to participate in the workings of the mind behind the works. In Gould's I Have Landed...the reader will find such joy in abundance.
New York Review of Books
These essays have entranced millions with the wonders of evolution. One of the joys of reading about good science is the chance not only to observe how scientific theory works, but also to participate in the workings of the mind behind the works. In How I Landed...the reader will find such joy in abundance.

— Tim Flannery

Publishers Weekly
Gould, whose name has become synonymous with evolutionary biology, once again collects 31 essays from his Natural History column. Gould completed his 300th column for the magazine on the doubly significant 2001 millennium and centennial of his family's arrival at Ellis Island (thus the title, borrowed from his grandfather's journal entry that day). Several of these essays explore the ambiguous relations of art, science and the natural world. Gould compels readers to see the natural world outside the frame of the familiar, to seek the quirky outside the canonical, to challenge our assumptions. This is evident when he gleefully reports on the Human Genome Project, showing our genetic stuff to be only twice what a roundworm needs "to manufacture its utter, if elegant, outward simplicity." His essays affirm his belief in the power of science to overcome past error, and as always, he is intolerant of the misapplication as well as the rejection of science, dismissing left- and right-wing claims about Darwin as brusquely as he does the anti-evolutionist Kansas Board of Education, whose yellow brick road "can only spiral inward toward restriction and ignorance." Gould is at the peak of his abilities in this latest menagerie of wonders. (May) Copyright 2002 Cahners Business Information.
Library Journal
This is the tenth and final anthology of Gould's essays from Natural History magazine. Through the writings in this series, Gould has influenced public opinion on science in numerous ways that other scientists, who eschew the essay as a vehicle for technical communication, cannot even approach. As in all of the volumes, Gould writes on Darwinism, evolutionary theory, the history of science, and the joys of doing scientific research. Somewhat more in this volume than in the others, he expresses his personal thoughts and experiences, such as in the titular essay and in the concluding short piece, "September 11, 2001." Some critics wince at his often turgid prose and argue that he depicts his opinions as facts, but this volume, which coincides with the publication of his magnum opus, The Structure of Evolutionary Theory, deserves to be celebrated as a career accomplishment. Gould's many fans and foes alike should congratulate him for these achievements and also for having the grace to know when to move on. This anthology belongs in all public and academic libraries. Gregg Sapp, Science Lib., SUNY at Albany Copyright 2002 Cahners Business Information.
Kirkus Reviews
Thirty-one sprightly and invaluable essays, in which the play of "little odd tidbits as illustrations of general theories" the author has raised to an art form. In his tenth and final collection of Natural History columns (after The Lying Stones of Marrakech, 2000, etc.), Gould is back in his favorite terrain of posing and then poking at intellectual puzzles, in which he has embedded some humanistic concern or referent in order to gain some better understanding of a scientific theme. Gould has never been a lyrical exalter of science and nature, but a taskmaster who might popularize his essays-namely, keep them free of exclusionary jargon-even while he demands the unwavering attention of his readers to follow his scientific peregrinations. How else to appreciate the commonalities between ex-Red Sox first baseman Bill Bruckner's weary legs and a letter written by Jim Bowie shortly before he died at the Alamo (hint: it has something to do with canonical stories and the distortion of acts)? Gould is a delight when leveling his heavy guns at the fatuous ("the anachronistic fallacy of using a known present to misread a past circumstance") and the confused: "science is an inquiry about the factual sate of the natural world, religion as a search for spiritual meaning and ethical values." Ever the gadfly, though, he'll follow that with "Science does not deal in certainty, so ‘fact' can only mean a proposition affirmed to such a high degree that it would be perverse to withhold one's provisional assent." Gould's world is rich in quirks and contradictions, human foibles and natural diversity, the sublime and the bumptious, high grandeur and low comedy, whether he is addressing the Linnaen system ofclassification or the destruction of the World Trade Center. No more Natural History columns, but the future will no doubt see much more from Gould, a self-described addict of the short form. These essays trail in his wake like mushrooms after a rain. (b&w illustrations)
Read More Show Less

Product Details

  • ISBN-13: 9780674061620
  • Publisher: Harvard University Press
  • Publication date: 10/1/2011
  • Pages: 432
  • Sales rank: 691,435
  • Product dimensions: 6.00 (w) x 8.90 (h) x 1.10 (d)

Meet the Author

Stephen Jay Jay Gould
Stephen Jay Gould was the Alexander Agassiz Professor of Zoology at Harvard University and Vincent Astor Visiting Professor of Biology at New York University. A MacArthur Prize Fellow, he received innumerable honors and awards and wrote many books, including Ontogeny and Phylogeny and Time's Arrow, Time's Cycle (both from Harvard).

Biography

Harvard paleontologist Stephen Jay Gould was arguably the leading science writer for the contemporary literate popular audience. His explications of evolutionary theory and the history of science are peppered with oddball cultural and historical references, from Joe DiMaggio's hitting streak to Catherine the Great's middle name. But Gould insisted that his work wasn't dumbed-down for nonscientists.

"I sort of operate at one end of what's called popular science," he told a Salon interviewer. "Not because I don't appreciate the other end, I just wouldn't do it well, somehow. But the end I operate on really doesn't sacrifice any complexity -- except complexity of language, of course, complexity of jargon. But I like to think that my stuff is as conceptually complex as I would know how to write it for professional audiences."

In 1972, Gould and fellow paleontologist Niles Eldredge shook up the field of evolutionary theory with their idea of "punctuated equilibrium," which suggests that the evolution of a species is not gradual and continual, but marked by long periods of stasis and brief bursts of change. Over the next several decades, Gould would continue to develop his critique of evolutionary theory, questioning assumptions about evolutionary progress and provoking debates with the likes of evolutionary psychologist Steven Pinker, philosopher Daniel Dennett and evolutionary biologist Richard Dawkins.

From early on in his career, Gould was interested in reviving the scientific essay, in the tradition of Galileo and Darwin. Gould began writing a series of monthly essays for Natural History, the magazine of the American Museum of Natural History. Published as "This View of Life," the well-received essays addressed a broad range of topics in the biological and geological sciences. In his essays, Gould not only explained scientific facts for the lay reader, he critiqued the shortcomings of certain scientific viewpoints and the cultural biases of particular scientists.

Armed with a historical view of evolutionary theory, he tackled the problem of human intelligence testing in The Mismeasure of Man (1981). The book won a National Book Critics' Circle Award, while a collection of essays, The Panda's Thumb (1980), won the American Book Award. Together the books established Gould's presence as one of the country's most prominent science writers.

Gould's popularity continued to widen with the publication of such unlikely bestsellers as Wonderful Life: The Burgess Shale and the Nature of History (1989), which challenged the notion that humans are the necessary endpoint of evolutionary history. "Not only does [Gould] always find something worth saying, he finds some of the most original ways of saying it," The New York Times said in its review of Bully for Brontosaurus (1993), another collection of essays.

In 1998, Gould was elected president of the American Association for the Advancement of Science, and his description of that office could apply to his whole life's work. He pledged to "make people less scared of science so they won't see it as arcane, monolithic, and distant, but as something that is important to their lives." Stephen Jay Gould died in May of 2002 of cancer.

Good To Know

In a Mother Jones interview, Gould mentioned that he was teased as a child for his fascination with paleontology. The other kids called him "fossil face." Gould added, "The only time I ever got beat up was when I admitted to being a Yankee fan in Brooklyn. That was kind of dumb."

Gould was diagnosed in 1982 with abdominal mesothelioma, a rare form of cancer. In one of his most famous essays, "The Median Isn't the Message," he explained how statistics are often misinterpreted by nonscientists, and why the grim statistics on his own disease -- with a median mortality of eight months, at that time -- didn't deter him from believing he would live for many more years. "[D]eath is the ultimate enemy -- and I find nothing reproachable in those who rage mightily against the dying of the light," he wrote. He died in May 2002 -- 20 years after his diagnosis.

Gould made a guest appearance as himself on The Simpsons in 1997, participating in a town debate over the authenticity of an "angel skeleton" found in Springfield.

Read More Show Less
    1. Also Known As:
      Stephen Jay Gould
    1. Date of Birth:
      September 10, 1941
    2. Place of Birth:
      New York, New York
    1. Date of Death:
      May 20, 2002
    2. Place of Death:
      Boston, Massachusetts

Read an Excerpt

Chapter 1

I Have Landed

As a young child, thinking as big as big can be and getting absolutely nowhere for the effort, I would often lie awake at night, pondering the mysteries of infinity and eternity—and feeling pure awe (in an inchoate, but intense, boyish way) at my utter inability to comprehend. How could time begin? For even if a God created matter at a definite moment, then who made God? An eternity of spirit seemed just as incomprehensible as a temporal sequence of matter with no beginning. And how could space end? For even if a group of intrepid astronauts encountered a brick wall at the end of the universe, what lay beyond the wall? An infinity of wall seemed just as inconceivable as a never-ending extension of stars and galaxies.

I will not defend these naÍve formulations today, but I doubt that I have come one iota closer to a personal solution since those boyhood ruminations so long ago. In my philosophical moment—and not only as an excuse for personal failure, for I see no sign that others have succeeded—I rather suspect that the evolved powers of the human mind may not include the wherewithal for posing such questions in answerable ways (not that we ever would, should, or could halt our inquiries into these ultimates).

However, I confess that in my mature years I have embraced the Dorothean dictum: yea, though I might roam through the pleasures of eternity and the palaces of infinity (not to mention the valley of the shadow of death), when a body craves contact with the brass tacks of a potentially comprehensible reality, I guess there's no place like home. And within the smaller, but still tolerably ample, compass of our planetary home, I would nominate as most worthy of pure awe—a metaphorical miracle, if you will—an aspect of life that most people have never considered, but that strikes me as equal in majesty to our most spiritual projections of infinity and eternity, while falling entirely within the domain of our conceptual understanding and empirical grasp: the continuity of etz chayim, the tree of earthly life, for at least 3.5 billion years, without a single microsecond of disruption.

Consider the improbability of such continuity in conventional terms of ordinary probability: Take any phenomenon that begins with a positive value at its inception 3.5 billion years ago, and let the process regulating its existence proceed through time. A line marked zero runs along below the current value. The probability of the phenomenon's descent to zero may be almost incalculably low, but throw the dice of the relevant process billions of times, and the phenomenon just has to hit the zero line eventually.

For most processes, the prospect of such an improbable crossing bodes no permanent ill, because an unlikely crash (a year, for example, when a healthy Mark McGwire hits no home runs at all) will quickly be reversed, and ordinary residence well above the zero line reestablished. But life represents a different kind of ultimately fragile system, utterly dependent upon unbroken continuity. For life, the zero line designates a permanent end, not a temporary embarrassment. If life ever touched that line, for one fleeting moment at any time during 3.5 billion years of sustained history, neither we nor a million species of beetles would grace this planet today. The merest momentary brush with voracious zero dooms all that might have been, forever after.

When we consider the magnitude and complexity of the circumstances required to sustain this continuity for so long, and without exception or forgiveness in each of so many components—well, I may be a rationalist at heart, but if anything in the natural world merits a designation as "awesome," I nominate the continuity of the tree of life for 3.5 billion years. The earth experienced severe ice ages, but never froze completely, not for a single day. Life fluctuated through episodes of global extinction, but never crossed the zero line, not for one millisecond. DNA has been working all this time, without an hour of vacation or even a moment of pause to remember the extinct brethren of a billion dead branches shed from an evergrowing tree of life.

When Protagoras, speaking inclusively despite the standard translation, defined "man" as "the measure of all things," he captured the ambiguity of our feelings and intellect in his implied contrast of diametrically opposite interpretations: the expansion of humanism versus the parochiality of limitation. Eternity and infinity lie too far from the unavoidable standard of our own bodies to secure our comprehension; but life's continuity stands right at the outer border of ultimate fascination: just close enough for intelligibility by the measure of our bodily size and earthly time, but sufficiently far away to inspire maximal awe.

Moreover, we can bring this largest knowable scale further into the circle of our comprehension by comparing the macrocosm of life's tree to the microcosm of our family's genealogy. Our affinity for evolution must originate from the same internal chords of emotion and fascination that drive so many people to trace their bloodlines with such diligence and detail. I do not pretend to know why the documentation of unbroken heredity through generations of forebears brings us so swiftly to tears, and to such a secure sense of rightness, definition, membership, and meaning. I simply accept the primal emotional power we feel when we manage to embed ourselves into something so much larger.

Thus, we may grasp one major reason for evolution's enduring popularity among scientific subjects: our minds must combine the subject's sheer intellectual fascination with an even stronger emotional affinity rooted in a legitimate comparison between the sense of belonging gained from contemplating family genealogies, and the feeling of understanding achieved by locating our tiny little twig on the great tree of life. Evolution, in this sense, is "roots" writ large.

To close this series of three hundred essays in Natural History, I therefore offer two microcosmal stories of continuity—two analogs or metaphors for this grandest evolutionary theme of absolutely unbroken continuity, the intellectual and emotional center of "this view of life."* My stories descend in range and importance from a tale about a leader in the founding generation of Darwinism to a story about my grandfather, a Hungarian immigrant who rose from poverty to solvency as a garment worker on the streets of New York City.

Our military services now use the blandishments of commercial jingles to secure a "few good men" (and women), or to entice an unfulfilled soul to "be all that you can be in the army." In a slight variation, another branch emphasizes external breadth over internal growth: join the navy and see the world.

In days of yore, when reality trumped advertisement, this motto often did propel young men to growth and excitement. In particular, budding naturalists without means could attach themselves to scientific naval surveys by signing on as surgeons, or just as general gofers and bottle washers. Darwin himself had fledged on the Beagle, largely in South America, between 1831 and 1836, though he sailed (at least initially) as the captain's gentleman companion rather than as the ship's official naturalist. Thomas Henry Huxley, a man of similar passions but lesser means, decided to emulate his slightly older mentor (Darwin was born in 1809, Huxley in 1825) by signing up as assistant surgeon aboard HMS Rattlesnake for a similar circumnavigation, centered mostly on Australian waters, and lasting from 1846 to 1850.

Huxley filled these scientific Wanderjahre with the usual minutiae of technical studies on jellyfishes and grand adventures with the aboriginal peoples of Australia and several Pacific islands. But he also trumped Darwin in one aspect of discovery with extremely happy and lifelong consequences: he met his future wife in Australia, a brewer's daughter (a lucrative profession in this wild and distant outpost) named Henrietta Anne Heathorn, or Nettie to the young Hal. They met at a dance. He loved her silky hair, and she reveled in his dark eyes that "had an extraordinary way of flashing when they seemed to be burning-his manner was most fascinating" (as she wrote in her diary).

Huxley wrote to his sister in February 1849, "I never met with so sweet a temper, so self-sacrificing and affectionate a disposition." As Nettie's only dubious trait, Hal mentioned her potential naiveté in leaving "her happiness in the hands of a man like myself, struggling upwards and certain of nothing." Nettie waited five years after Hal left in 1850. Then she sailed to London, wed her dashing surgeon and vigorously budding scientist, and enjoyed, by Victorian standards, an especially happy and successful marriage with an unusually decent and extraordinarily talented man. (Six of their seven children lived into reasonably prosperous maturity, a rarity in those times, even among the elite). Hal and Nettie, looking back in their old age (Hal died in 1895, Nettie in 1914), might well have epitomized their life together in the words of a later song: "We had a lot of kids, a lot of trouble and pain, but then, oh Lord, we'd do it again."

The young and intellectually restless Huxley, having mastered German, decided to learn Italian during his long hours of boredom at sea. (He read Dante's Inferno in the original terza rima during a year's jaunt, centered upon New Guinea.) Thus, as Huxley prepared to leave his fiancée in April 1849 (he would return for a spell in 1850, before the long five-year drought that preceded Nettie's antipodal journey to their wedding), Nettie decided to give him a parting gift of remembrance and utility: a five-volume edition, in the original Italian of course, of Gerusalemme liberata by the great Renaissance poet Torquato Tasso. (This epic, largely describing the conquest of Jerusalem by the First Crusade in 1099, might not be deemed politically correct today, but the power of Tasso's verse and narrative remains undiminished.)

Nettie presented her gift to Hal as a joint offering from herself, her half-sister Oriana, and Oriana's husband, her brother-in-law William Fanning. She inscribed the first volume in a young person's hand: "T. H. Huxley. A birthday and parting gift in remembrance of three dear friends. May 4th 1849." And now we come to the point of this tale. For some reason that I cannot fathom but will not question, this set of books sold (to lucky me) for an affordable pittance at a recent auction. (Tasso isn't big these days, and folks may have missed the catalog entry describing the provenance and context.)

So Nettie Heathorn came to England, married her Hal, raised a large family, and lived out her long and fulfilling life well into the twentieth century. As she had been blessed with accomplished children, she also enjoyed, in later life, the promise of two even more brilliant grandchildren: the writer Aldous Huxley and the biologist Julian Huxley. In 1911, more than sixty years after she had presented the five volumes of Tasso to Hal, Nettie Heathorn, then Henrietta Anne Huxley, and now Granmoo to her grandson Julian, removed the books from such long residence on her shelf, and passed them on to a young man who would later carry the family's intellectual torch with such distinction. She wrote below her original inscription, now in the clear but shaky hand of an old woman, the missing who and where of the original gift: "Holmwood. Sydney, N.S. Wales. Nettie Heathorn, Oriana Fanning, William Fanning."

Above her original words, penned sixty years before in youth's flower, she then wrote, in a simple statement that needs no explication in its eloquent invocation of life's persistence: "Julian Sorel Huxley from his grandmother Henrietta Anne Huxley nee Heathorn 'Granmoo.' " She then emphasized the sacred theme of continuity by closing her rededication with the same words she had written to Hal so many years before: " 'In remembrance' 28 July 1911. Hodeslea, Eastbourne."

If this tale of three generations, watched over by a great woman as she follows life's passages from dashing bride to doting grandmother, doesn't epitomize the best of humanity, as symbolized by our continuity, then what greater love or beauty can sustain our lives in this vale of tears and fascination? Bless all the women of this world who nurture our heritage while too many men rush off to kill for ideals that might now be deeply and personally held, but will often be viewed as repugnant by later generations.

My maternal grandparents-Irene and Joseph Rosenberg, or Grammy and Papa Joe to me-loved to read in their adopted language of English. My grandfather even bought a set of Harvard Classics (the famous "five-foot shelf" of Western wisdom) to facilitate his assimilation to American life. I inherited only two of Papa Joe's books, and nothing of a material nature could be more precious to me. The first bears a stamp of sale: "Carroll's book store. Old, rare and curious books. Fulton and Pearl Sts. Brooklyn, N.Y." Perhaps my grandfather obtained this volume from a landsman, for I can discern, through erasures on three pages of the book, the common Hungarian name "Imre." On the front page of this 1892 edition of J. M. Greenwood's Studies in English Grammar, my grandfather wrote in ink, in an obviously European hand, "Prop. of Joseph A. Rosenberg, New York." To the side, in pencil, he added the presumed date of his acquisition: "1901. Oct. 25th." Just below, also in pencil, he appended the most eloquent of all conceivable words for this context-even though one might argue that he used the wrong tense, confusing the compound past of continuous action with an intended simple past to designate a definite and completed event (not bad for a barely fourteen-year-old boy just a month or two off the boat): "I have landed. Sept. 11, 1901."

Of all that I shall miss in ending this series of essays, I shall feel most keenly the loss of fellowship and interaction with readers. Early in the series, I began-more as a rhetorical device to highlight a spirit of interaction than as a practical tactic for gaining information-to pose questions to readers when my research failed to resolve a textual byway. (As a longtime worshiper at the altar of detail, nothing niggles me more than a dangling little fact-partly, I confess, from a sense of order, but mostly because big oaks do grow from tiny acorns, and one can never know in advance which acorn will reach heaven.)

As the series proceeded, I developed complete faith—not from hope, but from the solid pleasure of invariant success—that any posted question would elicit a host of interesting responses, including the desired factual resolution. How did the Italian word segue pass from a technical term in the rarefied world of classical music into common speech as a synonym for "transition" (resolved by personal testimony of several early radio men who informed me that in the 1920s they had transferred this term from their musical training to their new gigs as disk jockeys and producers of radio plays). Why did seventeenth-century engravers of scientific illustrations usually fail to draw snail shells in reverse on their plates (so that the final product, when printed on paper, would depict the snail's actual direction of coiling), when they obviously understood the principle of inversion and always etched their verbal texts "backwards" to ensure printed readability? Who were Mary Roberts, Isabelle Duncan, and several other "invisible" women of Victorian science writing who didn't even win a line in such standard sources as the Encyclopaedia Britannica or the Dictionary of National Biography? (See essay 7 for a reader's resolution to this little mystery.)

From the Hardcover edition.

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)