I/O

by Madeleine Wattenberg

Overview

Finalist for the 2021 Miller Williams Poetry Prize.

Madeleine Wattenberg’s debut collection I/O, finalist for the 2021 Miller Williams Poetry Prize, alternates between epistolary poems to the mythical figure Io and lyrical interrogations of science, myth, and the historical record. Wattenberg casts Io—the priestess of Hera who was turned into a heifer—as a woman struggling to navigate the terrain between choice and coercion. Accompanying the letters to Io are poems whose explorations range from laboratories to airships in their pursuit of answers. Here the poetic imagination emerges as its own laboratory, drawing inspiration as much from ancient myth as from science and steampunk as it refuses to be constrained by a final conclusion.

Product Details

ISBN-13:	9781610757423
Publisher:	University of Arkansas Press
Publication date:	03/05/2021
Series:	Miller Williams Poetry Prize
Sold by:	Barnes & Noble
Format:	eBook
Pages:	118
File size:	1 MB

About the Author

Madeleine Wattenberg is a PhD candidate in creative writing at the University of Cincinnati. Her poems have appeared in The Rumpus, Sixth Finch, Fairy Tale Review, Mid-American Review, Guernica, and Best New Poets. The recipient of awards from the Academy of American Poets and the Taft Research Center, Wattenberg holds an MFA from George Mason University. She serves as associate editor for the Cincinnati Review.

Table of Contents

Contents Series Editor's Preface Except by Violence (i) Dear Io Charon's Obol Dear Io Ars Mythos Dear Io Field Guide to Fission Dear Io Poem in Which the Trojan Horse Burns Blue Dear Io Invocation to Flame Flute Dear Io Imprint with Need Reconfiguration An Inventory of Margaret Cavendish's Laboratory Graf Zeppelin over Siberia The Blazing Field Uses for Late Frost Dear Io Osteoclasts Echeneis, or Six Ways of Letting Go Aphagia Helium Poem for the Father outside the Poem Language's Anatomy Consumption Triptych Elegy for Escaped Aerostat Dear Io (Re) Dear Io What Happens in a Room List of Forgotten Hinges Dear Io Poem with a Penny Underneath Poem in Which the Sphinx Moth Is Again Mistaken for a Hummingbird and Myth for Science Dear Io Coin Toss Name Except by Violence (ii) Acknowledgments Notes

Editorial Reviews

Wattenberg’s poems sparkle with stunningly inventive images. I/O is a book of expansive power and enviable craft.”
—Billy Collins, from the preface

“Treading territory between myth and self, science and the imagination, eyesight and insight, Madeleine Wattenberg’s irresistible debut makes harmony of many worlds. The poems of I/O echo, shape-shift, and experiment. It is as if these poems truly were a passage from one place to another: ‘A pocketknife rattles in the washing machine. / Spring hasn’t yet broken through.’ These poems are tender and thrilling. Without a doubt, I will turn to I/O again and again.”
—Sally Keith, author of River House

“In I/O we are asked to consider along with the poet how an act of violence can be understood and transformed into art. In her search for a valid answer, Wattenberg looks through the microscopes and telescopes of science as well as the lens of myth. The scientific and mythic are not alternate, either/or ways of viewing the world but rather layered, both/and ways of coming to know. So these moving, intelligent poems argue—and enact—in dazzling images and varied musicks. I/O is as complex as it is engagingly accessible. The more I read and think about this astounding book the better it gets.”
—Jennifer Atkinson, author of The Thinking Eye

“For her first collection, Madeleine Wattenberg has pushed the boundaries of our engagement with myth by traversing the field of desire. It is an admirable debut. It is perhaps most admirable when asking what Io of Argos never could: once transformed, who are we to blame for our transformation?”
—Z. L. Nickels, Salt Hill, August 2021

“Maddy’s debut collection is fire, the kind capable of igniting itself: “I don’t wash my hair for ten straight years / and each day the oil drips down my back, / a just-in-case gasoline that I keep close by.” Among the wreckage and the debris of violence, we find a vulnerability and tenderness and it is both universal and deeply private. I’ll be pulling this book from the shelf all year.”
—Lisa Summe, Tinderbox, October 2021

From the Publisher