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| Nina Simone | Primary Artist, Piano, Vocals |
| Hal Mooney | Conductor |
| Horace Ott | Conductor |
| Rudy Stevenson | Guitar |
| Jacques Brel | Composer |
| Hal Mooney | Arranger, Producer, Audio Production |
| Charles Aznavour | Composer |
| Eve Merriam | Composer |
| Leslie Bricusse | Composer |
| Jalacy Hawkins | Composer |
| Anthony Newley | Composer |
| Horace Ott | Arranger |
| Marcel Stellman | Composer |
| Rudy Stevenson | Composer |
| Hollis King | Art Direction |
| Earl Shuman | Composer |
| Yves Stephane | Composer |
| Andy Stroud | Composer |
| Jeff Willens | Mastering |
| Leon Carr | Composer |
| Bryan Koniarz | Producer |
| Ken Druker | Executive Producer |
| Irma Jurist | Composer |
Editorial Reviews
All Music Guide
One of her most pop-oriented albums, but also one of her best and most consistent. Most of the songs feature dramatic, swinging large-band orchestration, with the accent on the brass and strings. Simone didn't write any of the material, turning to popular European songsmiths Charles Aznavour, Jacques Brel, and Anthony Newley, as well as her husband, Andy Stroud, and her guitarist, Rudy Stevenson, for bluesier fare. Really fine tunes and interpretations, on which Simone gives an edge to the potentially fey pop songs, taking a sudden but not uncharacteristic break for a straight jazz instrumental with "Blues on Purpose." The title track, a jazzy string ballad version of the Screamin' Jay Hawkins classic, gave the ...