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I Sing the Body Electric: And Other Stories [NOOK Book]

Overview

The mind of Ray Bradbury is a wonder-filled carnival of delight and terror that stretches from the verdant Irish countryside to the coldest reaches of outer space. Yet all his work is united by one common thread: a vivid and profound understanding of the vast seet of emotionsthat bring strength and mythic resonance to our frail species. Ray Bradbury characters may find themselves anywhere and anywhen. A horrified mother may give birth to a strange blue pyramid. A man may take Abraham Linkoln out of the grave--and...

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I Sing the Body Electric: And Other Stories

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Overview

The mind of Ray Bradbury is a wonder-filled carnival of delight and terror that stretches from the verdant Irish countryside to the coldest reaches of outer space. Yet all his work is united by one common thread: a vivid and profound understanding of the vast seet of emotionsthat bring strength and mythic resonance to our frail species. Ray Bradbury characters may find themselves anywhere and anywhen. A horrified mother may give birth to a strange blue pyramid. A man may take Abraham Linkoln out of the grave--and meet another who puts him back. An amazing Electrical Grandmother may come to live with a grieving family. An old parrort may have learned over long evenings to imitate the voice of Ernest Hemingway, and become the last link to the last link to the great man. A priest on Mars may confront his fondest dream: to meet the Messiah. Each of these magnificient creations has something to tell us about our own humanity--and all of their fates await you in this new trade edition of twenty-eight classic Bradbury stories and one luscious poem. Travel on an unpredictable and unforgettable literary journey--safe in the hands of the century's great men of imagination.

The mind of Ray Bradbury is a wonder-filled carnival of delight and terror that stretches from the verdant Irish countryside to the coldest reaches of outer space. Yet all his work is united by one common thread: a vivid and profound understanding of the vast set of emotions that bring strength and mythic resonance to our frail species. Ray Bradbury characters may find themselves anywhere and anywhen. A horrified mother may give birth to a strange blue pyramid. A man may take Abraham Lincoln out of the grave--and meet another who puts him back. An amazing Electrical Grandmother may come to live with a grieving family. An old parrot may have learned over long evenings to imitate the voice of Ernest Hemingway, and became the last link to the great man. A priest on Mars may confront his fondest dream: to meet the Messiah. Each of these magnificent creations has something to tell us about our humanity--and all of their fates await you in this new trade edition of twenty-eight classic Bradbury stories and one luscious poem. Travel on an unpredictable and unforgettable literary journey--safe in the hands of one the centurys great men of imagination.

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Editorial Reviews

Library Journal
Besides the title story, this collection includes 28 of the great Bradbury's other stories, including "Heavy Set," "The Parrot Who Met Papa," and "The Lost City of Mars." The selections represent a nice array of Bradbury's work from the 1940s to the 1970s, with some straight sf mixed with more lighthearted fare.
Martin Levin
The author retains an enthusiasm for both the natural world and the supernatural that sends a tingle of excitement through even the flimsiest conceit. -- Martin Levin, The New York Times Book Review
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Product Details

  • ISBN-13: 9780062242280
  • Publisher: HarperCollins Publishers
  • Publication date: 5/21/2013
  • Sold by: HARPERCOLLINS
  • Format: eBook
  • Pages: 336
  • Sales rank: 126,855
  • File size: 833 KB

Meet the Author

Ray Bradbury

In a career spanning more than seventy years, Ray Bradbury, who died on June 5, 2011 at the age of 91, inspired generations of readers to dream, think, and create. A prolific author of hundreds of short stories and close to fifty books, as well as numerous poems, essays, operas, plays, teleplays, and screenplays, Bradbury was one of the most celebrated writers of our time. His groundbreaking works include Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. He wrote the screen play for John Huston's classic film adaptation of Moby Dick, and was nominated for an Academy Award. He adapted sixty-five of his stories for television's The Ray Bradbury Theater, and won an Emmy for his teleplay of The Halloween Tree. He was the recipient of the 2000 National Book Foundation Medal for Distinguished Contribution to American Letters, the 2004 National Medal of Arts, and the 2007 Pulitzer Prize Special Citation, among many honors.

Throughout his life, Bradbury liked to recount the story of meeting a carnival magician, Mr. Electrico, in 1932. At the end of his performance Electrico reached out to the twelve-year-old Bradbury, touched the boy with his sword, and commanded, "Live forever!" Bradbury later said, "I decided that was the greatest idea I had ever heard. I started writing every day. I never stopped."

Biography

Ray Bradbury is one of those rare individuals whose writing has changed the way people think. His more than 500 published works -- short stories, novels, plays, screenplays, television scripts, and verse -- exemplify the American imagination at its most creative.

Once read, his words are never forgotten. His best-known and most beloved books -- The Martian Chronicles, The Illustrated Man, Fahrenheit 451, and Something Wicked This Way Comes -- are masterworks that readers carry with them over a lifetime. His timeless, constant appeal to audiences young and old has proven him to be one of the truly classic authors of the 20th Century -- and the 21st.

Ray Bradbury's work has been included in several Best American Short Story collections. He has been awarded the O. Henry Memorial Award, the Benjamin Franklin Award, the World Fantasy Award for Lifetime Achievement, the Grand Master Award from the Science Fiction Writers of America, and the PEN Center USA West Lifetime Achievement Award, among others. In recognition of his stature in the world of literature and the impact he has had on so many for so many years, Bradbury was awarded the National Book Foundation's 2000 Medal for Distinguished Contribution to American Letters and the National Medal of Arts in 2004.

On the occasion of his 80th birthday in August 2000, Bradbury said, "The great fun in my life has been getting up every morning and rushing to the typewriter because some new idea has hit me. The feeling I have every day is very much the same as it was when I was twelve. In any event, here I am, eighty years old, feeling no different, full of a great sense of joy, and glad for the long life that has been allowed me. I have good plans for the next ten or twenty years, and I hope you'll come along."

Good To Know

In our exclusive interview with Bradbury, he shared some fascinating facts with us:

"I spent three years standing on a street corner, selling newspapers, making ten dollars a week. I did that job every day for three hours and the rest of the time I wrote because I was in love with writing. The answer to all writing, to any career for that matter, is love."

"I have been inspired by libraries and the magic they contain and the people that they represent."

"I hate all politics. I don't like either political party. One should not belong to them -- one should be an individual, standing in the middle. Anyone that belongs to a party stops thinking."

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    1. Also Known As:
      Leonard Douglas, William Elliott, Douglas Spaulding, Leonard Spaulding
      Ray Bradbury
    2. Hometown:
      Los Angeles, California
    1. Date of Birth:
      August 22, 1920
    2. Place of Birth:
      Waukegan, Illinois
    1. Education:
      Attended schools in Waukegan, Illinois, and Los Angeles, California
    2. Website:

Read an Excerpt

The Kilimanjaro Device

I arrived in the truck very early in the morning. I bad been driving all night for I hadn't been able to sleep at the motel so I thought I night as well drive and I arrived among the mountains and hills near Ketchum and Sun Valley just as the sun came up and I was glad I had kept busy with driving.

I drove into the town itself without looking up at that one hill. I was afraid if I looked at it I would make a mistake. It was very important not to look at the grave. At least that is how I felt. And I had to go on my hunch.

I parked the truck in front of an old saloon and walked around the town and talked to a few people and breathed the air and it was sweet and clear. I found a young hunter, but he was wrong; I knew that after talking to him for a few minutes. I found a very old man, but he was no better. Then I found me a hunter about fifty, and he was just right. He knew, or sensed, everything I was looking for.

I bought him a beer and we talked about a lot of things, and then I bought him another beer and led the conversation around to what I was doing here and why I wanted to talk to him. We were silent for a while and I waited, not showing my impatience, for the hunter, on his own, to bring up the past, to speak of other days three years ago, and of driving toward Sun Valley at this time or that and what he saw and knew about a man who had once sat in this bar and drunk beer and talked about hunting or gone hunting out beyond.

And at last, looking off at the wall as if it were the highway and the mountains, the hunter gathered up his quiet voice and was ready to speak.

"That old man," he said. "Oh, that old man on the road. Oh, that poor oldman."

I waited.

"I just can't get over that old man on the road," he said, looking down now into his drink.

I drank some more of my beer, not feeling well, feeling very old myself and tired.

When the silence prolonged itself, I got out a local map and laid it on the wooden table. The bar was quiet. It was midmorning and we were completely alone there.

"This is where you saw him most often?" I asked.

The hunter touched the map three times. "I used to see him walking here. And along there. Then he'd cut across the land here. That poor old man. I wanted to tell him to keep off the road. I didn't want to hurt or insult him. You don't tell a man like that about roads or that maybe he'll be hit. If he's going to be hit, well that's it. You figure it's his business, and you go on. Oh, but he was old there at the last."

'He was," I said, and folded the map and put it in my pocket.

"You another of those reporters?" said the hunter.

"Not quite those," I said.

'Didn't mean to lump you in with them," he said.

"No apology needed," I said. "Let's just say I was one of his readers."

"Oh, he had readers all right, all kinds of readers. Even me. I don't touch books from one autumn to the next. But I touched his. I think I liked the Michigan stories best. About the fishing. I think the stories about the fishing are good. I don't think anybody ever wrote about fishing that way and maybe won't ever again. Of course, the bullfight stuff is good, too. But that's a little far off. Some of the cowpokes like them; they been around the animals all their life. A bull here or a bull there, I guess it's the same. I know one cowpoke has read just the bull stuff in the Spanish stories of the old man's forty times. He could go over there and fight, I swear."

"I think all of us felt," I said, "at least once in our lives, when we were young, we could go over there, after reading the bull stuff in the Spanish stories, that we could go over there and fight. Or at least jog ahead of the running of the bulls, in the early morning, with a good drink waiting at the other end of the run, and your best girl with you there for the long weekend."

I stopped. I laughed quietly. For my voice had, without knowing, fallen into the rhythm of his way of saying, either out of his mouth, or from his hand. I shook my head and was silent.

"You been up to the grave yet?" asked the hunter, as if he knew I would answer yes. "No," I said.

That really surprised him. He tried not to show it.

"They all go up to the grave," he said. ''Not this one."

He explored around in his mind for a polite way of asking. "I mean . . ." he said. "Why not?"

"Because it's the wrong grave," I said.

"All graves are wrong graves when you come down to it," he said.

"No," I said. ''There are right graves and wrong ones, just as there are good times to die and bad times."

He nodded at this. I had come back to something he knew, or at least smelled was right.

"Sure, I knew men," he said, "died just perfect. You always felt, yes, that was good. One man I knew, sitting at the table waiting for supper, his wife in the kitchen, when she came in with a big bowl of soup there he was sitting dead and neat at the table. Bad for her, but, I mean, wasn't that a good way for him? No sickness. No nothing but sitting there waiting for supper to come and never knowing if it came or not. Like another friend. Had an old dog. Fourteen years old. Dog was going blind and tired. Decided at last to take the dog to the pound and have him put to sleep. Loaded the old blind tired dog on the front seat of his car. The dog licked his hand, once. The man felt awful. He drove toward the pound. On the way there, with not one sound, the dog passed away, died on the front seat, as if he knew and, knowing, picked the better way, just handed over his ghost, and there you are. That's what you're talking about, right?"

I nodded.

"So you think that grave up on the hill is a wrong grave for a right man, do you?"

"That's about it," I said.

"You think there are all kinds of graves along the road for all of us?"

"Could be," I said.

"And if we could see all our life one way or another, we'd choose better? At the end, looking back,'' said the hunter, "we'd say, hell, that was the year and the place, not the other year and the other place, but that one year, that one place. Would we say that?"

"Since we have to choose or be pushed finally," I said, "yes."

"That's a nice idea," said the hunter. "But how many of us have that much sense? Most of us don't have brains enough to leave a party when the gin runs out. We hang around."

"We hang around, " I said, "and what a shame."

We ordered some more beer.

The hunter drank half the glass and wiped his mouth.

"So what can you do about wrong graves?'' he said.

"Treat them as if they didn't exist," I said. "And maybe they'll go away, like a bad dream."

Copyright ) 1998 by Ray Bradbury

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted June 14, 2013

    Fantastic story by a master

    This is one of my all time favorite Bradbury collections.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted January 23, 2010

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    Posted February 22, 2010

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