| Vince Gill | Primary Artist, Primary Artist, Acoustic Guitar, Guitar, Electric Guitar, Vocals, Background Vocals |
| Delbert McClinton | Harmonica |
| Lou Reed | Background Vocals |
| Dawn Sears | Background Vocals |
| Bob Bailey | Background Vocals |
| Richard Bennett | Acoustic Guitar |
| Kim Fleming | Background Vocals |
| Vicki Hampton | Background Vocals |
| Yvonne Hodges | Background Vocals |
| John Hughey | Steel Guitar |
| Steve Nathan | Hammond Organ |
| Randy Scruggs | Acoustic Guitar |
| Steuart Smith | Electric Guitar |
| Harry Stinson | Background Vocals |
| Carlos Vega | Drums |
| Pete Wasner | Keyboards |
| Willie Weeks | Bass |
| Andrea Zonn | Fiddle, Background Vocals |
| John Barlow Jarvis | Keyboards |
| Billy Thomas | Background Vocals |
| Bobby Womack | Composer |
| Tony Brown | Producer |
| Tony Brown | Producer |
| John Guess | Engineer |
| John Hughey | Contributor |
| Russ Martin | Engineer |
| Glenn Meadows | Digital Editing, Mastering |
| Craig White | Engineer |
| Marty Williams | Engineer |
| Katherine DeVault | Art Direction |
| Don Schlitz | Composer |
Anonymous
Posted October 18, 2010
No text was provided for this review.
Editorial Reviews
All Music Guide - Johnny Loftus
Vince Gill had already enjoyed country success before 1992's I Still Believe in You, but it was the album's four number one singles and almost immediate platinum status that assured the honey-voiced performer's fame and staying power. Gill's delivery is as smooth as the glass surface of a secluded mountain swimming hole, shifting from promise and pain to love and loneliness with easy charm and the occasional touch of his high lonesome background "No Future in the Past," "Say Hello". The title track fairly glows with slow-cooked soul, while "Don't Let Our Love Slip Away" nods along on a late-'70s contemporary country vibe. The whole affair is so gosh darn flawless it's ...