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Emma Greyson, let go from her first job for her outspoken opinions, is nearly raped at Ralston Manor on her second job by seducer Chilton Crone, and is again let go of her position as a paid lady's companion. During her employment at Ralston, she'd disguised her red hair with a dark wig. Thus, when Crane sees her now, unwigged, at her new job as companion to Lady Mayfield at Ware Castle, where the brightest names in London society gather for a house party, she goes unrecognized. In evading Crane, though, she's forced to hide in a wardrobe in Lady Miranda's bedchamber. No sooner is Emma in the closet than a hand covers her mouth — foe Edison Stokes is also hidden there! Stokes, bastard son of a dead rakehell, is at Ware to find the lost Book of Secrets, a text full of occult recipes. (Readers hoping for a supernatural twist to a Regency outing will be disappointed: the Book of Secrets is largely a MacGuffin.) Since Emma and her younger sister Daphne are orphans, Emma must pay Daphne's upkeep at a school in Devon. She has also unwisely invested money from the sale of her parents' house. When Emma discovers Crane trying to rape the servant girl, she bops him over the skull with a bed-warmer, but this time she's saved from exposure by Edison; later, Crane is murdered. Even so, she falls under suspicion as the culprit until Edison suggests that he and Emma were in bed together during the killing. She's then hired by Edison, who needs her to test the book's magical elixirs, and more
Amanda Quick: Thank you so much for having me. I'm delighted to be here.
Amanda Quick: I think romantic literature is a terrific market for women writers but certainly not the only one. Women write in all fields of fiction.
Amanda Quick: I love the Regency period partly because it is a great backdrop for the kind of characters that I like to use in my books. The Regency was famous for wit and conversation and nuance. At the same time it has a very "modern" feel in terms of the way the people thought and wrote. I especially love their attitude toward science.
Amanda Quick: I have no plans in the immediate future for a trip to Australia, but I would really love to travel there one of these days. I think most Americans have a special affection for Australia because we share some similarities in our history.
Amanda Quick: Emma was born from the feeling I had that I wanted to do a character who was not in a socially powerful position. That gave me the opportunity to emphasize her gutsy qualities. Glad you liked her.
Amanda Quick: Yes -- seems like I'm always working on another book! I'd probably go a little nuts if I wasn't. As for who I read, well, that is a long list, and it certainly includes a lot of my friends, such as Elizabeth Lowell, Stella Cameron, and Susan Elizabeth Phillips.
Amanda Quick: I invented Zamar because I wanted to set a story around the attitudes and excitement that people in the Regency felt toward the discovery and exploration of ancient civilizations. But a great deal has already been written about their feelings toward ancient Rome and Egypt and Greece, et cetera. I decided to come up with my own "lost" civilization. It was a lot of fun, I have to tell you. It also gave me some room to push the envelope in terms of the plot.
Amanda Quick: Great question. Actually, I think any of my female characters could adapt to today's society because all of them are intelligent, energetic, and resourceful. A good heroine can go anywhere and into any time period, I always say!
Amanda Quick: Thanks for the question, Cissy. Glad you liked I THEE WED, and I especially appreciate the comments on the dialogue because that is how I tend to "think" through my plot -- in terms of what the characters will say to each other. Some writers see a story as if it were a film unfolding. Others see the setting with great clarity and work from that. Me, I hear conversations in my head. Which may not necessarily be a great sign...
Amanda Quick: As it happens, I studied history in college. But the fact that I had studied it kept me from trying to write historical romance for several years. I didn't think I could get into the fantasy. But one day I sat down and wrote a futuristic romance under my Jayne Ann Krentz name and halfway through it I suddenly realized that it "felt" like a historical romance. That was when I decided to try my hand at historicals.
Amanda Quick: The truth is, my favorite book is always the one I'm working on right now. Once I've written a book, I never go back. All I care about is the next story.
Amanda Quick: Dickens? Wow. Gee, thanks. I'll be happy to answer your questions anytime! But back to reality here. Yes, the characters in my romance novels (and in lots and lots of romance novels) often end up talking about babies and families and such because at the core of the romance novel is the foundation of the family and an affirmation of solid family values. If you write romance, family stuff goes with the territory.
Amanda Quick: I haven't done much with connected books in the past, but I am starting to experiment a bit with the concept. There will be a link, for example, between I THEE WED (my current hardcover) and the one that will appear next spring. I hope you enjoy the change of pace.
Amanda Quick: The good news as far as I am concerned is that the women's fiction market is the most innovative market in fiction publishing right now. No other genre is as creative, fresh, lively, and welcoming to new ideas as romance/women's fiction is today. Our enthusiastic, adventurous readers have made all this experimentation possible. Romance readers are the greatest! They'll try just about anything so long as there are compelling relationships at the heart of the novel. Historical, futuristic, paranormal, funny, serious, suspenseful -- anything goes in romance today. It's a great time to be writing.
Amanda Quick: I think most writers become writers the day they realize that they want to tell the story their way. The urge to write is never a rational, logical decision -- it is a compulsion. Big difference. As long as you're compelled to write, you do it whether or not you get published. You can't stop yourself. If you can stop, you probably were not meant to be a writer.
Amanda Quick: I have great respect for two honorable people who make a commitment and stick to it. Honor is in short supply in this world. We need to encourage that virtue whenever we can.
Amanda Quick: Thanks, Stacey. Glad you liked I THEE WED. Yes, as a matter of fact, there will be another Jayne Ann Krentz book out any day now. The title is EYE OF THE BEHOLDER. Hope you like it.
Amanda Quick: Glad you haven't found any glaring errors. As a history major myself, I have a lot of respect for accuracy. At the same time, as a writer, I have an even greater respect for the demands of good storytelling. Sometimes the two demands create some problems.
Amanda Quick: I was looking for a suitably exotic backdrop for my characters. At the same time, I didn't want the story line to be tied down to what was then known about other ancient civilizations. I needed more room for the story. Hence the invention of Zamar. Hey, if you like Zamar, you're going to love Vanzagara in I THEE WED.
Amanda Quick: There's always a new book either in my head or going down on the computer. In this case the next one is, indeed, another Regency and, yes, it will be connected to the current one, I THEE WED. The tentative title is THE WICKED WIDOW.
Amanda Quick: Haven't researched wiccan/pagan practices, but I have always been interested in Eastern philosophies because of the emphasis on self-control and self-mastery. I have always believed that the first step to a truly civilized society is personal self-discipline.
Amanda Quick: If you're interested in writing romance, I assume you read widely in the genre. It is the only way to find out just how broad this field of fiction is and to get a handle on where your type of story will fit into it. The next step, I think, would be to check out joining Romance Writers of America. They offer a lot of information that is extremely helpful to new writers of women's fiction and romance in particular. You can find them on the Web.
Amanda Quick: Actually, no, I never thought of Thomas Edison when I named my hero, but I certainly should have because I really enjoy the history of science and use it a lot in my work. Between you and me, I've used up a lot of good names, and my "name the baby" books are pretty tattered and torn. I'm down to using obituaries and the telephone book these days in a desperate quest to find interesting names for characters!
Amanda Quick: Not the heroine's sister, but there will be a link...
Amanda Quick: I've got to like my own heroes and heroines, too, you know. Otherwise it wouldn't be as fun to write their stories.
Amanda Quick: Thanks. And, yes, you bet I've read Georgette Heyer. Every Regency romance author I know has read her! Heck, she invented the genre.
Amanda Quick: For some reason, at least until this point, the type of characters I enjoy doing have always seemed to fit best into a fantasy version of the English Regency period -- maybe because that time and place seem more distant to me, as an American, and therefore easier to render in fantasy terms.
Amanda Quick: Hard question to answer. The truth is, if the characters don't take on a life of their own somewhere in the course of the book, I'm in trouble. Emma in I THEE WED was pretty lively, though, I must say.
Amanda Quick: That was the general idea but things went awry, as they so often do with my more brilliant notions. The working title of the next book is THE WICKED WIDOW, which, as you can see, sort of jumps ahead beyond the marriage vows.
Amanda Quick: Don't think so. I think what has been created is a thriving secondary market. There certainly are a lot more used bookstores around now than there were 20 years ago when I started writing -- and a great many of them specialize in romance, I've noticed. Collecting romances has become big business, too.
Amanda Quick: I think, at its heart, the romance novel hasn't changed very much. None of the genres change much because the archetypes that animate them don't change. The classic heroic virtues are at the core of all the genres, including the romance genre: courage, honor, determination. These are the things we look for in genre fiction. Only the superficial stuff changes a bit when each new generation of writers gets hold of it.
Amanda Quick: I've had a great time this evening. Thank you all for your interest in my books and thank you, barnesandnoble.com, for everything you've done to support romance fiction.
Anonymous
Posted April 9, 2012
Um there's another party at 39 clues legacy
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Posted April 2, 2012
Well....no one was really here.. so i just didnt post...
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Posted March 31, 2012
Hey wait i cant be on much. Mom stealith nook. Grrrrr.... hey cale!
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Posted March 31, 2012
Wait so seriously? U don put a review then u get banned forever? That wud explain alot....(good book)
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Posted March 31, 2012
*Marceline lays still on the grond not moveing. She strugles to move but can. Is this how my mother felt like? As she faded away. She closes her eyes and sighs.*
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Posted March 31, 2012
He smiles and pats him on the back." Congragulations my friend."
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Posted March 31, 2012
Oh. Ok. Thx (good book)
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Posted April 6, 2012
Yo
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Posted March 30, 2012
Woooooo
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Posted April 9, 2012
Im there
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This book spends much time explaining Vanzagara that was touched on in the last book. Edison is searching for a book that was stolen from the Vanzagarian library. A chemist that specializes in Vanzagarian herbs has been murdered. A lady no one has met prior to this season is pushing tea down everyone's throats and asking them to guess which card is in her hand. It really is a fun book - intriguing and difficult to put down!
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Posted July 28, 2004
I've read better books than this one. Nothing astonishing. I dont know whats that all about the so named Strategies, and was it really necessary to bring them up in every chapter?? It was hard to believe the characters, they all seemed fake .....
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Posted June 30, 2002
This book was entertaining. Funny, endearing .... everything a good romance novel should be!
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Posted April 29, 2001
I personally don't see what all the commotion is about. I thought this book was a boring to be honest. It had a good plot but I think more romance scenes could have been highlighted. It was not her best work. Personally I think slighty shady is a book to sit up and take notice of.
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Posted April 30, 2001
I THINK THIS IS THE BEST AMANDA QUICK BOOK. I'VE READ THEM ALL AND THIS WAS THE BEST OF THE LOT. IT KEPT ME GUESSING ALL THE WAY TO THE END. I LOVED IT. I COULDN'T PUT IT DOWN.
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Posted May 7, 2000
I read this book in two days. I just could not put it down, every time I tried something else exciting came up in the book and I had to read on. It was apsolutly wonderful.
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Posted March 15, 2000
I Thee Wed has adventure, suspence, romance, and all the qualities that make a novel great. Ms. Quick is truely a very talented writer and I can't wait for her next book. Her heros are men who you'd love to fall in love with and her heroines are always engaging and firey women who you'd love to be more like. I have all of her novels and they are all fantastic.
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Posted March 2, 2000
As always, Amanda Quick has written a wonderful romance with a witty, intelligent heroin and a large, handsome hero. That's where the similarity to other romance novels end. Ms. Quick successfully invents lost islands and civilizations and thrills us with her descriptions of old England. I loved this book as much as all her previous books (which I reread on a periodic basis). The only complaint I have about Amanda Quick as an author is that she just doesn't finish books fast enough. And why, oh why do they have to end?
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Posted February 14, 2000
THis book had me reading it from 10 in the morning till 7 in the evening.....COULDN'T PUT IT DOWN!!!
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Posted March 18, 2011
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Overview
It isn't easy making a living as a lady's companion when one possesses a sharp tongue and an original mind. That's why Emma Greyson has gone through three such positions in six months. Her current post at a tiresome country house party has her bored to tears—until an extraordinary encounter with the legendary Edison Stokes leads to a secret position as his assistant.Stokes is on a peculiar mission, searching for an anonymous thief who has stolen an ancient book of arcane potions. He suspects his quarry is among the party's guests—and that the villain is looking for an intuitive woman...