Ibsen And Early Modernist Theatre, 1890-1900

Ibsen And Early Modernist Theatre, 1890-1900

by Kirsten Shepherd-Barr
     
 

Best known as the author of such plays as A Doll's House and Hedda Gabler, Henrik Ibsen is one of the most influential figures of modern drama. This book takes Ibsen as a case study for an exploration of early modernist theatre in theory and practice, in text and performance. Modern drama has its roots in the theatrical activity across Europe during

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Overview

Best known as the author of such plays as A Doll's House and Hedda Gabler, Henrik Ibsen is one of the most influential figures of modern drama. This book takes Ibsen as a case study for an exploration of early modernist theatre in theory and practice, in text and performance. Modern drama has its roots in the theatrical activity across Europe during the 1880s and 1890s—the period when Ibsen's plays were first being produced in England and France, often by avant-garde or experimental theatrical groups. This study focuses on four of Ibsen's plays and their reception in England and France in the 1890s, specifically in the context of cross-cultural understanding, translation, and the diffusion of ideas. It encompasses performance history, textual and translation analysis in several languages, and theatrical criticism.

The main contribution of this study lies in the provision of a better understanding of Ibsen's central role in the radical artistic movements of the period, and particularly in locating the basis for an early modernist theatre in the new wave Ibsen created internationally. His immediate impact on the French Symbolist theatre movement, for example, meant that its avant-garde leaders embraced Ibsen's works as an important exposition of their own radical ideas. Through close cross-cultural exchange, plays like Rosmersholm and The Master Builder, which were heralded as explicitly symbolist in France, helped condition the critical reaction to Ibsen as a symbolist playwright in England as well, and directly influenced the development of the theatre in that direction, however briefly.

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Editorial Reviews

Booknews
Focuses on the period of greatest controversy surrounding Ibsen in England and France, and on four of his plays that made the most immediate and lasting impact on his reception in these two countries. Concentrates on British interpretations of and reactions to Ibsen, with France as a backdrop. Works discussed are A Doll's House, Rosmersholm, Hedda Gabler, and The Master Builder. Annotation c. by Book News, Inc., Portland, Or.

Product Details

ISBN-13:
9780313304101
Publisher:
ABC-CLIO, Incorporated
Publication date:
09/30/1997
Series:
Contributions in Drama and Theatre Studies Series, #78
Pages:
222
Product dimensions:
6.20(w) x 9.10(h) x 0.90(d)
Lexile:
1680L (what's this?)

Meet the Author

KIRSTEN SHEPHERD-BARR is Assistant Professor of English at North Carolina State University in Raleigh, where she specializes in modern drama. She received her B.A. in English from Yale University and then studied at the University of Oslo on a Fulbright Grant. She completed her doctoral studies in English at the University of Oxford.

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