The Ice Queen

The Ice Queen

3.7 63
by Alice Hoffman

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Be careful what you wish for. A small town librarian lives a quiet life without much excitement. One day, she mutters and idle wish and, while standing in her house, is struck by lightning. But instead of ending her life, this cataclysmic event sparks it into a new beginning. She goes in search of Lazarus Jones, a fellow survivor who was struck dead, then simply

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Be careful what you wish for. A small town librarian lives a quiet life without much excitement. One day, she mutters and idle wish and, while standing in her house, is struck by lightning. But instead of ending her life, this cataclysmic event sparks it into a new beginning. She goes in search of Lazarus Jones, a fellow survivor who was struck dead, then simply got up and walked away. Perhaps this stranger who has seen death face to face can teach her to live without fear. When she finds himhe is opposite, a burning man whose breath can boil water and whose touch scorches.

Editorial Reviews

Library Journal
Frozen in misery since age eight, when the mother she wished would disappear promptly obliged by dying in a car wreck, the thirtysomething unnamed narrator of Hoffman's hypnotic new novel has spent her life avoiding meaningful human contact. As a New Jersey reference librarian, she relentlessly pursues the details of death in all its countless causes while engaging in after-hours backseat trysting with a local cop. After settling near her brother in Florida, the narrator is struck by lightning. Now, with the color red stripped from her vision, she sees the ice that has surrounded her heart all these years. When she learns of a local legend named Lazarus Jones, dead for 40 minutes after his own strike, she feels compelled to track him down. Their affair ignites, literally, for Jones's aftereffects are so severe that touching him causes burns. Hoffman's genius allows the lovers to hang in suspended animation until the outside world intrudes, more threatening than the near-fatal electrical disruptions that have defined their lives. Less-skilled hands would have left readers awash in sticky metaphors of heat and ice. Have no such fear with the formidable Hoffman. Highly recommended. [See Prepub Alert, LJ 12/04.]-Beth E. Andersen, Ann Arbor Dist. Lib., MI Copyright 2005 Reed Business Information.
School Library Journal
Adult/High School-At the age of eight, the narrator learns the power of a spoken wish. Angry at her mother, she wishes never to see her again. When the woman dies in a car accident, the child resolves to be quiet and imagines her own fairy tale: a girl turns to ice and her heart becomes hard and unbreakable. As an adult, she becomes a reference librarian and an expert in death and ways of dying. Indifferent and unfeeling, she is unable to have meaningful relationships. She allows her brother to move her to Florida, where another wish is fulfilled: she is struck by lightning. Her hair falls out, she limps, she loses the ability to see the color red, and her heart freezes. Enrolled in a study of lightning victims, she learns about a local recluse who was dead for 40 minutes, then walked away. The nameless woman seeks him out; she wants to know what her mother experienced at the moment of death. They begin a passionate love affair. As opposites (she is ice, he is fire), the only way they can touch is in water. Hoffman incorporates elements of fairy tales ("The Snow Queen," "Beauty and the Beast"), chaos theory, and magic realism. Although the story borders on the trite and the dual imagery (fire/ice, heat/cold, red/colorless) is sometimes overdone, the narration is powerful and the ending is satisfying if a bit predictable. Hoffman's fans will find much that is familiar and appealing.-Sandy Freund, Richard Byrd Library, Fairfax County, VA Copyright 2005 Reed Business Information.
Kirkus Reviews
The veteran, bestselling author (Blackbird House, 2004, etc.) takes risks-most of which pay off-in her dark tale of a woman literally struck by lightning. The unnamed narrator has been racked by guilt since she was eight, when she petulantly wished that her mother would disappear. Mom died in a car accident that very night, and the traumatized girl grows up into a quiet librarian with a violent interior life. Her preferred reading is the grimmest sort of fairy tale; she makes up one of her own about a girl who turns into ice so that "nothing could hurt her anymore." At the reference desk she specializes in information on ways to die, an expertise that leads her into a joyless sexual liaison with the local police chief. After the grandmother who raised them dies, the narrator's brother takes his severely depressed sister to Orlon, Fla., where he's a professor of meteorology. Peeved by his enthusiasm for the stormy weather en route, she wishes to be struck by lightning, and . . . you guessed it. The setup is schematic, and the gloomy narrator can be wearying, even when she embarks on a torrid affair with another lightning-strike survivor: Lazarus Jones, who's still so hot to the touch that they must have sex in water so he doesn't scorch her. But slowly, just as you're thinking you'll scream if you read another fairy-tale metaphor or gruesome description of the damage sustained by lightning victims, the narrator begins to be drawn out of her self-absorbed misery. Her brother and his wife are in desperate straits, Lazarus is not what he seems, and the shock of these discoveries jolts her into recognition that she cares for other people more than she's admitted. Despite what happened to hermother (which also proves to be not quite what it seemed), love is as necessary as breathing. And love "changed your whole world. Even when you didn't want it to." It takes a while to get to the beautiful closing pages, which give the narrator a happy ending she's more than earned, but this thickly textured, heavily metaphorical approach finally leads us to some genuine human emotion. Far from perfect, but Hoffman's more adventurous fans will appreciate this interesting effort. Author tour

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Product Details

Little, Brown and Company
Publication date:
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Product dimensions:
5.40(w) x 8.20(h) x 0.70(d)
Age Range:
14 - 18 Years

Read an Excerpt

The Ice Queen

a novel
By Alice Hoffman

Little, Brown & Company

ISBN: 0-316-15438-5

Chapter One

Be careful what you wish for. I know that for a fact. Wishes are brutal, unforgiving things, they burn your tongue the moment they're spoken and you can never take them back. They bruise and bake and come back to haunt you. I've made far too many wishes in my lifetime, the first when I was eight years old. Not the sort of wish for ice cream or a party dress or long, blond hair; no. The other sort, the kind that rattles your bones, then sits in the back of your throat, a greedy red toad that chokes you until you say it aloud.

The kind that can change your life in an instant, before you have time to wish you can take it back.

I was in the wrong place at the wrong time, but don't all stories begin this way? The stranger who comes to town and wreaks havoc. The man who stumbles off a cliff on his wedding day. The woman who goes to look out the window when a bullet, or a piece of glass, or a blue-white icicle pierces her breast. I was the child who stomped her feet and made a single wish and in so doing ended the whole world - my world, at any rate. The only thing that mattered. Of course 1 was self-centered, but don't most eight year-old girls think they're the queen of the universe? Don't they command the stars and seas? Don't they control the weather? When I closed my eyes to sleep at night, I imagined the rest of the world stopped as well. What I wanted, I thought I should get. What I wished for, I deserved.

I made my wish in January, the season of ice, when our house was cold and the oil bill went unpaid. It happened on the sixteenth, my mother's birthday. We had no father, my brother and I. Our father had run off; leaving Ned and me our dark eyes and nothing more. We depended on our mother. I especially didn't expect her to have a life of her own. I pouted when anything took her away, the bills that needed paying, the jobs that came and went, the dishes that needed washing, the piles of laundry. Endless, endless. Never ever done. That night my mother was going out with her two best friends to celebrate her birthday. I didn't like it one bit. It sounded like fun. She was off to the Bluebird Diner, a run-down place famous for its roast beef sandwiches and French fries with gravy. It was only a few hours on her own. It was just a tiny celebration.

I didn't care.

Maybe my father had been self-centered; maybe I'd inherited that from him along with the color of my eyes. I wanted my mother to stay home and braid my hair, which I wore long, to my waist. Loose, my hair knotted when I slept, and I worried; my brother had told me that bats lived in our roof. I was afraid they would fly into my room at night and make a nest in my head. I didn't want to stay home with my brother, who paid no attention to me and was interested more in science than in human beings. We argued over everything, including the last cookie in the jar, which we often grabbed at the same time. Let go! You first! Whatever we held often broke in our grasp. Ned had no time for a little sister's whims; he had to be bribed into reading to me. I'll do your chores. I'll give you my lunch money. Just read.

My mother didn't listen to my complaints. She was preoccupied. She was in a rush. She put on her raincoat and a blue scarf. Her hair was pale. She'd cut it herself, straining to see the back of her head in the mirror. She couldn't afford a real haircut at a salon; still she was pretty. We didn't talk about being poor; we never discussed what we didn't have. We ate macaroni three times a week and wore heavy sweaters to bed; we made do. Did I realize that night was my mother's thirtieth birthday, that she was young and beautiful and happy for once? To me, she was my mother. Nothing less or more. Nothing that didn't include me.

When she went to leave, I ran after her. I was barefoot on the porch and my feet stung. The rain had frozen and was hitting against the corrugated green fiberglass roof. It sounded like a gun. Ice had slipped onto the floorboards and turned the wood to glass. I begged my mother not to go. Queen of the universe. The girl who thought of no one but herself. Now I know the most desperate arguments are always over foolish things. The moment that changes the path of a life is the one that's invisible, that dissolves like sugar in water. But tell that to an eight-year-old girl. Tell it to anyone; see who believes you.

When my mother said that Betsy and Amanda were waiting for her and that she was already late, I made my wish. Right away, I could feel it burning. I could taste the bitterness of it; still I went ahead. I wished I would never see her again. I told her straight to her face. I wished she would disappear right there, right then.

My mother laughed and kissed me good-bye. Her kiss was clear and cold. Her complexion was pale, like snow. She whispered something to me, but I didn't listen. I wanted what I wanted. I didn't think beyond my own needs.

My mother had to start the car several times before the engine caught. There was smoke in the air. The roof of the patio vibrated along with the sputtering engine of the car. I could feel the sourness inside me. And here was the odd thing about making that wish, the one that made her disappear: it hurt.

"Come inside, idiot," my brother called to me. "The only thing you'll accomplish out there is freezing your ass off."

Ned was logical; he was four years older, an expert on constellations, red ants, bats, invertebrates. He had often told me that feelings were a waste of time. I didn't like to listen to Ned, even when he was right, so on that night I didn't answer. He shouted out a promise to read to me, even if it had to be fairy tales, stories he held in contempt. Irrational, impossible, illogical things. Even that wasn't enough for me to end my vigil. I couldn't stop looking at the empty street. Soon enough my brother gave up on me. Didn't everyone? My feet had turned blue and they ached, but I stood out there on the porch for quite a while. Until my tongue stopped burning. I looked out the window, and even Ned came to see, but there was nothing out there. Only the snow.

My mother had her accident on the service road leading to the Interstate. The police report blamed icy road conditions and bald tires that should have been replaced. But we were poor, did I tell you that? We couldn't afford new tires. My mother was half an hour late for her birthday dinner, then an hour; then her friend Betsy called the police. The next morning when our grandmother came to tell us the news, I braided my own hair for the first time, then cut it off with a pair of gardening shears. I left it behind for the bats. I didn't care. I'd started to wonder if my brother had been right all along. Don't feel anything. Don't even try.

After the funeral, Ned and I moved into our grandmother's house. We had to leave some of our things behind: my brother his colony of ants, and I left all my toys. I was too old for them now. My grandmother called what I'd done to my hair a pixie cut, but could she give a name to what I'd done to my mother? I knew, but I wasn't saying. My grandmother was too kind a person to know who was living under her roof. I'd destroyed my mother with words, so words became my enemy. I quickly learned to keep my mouth shut.

At night I told myself a story, wordless, inside my head, one I liked far better than those in my books. The girl in my story was treated cruelly, by fate, by her family, even by the weather. Her feet bled from the stony paths; her hair was plucked from her head by blackbirds. She went from house to house, looking for refuge. Not a single neighbor answered his door, and so one day the girl gave up speaking. She lived on the side of a mountain where every day was snowy. She stood outside without a roof, without shelter; before long she was made of ice-her flesh, her bones, her blood. She looked like a diamond; it was possible to spy her from miles away. She was so beautiful now that everyone wanted her: people came to talk to her, but she wouldn't answer. Birds lit on her shoulder; she didn't bother to chase them away. She didn't have to. If they took a single peck, their beaks would break in two. Nothing could hurt her anymore. After a while, she became invisible, queen of the ice. Silence was her language, and her heart had turned a perfect pale silver color. It was so hard nothing could shatter it. Not even stones.

"Physiologically impossible," my brother said the one time I dared to tell him the story. "In such low temperatures, her heart would actually freeze and then burst. She'd wind up melting herself with her own blood."

I didn't discuss such things with him again.

I knew what my role was in the world. I was the quiet girl at school, the best friend, the one who came in second place. I didn't want to draw attention to myself. I didn't want to win anything. There were words I couldn't bring myself to say; words like ruin and love and lost made me sick to my stomach. In the end, I gave them up altogether. But I was a good grandchild, quick to finish tasks, my grandmother's favorite. The more tasks, the less time to think. I swept, I did laundry, I stayed up late finishing my homework. By the time I was in high school, I was everyone's confidante; I knew how to listen. I was there for my friends, a tower of strength, ever helpful, especially when it came to their boyfriends, several of whom slept with me in senior year, grateful for my advice with their love lives, happy to go to bed with a girl who asked for nothing in return.

My brother went to Harvard, then to Cornell for his graduate degree; he became a meteorologist, a perfect choice for someone who wanted to impose logic onto an imperfect world. He was offered a position at Orlon College, in Florida, and before long he was a full professor, married to a mathematician, Nina, whom he idolized for her rational thought and beautiful complexion. As for me, I looked for a career where silence would be an asset. I went to the state university a few towns over, then to City College for a master's in library science. My brother found it especially amusing that my work was considered a science, but I took it quite seriously. I was assigned to the reference desk, still giving advice, as I had in high school; still the one to turn to for information. I was well liked at the library, the reliable employee who collected money for wedding presents and organized baby showers. When a co-worker moved to Hawaii I was persuaded to adopt her cat, Giselle, even though I was allergic.

But there was another, hidden side to me. My realest self. The one who remembered how the ice fell down, drop by bitter drop. The one who dreamed of cold, silver hearts. A devotee of death. I had become something of an expert on the many ways to die, and like any expert I had my favorites: bee stings, poisoned punch, electric shock. There were whole categories I couldn't get enough of: death by misadventure or by design, death pacts, death to avoid the future, death to circumvent the past. I doubted whether anyone else in the library was aware that rigor mortis set in within four hours. If they knew that when heated, arsenic had a garlic like odor. The police captain in town, Jack Lyons, who'd been in my brother's class in high school, often called for information regarding poison, suicide, infectious diseases. He trusted me, too.

Once I began researching death, I couldn't stop. It was my calling; I suppose it was a passion. I ordered medical texts, entomology books, the Merck manual of pharmaceuticals so as to be well versed in toxic side effects when Jack Lyons called. My favorite reference book was A Hundred Ways to Die, a guide for the terminally ill, those who might be in dire need of methods and procedures for their own demise. Still, I always asked Jack if he hadn't someone more qualified than I to do his research, but he said, "I know I'll just get the facts from you. No interpretations."

In that regard, he was wrong. I was quiet, but I had my opinions: when asked to recommend which fairy tales were best for an eight-year-old, for instance, Anderson's or Grimm's, I always chose Grimm's. Bones tied in silken cloth laid to rest under a juniper tree, boys who were foolish and brave enough to play cards with Death, wicked sisters whose own wickedness led them to hang themselves or jump headfirst into wells. On several occasions there had been complaints to the head librarian when irate mothers or teachers had inadvertently scared the daylights out of a child on my recommendation. All the same, I stood my ground. Andersen's world was filled with virtuous, respectable characters. I preferred tales in which selfish girls who lost their way needed to hack through brambles in order to reach home, and thoughtless, heedless brothers were turned into donkeys and swans, fleas itching like mad under their skin, blood shining from beneath their feathers. I didn't believe that people got what they deserved. I didn't believe in a rational, benevolent world that could be ordered to suit us, an existence presumed to fit snugly into an invented logic. I had no faith in pie charts or diagrams of humanity wherein the wicked were divided from the good and the forever after was in direct opposition to the here and now.

When I walked home from the library on windy nights, with the leaves swirling, and all of New Jersey dark and quiet, I wouldn't have been surprised to find a man with one wing sitting on the front steps of Town Hall, or to come upon a starving wolf on the corner of Fifth Street and Main. I knew the power of a single wish, after all. Invisible and inevitable in its effect, like a butterfly that beats its wings in one corner of the globe and with that single action changes the weather halfway across the world. Chaos theory, my brother had informed me, was based on the mathematical theorem that suggests that the tiniest change affects everything, no matter how distant, including the weather. My brother could call it whatever he wanted to; it was just fate to me.


Excerpted from The Ice Queen by Alice Hoffman Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Ice Queen 3.7 out of 5 based on 1 ratings. 63 reviews.
JakeTaylor More than 1 year ago
From the get-go I was hooked. Hoffman has the knack for creating a narrative that is compelling. The main character, who remains nameless through the whole book, is a woman obsessed with death. As a young girl, she gets mad at her mom as she is driving away. In a moment of fury, she wishes her mom dead. It is the dead of winter and the next day, the young girl wakes up to find that her mom was killed in a car accident. Her wish had come true. Later in the story, the girl moves to Florida with her brother. Florida is the lightning capital of the world. The woman is fascinated by lightning. So fascinated she wonders what it would be like to be struck by it. So she wishes, out loud, that she would be struck by lightning. It happens. Hoffman describes the effects of lightning strikes on people. The narrator, for instance, can no longer see red after she is struck. She is also constantly cold and she begins to refer to herself as an ice queen because she can no longer feel. Then she meets Lazarus. A man who was struck by lightning, died, and then came back to life. She is fascinated by him because he could be someone that would not be affected by her death wishes. An odd romance ensues between the narrator and Lazarus. There is more but I will not spoil it for you. Go find it and read it. It is really a story about the redemptive power of love. I loved how Hoffman made the surreal and the real entwine. It felt like a magical book but there really was no magic in it. I would recommend this book to anyone who enjoys reading Jodi Picoult or other authors like her.
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I have always loved this author's books and I still do.
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Let it go let go!
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Mercy37 More than 1 year ago
Kristin Zack More than 1 year ago
I love Alice Hoffman & I really did love this book! Besides the nameless narrator. It had a good story behind it though.
KrittersRamblings More than 1 year ago
A book that flowed like a stream consciousness - which unfortunately I wasn't a fan of. The story overall was intriguing, but because of the writing style, it wasn't my favorite. The use of strong adverbs made me fall in love with her descriptions of the "effects" of lightning strike survivors. I adored the relationship between the brother and sister and how the early death of their mother affected the both of them in two totally different ways. But through these likes, I still had a hard time reading and enjoying this one. I would only recommend this book to those who love things that are artsy. Imagery and visualization would be key when reading this book.
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