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Journal of the American Academy of Religion
By challenging some of scholarship's most cherished positions, this book will undoubtedly become the sine qua non for all future discussions of biblical language.
Is there poetry in the Bible? Does it have rhyme or meter? How did ancient Hebrew writers compose their works? James Kugel's provocative study provides surprising new answers to these age-old questions. Biblical "poetry" is not a concept native to the Bible itself, he proposes, and the idea that the Bible is divided into prose and verse is merely an approximation of the reality of biblical style. Arguing that the Bible presents a continuum of speech heightened in varying degrees by different means, Kugel sets out to describe Hebrew's high style on its own terms. He also offers a thorough history of the idea of biblical poetry, starting with Philo of Alexandria and Josephus in the first century C.E. and charting its development through the Church Fathers, medieval Jewish writers, the Christian Hebraists of the Renaissance, and on into modern times. The story of how each age understood the nature biblical poetry, Kugel concludes, is a key to understanding the Bible's place in the history of Western thought.
The Johns Hopkins University Press
By challenging some of scholarship's most cherished positions, this book will undoubtedly become the sine qua non for all future discussions of biblical language.
— P. Wernberg-Moller
— Francis Landy
Consistently erudite, lucid, honest, revisionist, and awesomely comprehensive.
This book is a truly remarkable achievement.
A pleasure to read and obviously fun to write, a book which reminds us, through its mastery of critical rhetoric and immense learning, of the playfulness of being a scholar.
Consistently erudite, lucid, honest, revisionist, and awesomely comprehensive.
This book is a truly remarkable achievement.
— P. Wernberg-Moller
By challenging some of scholarship's most cherished positions, this book will undoubtedly become the sine qua non for all future discussions of biblical language.
A pleasure to read and obviously fun to write, a book which reminds us, through its mastery of critical rhetoric and immense learning, of the playfulness of being a scholar.
— Francis Landy
| Preface | ||
| Bibliographical Abbreviations | ||
| 1 | The Parallelistic Line | 1 |
| 2 | Poetry and Prose | 59 |
| 3 | Rabbinic Exegesis and the "Forgetting" of Parallelism | 96 |
| 4 | Biblical Poetry and the Church | 135 |
| 5 | The Meter of Biblical Songs | 171 |
| 6 | "What Is the System of Hebrew Poetry?" | 204 |
| 7 | A Metrical Afterword | 287 |
| App. A | The Persistence of Parallelism | 305 |
| App. B | On Syntax and Style, with Some Reflections on M. P. O'Connor's Hebrew Verse Structure | 315 |
| General Index | 325 | |
| Scriptural Index | 333 |
Anonymous
Posted November 18, 2010
No text was provided for this review.
Anonymous
Posted November 21, 2008
No text was provided for this review.
Overview
Is there poetry in the Bible? Does it have rhyme or meter? How did ancient Hebrew writers compose their works? James Kugel's provocative study provides surprising new answers to these age-old questions. Biblical "poetry" is not a concept native to the Bible itself, he proposes, and the idea that the Bible is divided into prose and verse is merely an approximation of the reality of biblical style. Arguing that the Bible presents a continuum of speech heightened in varying degrees by different means, Kugel sets out...