Ideologies of Marginality in Brazilian Hip Hop

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Overview

In the land of samba there is another vibrant culture capturing the attention of urban youth. This compelling account argues that hip hop, while certainly a product of globalized flows of information and technology, is by no means homogenous. Using more than five years of anthropological fieldwork in São Paulo, Brazil's largest city, Pardue represents "culture" as generative and thus meaningful as a set of practices. When interpreted in this manner, local hip hoppers become closer to what they claim to be--subjects rather than objects of history and everyday life. In his ethnography, the first in English to look at Brazilian hip hop, Pardue highlights the analytical categories of race, class, gender, and territory.

Product Details

  • ISBN-13: 9780230604650
  • Publisher: Palgrave Macmillan
  • Publication date: 6/15/2008
  • Pages: 224
  • Product dimensions: 5.70 (w) x 8.30 (h) x 0.70 (d)

Meet the Author

Derek Pardue is Assistant Professor of Anthropology and International and Area Studies at Washington University in St. Louis. He is the editor of the volume Ruminations on Violence and the author of articles related to Brazilian hip hop and education, race, and graphic design. In addition, Pardue has published texts on Brazilian soccer and casual restaurant design in the U.S.

Table of Contents


List of Illustrations     ix
Acknowledgments     xi
Introduction and Frame     1
Assembling Brazilian Hip Hop Histories     33
Making Territorial Claims: Sao Paulo Hip Hop and the Socio-geographical Dynamics of Periferia     59
Putting Mano to Music: Testing Hip Hop Negritude     91
Mano/Mana: The Engendering of the Periferia     121
Fechou? (I'm Out / The End?): Concluding Remarks about a Crisis and an Opportunity     159
Notes     167
References     187
Index     207

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