If I Knew You Were Going To Be This Beautiful, I Never Would Have Let You Go
“Brings to mind the books of Richard Price and the films of Martin Scorsese... I did not want this book to end.” —Julie Klam, New York Times–bestselling author of Friendkeeping

It is the summer of 1972, and Katie has just turned eighteen. Katie and her town, Elephant Beach, are both on the verge: Katie of adulthood, and Elephant Beach of gentrification. But not yet: Elephant Beach is still gritty, working-class, close-knit. And Katie spends her time smoking and drinking with her friends, dreaming about a boy just back from Vietnam who’s still fighting a battle Katie can’t understand.

In this poignant, evocative debut collection, Judy Chicurel creates a haunting, vivid world, where conflicts between mothers and daughters, men and women, soldiers and civilians and haves and have-nots reverberate to our own time. She captures not only a time and place, but the universal experience of being poised between the past and the future. At once heartbreaking, mesmerizing, and nostalgic, Chicurel shows us that no matter how beautiful some dreams are, there comes a time when we must let them go.
1118663152
If I Knew You Were Going To Be This Beautiful, I Never Would Have Let You Go
“Brings to mind the books of Richard Price and the films of Martin Scorsese... I did not want this book to end.” —Julie Klam, New York Times–bestselling author of Friendkeeping

It is the summer of 1972, and Katie has just turned eighteen. Katie and her town, Elephant Beach, are both on the verge: Katie of adulthood, and Elephant Beach of gentrification. But not yet: Elephant Beach is still gritty, working-class, close-knit. And Katie spends her time smoking and drinking with her friends, dreaming about a boy just back from Vietnam who’s still fighting a battle Katie can’t understand.

In this poignant, evocative debut collection, Judy Chicurel creates a haunting, vivid world, where conflicts between mothers and daughters, men and women, soldiers and civilians and haves and have-nots reverberate to our own time. She captures not only a time and place, but the universal experience of being poised between the past and the future. At once heartbreaking, mesmerizing, and nostalgic, Chicurel shows us that no matter how beautiful some dreams are, there comes a time when we must let them go.
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If I Knew You Were Going To Be This Beautiful, I Never Would Have Let You Go

If I Knew You Were Going To Be This Beautiful, I Never Would Have Let You Go

by Judy Chicurel
If I Knew You Were Going To Be This Beautiful, I Never Would Have Let You Go

If I Knew You Were Going To Be This Beautiful, I Never Would Have Let You Go

by Judy Chicurel

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Overview

“Brings to mind the books of Richard Price and the films of Martin Scorsese... I did not want this book to end.” —Julie Klam, New York Times–bestselling author of Friendkeeping

It is the summer of 1972, and Katie has just turned eighteen. Katie and her town, Elephant Beach, are both on the verge: Katie of adulthood, and Elephant Beach of gentrification. But not yet: Elephant Beach is still gritty, working-class, close-knit. And Katie spends her time smoking and drinking with her friends, dreaming about a boy just back from Vietnam who’s still fighting a battle Katie can’t understand.

In this poignant, evocative debut collection, Judy Chicurel creates a haunting, vivid world, where conflicts between mothers and daughters, men and women, soldiers and civilians and haves and have-nots reverberate to our own time. She captures not only a time and place, but the universal experience of being poised between the past and the future. At once heartbreaking, mesmerizing, and nostalgic, Chicurel shows us that no matter how beautiful some dreams are, there comes a time when we must let them go.

Product Details

ISBN-13: 9780698138643
Publisher: Penguin Publishing Group
Publication date: 10/30/2014
Sold by: Penguin Group
Format: eBook
Pages: 288
File size: 1 MB
Age Range: 18 Years

About the Author

Judy Chicurel’s work has appeared in regional, national, and international publications, including The New York Times, Newsday, and Granta. Her plays have been produced and performed in Manhattan. She lives by the water in Brooklyn, New York. 

Read an Excerpt

So she says to me, ‘Young man, you got maniacs hanging around your

store,’ and I tell her, ‘You’re right, lady, you’re a hundred percent

right. I got maniacs outside my store, I got them inside my store, I got

maniacs on the roof,’ I tell her.”

Desi flicked a length of ash into the ashtray we were sharing. The

end of his cigar was slick with saliva. He shifted it to the side of his

mouth and continued. “What am I gonna do, argue with her? Kill her? I

mean, please, some of these people should maybe look in their own

backyards before they come around here making comments. There’s an

old Italian saying, ‘Don’t spit up in the air, because it’s liable to come

back down and hit you in the face.’ ”

“I have no idea what that means,” I said.

“It means what it means, man,” Mitch called from the other end of

the counter. “Everybody’s everything. Can you dig it?” He had a six-

pack of Pabst Blue Ribbon under the arm with the rainbow tattoo and

was taking a Camel non-filter from a freshly opened pack he’d just purchased.

He tapped his cane twice against the counter and then winked

at me before hobbling out the door. Mitch lived at the opposite end of

Comanche Street, in one of the rooms at The Starlight Hotel that looked

out over the ocean and smelled of mildew and seaweed. This was the

third six-pack of the day he’d bought at Eddy’s; he had to make separate

trips because he could only carry one at a time. It was close to the end

of the month, when his disability check ran out, which was why he was

buying six-packs instead of sitting on the corner barstool by the jukebox

in the hotel lounge.

Desi shook his head, mopping up a puddle of liquid on the counter.

“Yeah, yeah, just ask Peg Leg Pete over there,” he muttered as the door

closed behind Mitch.

“Don’t call him that, man,” I said. “I thought you liked him. I thought

you were friends.” I felt a vague panic that this might not be so.

“Hey, hey, did I say I didn’t like the guy? I love the guy,” Desi said,

wringing out the rag, running it under the faucet behind the counter.

“But he’s not the only one sacrificed for his country. A lost leg is not an

excuse for a lost life. And besides, he only lost half a leg.”

“Desi, Jesus—”

“Don’t ‘Jesus’ me, what are we, in church? And what are you, his

mother? Half a leg, no leg, whatever, he don’t need you to defend him.

He can take care of himself.” He shook his head. “You kids, you think

you know everything.”

“I don’t think I know everything,” I said wearily. Most of the time, I

didn’t think I knew anything.

“Yeah, well, you,” Desi said, moving down the counter to the cash

register to ring up Mr. Meaney’s Daily News. “You’re different from the

other kids around here. You want my advice? Get out of Dodge. Now.

Pronto.” My stomach winced. I was glad no one else was around to

hear him; Mr. Meaney didn’t count. I’d been hanging around Comanche

Street for three years and there were still times when it felt like I

was watching a movie starring everyone I knew in the world, except

me. The feeling would come up on me even when I was surrounded by

a million people: in school, on the beach, sitting at the counter in

Eddy’s.

Desi owned Eddy’s, the candy store on the corner of Comanche Street

and Lighthouse Avenue in the Trunk end of Elephant Beach. The original

Eddy had long since retired and moved to Florida, but Desi wouldn’t

change the name. “Believe me, it’s not worth the trouble,” he said. “Guy

was here, what, twenty-five years? I pay for the sign, I change the lettering

on the window, and then what? People are still gonna call it Eddy’s.”

He was right. They did.

Sometimes in February, I’d be sitting in Earth Science class or World

History, and outside the windows, frozen snow would be bordering the

sidewalk and the sky would be gunmetal gray and I’d start thinking

about having a chocolate egg cream at Eddy’s, and suddenly summer

didn’t feel so far away. If I thought hard enough, I could taste the edge of

the chocolate syrup at the back of my throat and it would make me

homesick for sitting at the counter, drinking an egg cream and smoking

a cigarette underneath the creaky ceiling fan that never did much except

push the stillborn air back and forth, while everyone was hanging out

by the magazine racks if the cops were patrolling Comanche Street, or

sitting on the garbage cans on the side of the store where, when it was

hot enough, you could smell the pavement melting. Sometimes Desi’s

wife, Angie, would open the side door and start sweeping people away,

saying, “Look at youse, loafing, what would your mother say, she saw

you sitting on a trash can in the middle of the day?” And Billy Mackey

or someone would say, “She’d say, ‘Where do you think you are,

Eddy’s?’” Then everyone would laugh and Angie would chase whoever

said it with the broom, sometimes down to the end of the block, right

up to the edge of the ocean.

Eddy’s was open only in summer, from Memorial Day to Labor Day,

sometimes until the end of September if the weather stayed warm. Desi

and Angie and their kids, Gina and Vinny, moved down from Queens to

Elephant Beach and lived in the rooms over the store, where they had a

faint view of the ocean. On Sundays, when Vinny or Angie worked the

counter, Desi would walk down to Comanche Street beach and put up a

red, white and green umbrella (“the Italian flag”) and stretch out on a

lounge chair, wearing huge black sunglasses, a white cotton sun hat,

polka-dot bathing trunks that looked like underwear, and white tennis

shoes because once he’d cut his toe on a broken shell and needed

stitches. He’d lie out on that lounge chair like a king, smoking a cigar,

turning up his portable radio every time a Sinatra song came on. If any

of us tried talking to him, even to say hello, he’d say, “Beat it. Today I’m

incognito.”

“I’ll tell you what the trouble is with you kids,” Desi said now, walking

back to where I was sitting. He took my empty glass and started

mixing me another egg cream. He squirted seltzer and chocolate sauce

into the glass and stirred it to a frenzy. He slid it back across the counter

and I tasted it and it was perfect.

“The trouble with all a youse is you don’t know how to shut up. I

mean, who am I, Helen Keller? I can’t see or hear what goes on the other

side of the counter? It’s sex and drugs and rock ’n’ roll all day long and

mostly sex, and now it’s not just the guys talking.” His voice dropped a

shocked octave lower. “It’s the girls. The girls. ‘So-and-so got so-and-so

pregnant,’ ‘So-and-so had an abortion,’ I mean, please, what do I need to

hear this for? Look at that little girl, what’s her name, the one got knocked

up didn’t even finish high school, waddling in here like a pregnant duck.

Nothing’s sacred, nothing. And then you wonder why.” Desi shook his

head. “Believe me, there was just as much sex around when your mother

and I were young. Thing is, we weren’t talking about it. We were doing it.”

We both looked up as the door banged open and then just as quickly

banged shut. Desi shrugged.

“False alarm,” he said.

He opened the ice-cream freezer and the cold heat from the freezer

melted into the air. He began scooping ice cream into a glass sundae

dish, vanilla, coffee, mint chocolate chip, and then covered the ice

cream with a layer of chocolate sauce, then a layer of marshmallow topping,

and finally a few healthy squirts of Reddi-wip.

He picked up a spoon and casually began digging in. Angie hated that Desi could eat

like that and never gain an ounce. She said that all she had to do was

look at food and she gained ten pounds. Desi said she did a lot more than

look, but only when Angie wasn’t around.

I glanced up at the Coca-Cola clock behind the counter, wondering

where everyone was. I’d left the A&P, where I worked, at three o’clock and

figured I’d hang out at Comanche Street until it was time to go home for

dinner. It was one of those dirty, overcast days in early summer and no

one was at any of the usual places. They were probably at somebody’s

house, in Billy’s basement, or maybe at Nanny’s. I thought about calling

but the taste of the egg cream, the whoosh of the overhead fan, Desi’s

familiar gluttony were all reassuring. Part of me was afraid I might be

missing something, but I was always afraid of missing something. We all

were. That’s why we raced through family dinners, snuck out of bedroom

windows, took dogs out for walks that lasted three hours, said we had

school projects and had to hang out at the library until it closed at nine

o’clock at night.

The way I felt now, though, unless Luke was involved, there wasn’t

that much for me to miss. Part of me was hoping he’d come into Eddy’s

to buy cigarettes or the latest surfing magazine. Something. I’d only seen

him once since he got back from Vietnam last Sunday, right here in Eddy’s.

I hadn’t been prepared, though; I hadn’t washed my hair or gotten

my tan yet, and I hid in one of the phone booths in back until he left.

Since the summer before tenth grade, I’d been watching Luke McCallister,

from street corners, car windows, in movie theaters, where some girl

would have her arm draped around his back and I’d watch that arm instead

of the movie, wanting to cut it off. I’d comfort myself that she was

hanging all over him, that if he’d really been into her, it would have been

the other way around. Luke was three years older, his world wider than

Comanche Street and the lounge at The Starlight Hotel, all the places we

hung out. But I was eighteen now, almost finished with school and ready

for real life. It was summer, and anything was possible.

“Mystery,” Desi said, and I jumped a little, thinking he could read

my mind. That’s exactly what I was thinking about Luke, that he was

more of a mystery now than before he’d left for the jungle two years ago.

I looked at Desi, who was scraping the last little bits of marshmallow

sauce from the sundae dish. He pointed the stem of his spoon toward me.

“You gotta have mystery, otherwise you got nothing.”

I slurped the remains of my egg cream through the straw, making it

last. Then I lit a cigarette. “I still have no idea what you’re talking

about,” I said. “Speaking of mysteries.”

Desi sighed. He carried the sundae dish over to the sink and rinsed

it, then set it in the drain on the side. He came over to where I was sitting

and put his palms flat down on the counter and stared at me, hard.

“Here’s what I’m talking about,” he said. “A girl comes in here, she’s got

on a nice blouse, maybe see-through, maybe she’s not wearing a bra, I

don’t know. I look, I’m excited, I start imagining possibilities. But a girl

comes in here topless, her jugs bouncing all over the counter? That’s it

for me. I’m immediately turned off. Why? Because now I got nothing.

There’s nothing left to my imagination. There’s no mystery, you see what

I’m saying here?”

I rolled my eyes. “Yeah, right. Like some girl would come in here

topless and sit down at the counter and you’d have no interest.” But I

could see that Desi wasn’t listening. He was just standing there, leaning

against the counter with this dreamy little smile on his face.

“What?” I asked finally.

“Nothing,” he said after a moment. “I was just—”

He picked up his cigar from the ashtray and relit the stub. “There was this girl, see. Back

in Howard Beach. Before I started going with Angie. She used to wear

this sky-blue sweater when she came around the corner.” He took a long

pull from the cigar. “Little teeny-tiny pearl buttons, all the way up to her

neck.” Embers spilled from the cigar stub and showered the counter.

“All those buttons,” Desi said, gazing through the smoke, as if he

was watching someone walking toward him. He put the cigar back in the

ashtray and sighed again. He picked up the rag and began wiping the

dead embers off the counter.

“Ah, you kids,” he said. “You think you invented it. All of it! Everything.

You think you invented life.”

What People are Saying About This

From the Publisher

SEX AND DRUGS AND ROCK ‘N’ ROLL:
At night, when I walked down the block of close-knit bungalows, past freckle-faced children playing stickball in the street and mothers standing inside their chain link fences smoking after-dishes cigarettes, and men sitting on their stoops, scratching, belching, watching the sunset, at the end of the block I’d see the crowd milling around the entrance to the beach, hear the cat calls, the dogs barking, ten speeds flying, surfboards leaning against the sea walls, cigarettes glowing like fireflies in the dusky heat, and my heart would beat harder, faster inside of me, and I’d think to myself: These are my people.
.
 

Reading Group Guide

INTRODUCTION

It is the summer of 1972, and Katie has just turned eighteen. Katie and her town, Elephant Beach, are both on the verge: Katie of adulthood, and Elephant Beach of gentrification. But not yet: Elephant Beach is still gritty, working-class, close-knit. And Katie spends her time smoking and drinking with her friends, dreaming about a boy just back from Vietnam who’s still fighting a battle Katie can’t understand.

In this poignant, evocative debut collection, Judy Chicurel creates a haunting, vivid world, where conflicts between mothers and daughters, men and women, soldiers and civilians and haves and have-nots reverberate to our own time. She captures not only a time and place, but the universal experience of being poised between the past and the future.

ABOUT JUDY CHICUREL

Judy Chicurel’s work has appeared in national, regional, and international publications, including The New York TimesNewsday, and Granta. Her plays have been produced and performed in Manhattan. Chicurel currently lives by the water in Brooklyn.

DISCUSSION QUESTIONS

  1. From the title, what did you think the book was going to be about? Were you surprised that this line applied to Katie’s birth mother?
  2. Although Katie is clearly curious about her birth mother, she makes no plans to try to find her. Why not, do you think? What societal frailties contribute to the physical images Katie has of her mother, and her ideas that, for instance, the Starlight Hotel would be a perfect place to look for her?
  3.  How would you describe Katie’s relationship with her adoptive mother? She  claims to want the best for Katie, but she often appears angry, impatient, dissatisfied. What effect does this have on Katie?
  4. In some ways, Luke is a main character in the book; in others, he is a shadow figure lurking in Katie’s mind. She says at one point that loving him was “like loving a ghost.” Why would she say that? In what ways does it add to the story?
  5. Veterans of the Vietnam War, Luke and Mitch never knew each other before meeting at The Starlight Hotel. In what ways are they similar? In what ways are they different?
  6. The book is set in a fictionalized seaside town on the skids more than forty years ago. How do the setting and the town of Elephant Beach reflect political and economic issues of the 1970s?
  7. The Trunk, where Katie and her friends hang out, is a run-down, seedy part of town whose faded glamour has all but disappeared. Why, then, is Katie so desperate to belong? How does her outsider status contribute to her relationship with others and her role in the book? Would it have been a different read if she had felt she belonged more?
  8. In chapter 10, “For Catholic Girls Who Have Considered Going to Hell When the Guilt Was Not Enough,” Katie accompanies Liz to an illegal abortion in another town. Both girls are startled and unsettled instead of relieved by the beauty and cleanliness of the doctor’s house. What does this say about women’s perception of abortion during that time period? What does the doctor mean when she tells Katie, “And we wonder why men treat us like dirt”?
  9. In chapter 7, “Running with Ramone,” Ramone’s childhood feels rife with promise, as if his gift of swiftness will lift him to a better future. Yet by the time Katie runs into him at Lips in a Hole, his life seems illustrative of Katie’s old babysitter’s words, “That’s just how it is with the spics. It’s not like you can expect things to work out for them.” Might things have worked out differently for Ramone today?
  10. The theme of escape is evident for Katie and her friends; many of them talk of leaving Elephant Beach and several actually do. What are the primary reasons Katie’s friends and family want to leave? Of the characters who do leave, who do you think will be most successful in forging a new life in a new environment? Why?
  11. In chapter 15, “Conversations with my Father,” Katie describes the fathers of her friends—and includes her own—as distant, removed from their families even when at home. Why is this so, and what does it say about gender roles during a time when social change was supposedly sweeping the country? Are circumstances different today? Are fathers stronger presences in their children’s lives and, if so, why?
  12.   What is the significance of the last line of the book, “I knew then that it was over, and I chose, instead of him I chose the part of me that was trapped forever inside The Starlight Hotel, along with all the dreams that never came true, and some that did?” If The Starlight Hotel represents a receptacle of lost dreams, why would Katie relinquish a part of herself to that place and time? What dreams did come true, for Katie or for any of the other characters? 

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