If It's Not One Thing, It's Your Motherby Julia Sweeney
In these candidly witty and poignant essays, comedienne and writer Julia Sweeney muses on the complex blessings/i>/i>
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Saturday Night Live veteran Julia Sweeney’s “endearing series of true tales from parenthood’s front lines” (O, The Oprah Magazine) is a funny, smart tour de force that reads like a conversation with your best friend.
In these candidly witty and poignant essays, comedienne and writer Julia Sweeney muses on the complex blessings of motherhood: deciding to adopt her daughter, a Chinese girl named Mulan (“After the movie?”); nannies (including the Chinese Pat); being adopted by a dog; and meeting Mr. Right through an email from a complete stranger who wrote, “Desperately Seeking Sweeney-in-Law.” She recounts how she explained the facts of life to nine-year-old Mulan, a story that became a wildly popular TED talk and YouTube video. But no matter what the topic, Julia always writes with elegant precision, pinning her jokes with razor-sharp observations while articulating feelings that we all share.
“Reading If It’s Not One Thing, It’s Your Mother gave me the delightful sensation of being Julia Sweeney’s best friend. I curled up in bed with this book and we shared secrets, swapped parenting fiascos and boyfriend dramas, complained about our mothers, laughed a lot, cried a little, and just generally had an awesome time. Write another book soon, Ms. Sweeney! Legions of your friends are waiting!”
"A deep, candid, insightful, and emotional look at love, family, independence, and commitment. . . . Reading it is like catching up through a long, soul-baring night with your funniest old friend."
"Funny, funny stuff . . . clever and quirky . . . she exhibits that rare ability as a writer to make the ordinary seem interesting."
"Intimate and humorous . . . Sweeney's devilish sense of humor successfully makes the transition to page, linking the scenes of her life as daughter, sister, wife, and mother into a delightful whole."
“Laugh-out-loud moments blended with honesty and despondency.”
"Sweeney takes life’s quotidian rituals to hilarious heights."
"This is the sort of book that made me want to be the person who wrote it. Pithy, painful and very, very funny."
"I am hereby breaking my vow to not write any more blurbs because . . . it's Julia Sweeney! In my opinion, any new creative offering from Julia Sweeney, no matter what the medium, is a cause for celebration because she is such a spectacular combination of insightful, hilarious and honest. So, yay! A new book from Julia Sweeney! Drinks are on me!"
"What a delicious treat! Julia Sweeney is one of the truest, warmest, wittiest voices in the world today, and we're so lucky that she spent her precious alone-time (while her husband and daughter were away) writing a book that invites everyone into her heart and home."
Sweeney (Saturday Night Live, 1990–94) shares her experience with and musings on becoming an adoptive mother to a 17-month-old Chinese girl. Forgoing the traditional route of marriage and pregnancy, she decided to take matters into her own hands and adopt a child by herself after considering the question: "What did I have, biologically, to pass on that was so important? My Irish heritage with its tendency toward alcoholism and depression?" Throughout are snippets from Sweeney reminiscing about her own childhood ("Turns out, my childhood was probably not nearly as bad as I once thought it was. In fact, my newly revised attitude about my mother is that she did the best she could"), and her sharp humor shines through. VERDICT While there is no shortage of celebrity-parent tales, singles looking to adopt will find inspiration along with the giggles. Purchase for demand.
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If It’s Not One Thing, It’s Your Mother
If It’s Not One Thing, It’s Your Mother
Because the pillow that I dream on [is] a threshold of a world I can’t ignore.
—Silver Jews, “My Pillow Is the Threshold”
First things first: Let me bring you in the house, which, you may notice, is quite old by American standards. It’s located in Wilmette, Illinois. It has a history, this house. It used to be the Village Hall and was originally built in 1878. This house was in existence when the Battle of Little Bighorn was going on, a mere thousand miles to the west. Why this fact is meaningful to me, I’m not exactly sure. But this house—the door frames, the old plaster on the walls of the front rooms, the staircase banister—it links me in time to history, however humbly.
My house sits near the wee town center, which has a train station; in just twenty-eight minutes you can be in downtown Chicago. Michael and I bought this house nearly four years ago, after we married. Mulan and I moved from Los Angeles, moving in with Michael, who was already living a mile from here. We pasted ourselves together and formed a family. When I saw this house for the first time, I had that Brigham Young—like sensation: this is the place. I was in love at first sight, but I pretended to consider other houses, like dating around before you get married to the person you know you’ll marry. This house and I were meant for each other. We both knew it. Plus, like Brigham Young, I was really tired and wanted to stop.
The house has been remodeled many times over the years, but the front part of the house is the oldest part. There’s a guest room just to the right of the front door. In the guest room we have an antique double bed and we call it the “grandma room.” This is because it’s often used by Michael’s mother, Norma, or my mother, Jeri, when they visit.
On the bed is a decorative pillow. My mother gave this pillow to me about seventeen years ago—when I was single, living in Los Angeles, and not yet a mother. She had come to visit, and as she bent over her suitcase to unpack, she exclaimed, “I brought you the most hysterical thing!” I was a little frightened. Past experience taught me that the object would not, in fact, be hysterical.
Then I watched as she took a small, navy blue pillow out of her suitcase. She was already laughing. The pillow had a phrase embroidered on top: IF IT’S NOT ONE THING, IT’S YOUR MOTHER.
I immediately hated the pillow for two reasons. One was that it was a play on an old catchphrase, “If it’s not one thing, it’s another.” Gilda Radner’s character on Saturday Night Live Roseanne Roseannadanna used to say that phrase, after she said, “It’s always something.” The association with Saturday Night Live was slightly irritating because I’d just left that very show, and although my departure was on friendly terms I was feeling slightly wounded. However, many people—I think perhaps my mother is included in this group—assumed that as a former cast member I must love anything even slightly associated with SNL, and I feared that this was part of her assumption when buying that pillow.
The second thing I hated was the rhyming pun (as a rule I do not like those), in which the key word was mother, meaning that it was, of course, all about my mother. I thought, the pillow may as well have been embroidered with MY MOTHER IS A FIRST-CLASS NARCISSIST AND ALL I GOT OUT OF IT WAS THIS STUPID PILLOW.
Come to think of it, there was a third reason I hated the pillow, the true objection at the root of it all. It was that the pillow indicated to whoever gazed upon it that my mother and I conversed in a casual yet intimate repartee of mutual ribbing, a jovial “You drive me crazy but I still love you” kind of thing. I felt that my mother and I did not have that kind of relationship.
My mother held the pillow out toward me and I smiled, forcefully.
“Isn’t it hysterical?” she asked.
“Yes,” I said flatly. “Hysterical.”
As soon as my mother left town I put the pillow into a closet. It only emerged when she came for a visit; I’d prop it up on the guest room bed ahead of her arrival. A few years and several visits went by. One spring, my mother came to visit. She looked affectionately at the pillow. “That pillow is really just so funny,” she said. Then she glanced at me, encouraging me to agree.
“Eh . . . ,” I said.
“Oh,” my mother replied, stung by my lack of enthusiasm. “Well, if you don’t like it, get rid of it.” She picked up the pillow and pressed it against her breast. Her head looked like a flower emerging from the square shape, her neck and face tilted slightly to one side. A tablespoon of liquid guilt dripped into my lower abdomen.
“No, I sort of like it,” I meekly offered.
“Oh good!” My mother sighed, relieved.
Years went by. I became a mother myself. The guest room in L.A. became my daughter’s room, and the closet where the pillow was kept became my daughter’s closet. One day, when Mulan was about four years old, I was cleaning out her closet and I came upon the pillow.
Suddenly, without warning, a flood of emotion came over me. I realized with a start that this pillow really was hysterical. I laughed out loud and thought, This pillow needs to be on my daughter’s bed. Anyone who walks in is going to laugh.
With a thud, I understood that I’d been much, much too hard on my mother. She wasn’t a narcissist! We really did have a casual intimacy that included mutual ribbing. Just like I did, and would continue to have, with my own daughter as she grew older. Of course!
So the pillow’s new home was on Mulan’s bed. And I was right: anyone who came over and toured around the house laughed when they saw it. “Where did you get that?” they would ask. “My mother!” I would say. We would both giggle. See, the humor would escalate.
My daughter grew and years passed. When Mulan was six she came to me with the pillow.
“I don’t want this on my bed anymore,” she said.
“Why?” I asked, adding, “It’s hysterical.”
“No,” Mulan said. “It’s not. I don’t even get it.”
I said, “Well, it’s a play on the phrase ‘If it’s not one thing, it’s another.’ Like if many bad things are happening to you, or like if one bad thing goes away in your life and then another one pops up.”
“That’s terrible,” Mulan said.
“Yes,” I said. “So this pillow takes that phrase, and substitutes the word mother for another. Like your ‘mother’ is another bad thing that happens to you.”
It dawned on me that I was clearly not a bad thing happening to her. At least not yet; I mean, she was only six. In a way, her not getting the joke was a compliment.
Mulan said, “I just don’t like it. I don’t mean to hurt your feelings, but it’s not funny to me. I don’t want this pillow in my room.” Then she added this, just to twist the knife a little: “You wouldn’t want me to have something I really didn’t like in my room, would you?”
I say “twist the knife” because one thing I want my daughter to be is able to defy and be independent of me, her mother; unlike me, who cowers and does whatever my mother says or wants most of the time. I suppose I have succeeded in cultivating this quality in Mulan, as she has it in spades, and she emphasizes her independence and different opinions constantly. I have vowed to gulp and bear it.
At this point, Mulan sighed wearily at me, indicating that in fact, I was not a totally good thing in her life. Which made me think, “Well, if that was true, why wasn’t that pillow funny?”
Then, I realized: clearly the funniness of this pillow does not become apparent until one actually becomes a mother, and the pillow, resting on one’s offspring’s chair or bed, demonstrates its comic value to all.
My mission was suddenly clear and straightforward: I had to keep this pillow until Mulan did, in fact, think it was funny. That would only occur if Mulan became a mother herself. The pillow went back in the closet.
Through several dramatic reductions of clutter and even a marriage and a move across country, I’ve held on to that pillow. I think of the pillow now like an insect, the cicada. Here, in the Midwest, there is a species of cicada whose larvae live underground. Depending on the species, they bide their time for thirteen to seventeen years. Then they metamorphose as flying adults into the light of day. I feel the pillow is like the cicada—just biding its time, waiting to be funny again.
But then, a little over a year ago, here in Illinois, I came across the pillow in a basement closet and moved it to the guest room bed. The grandmothers come and go, and the guest room is often empty. But the pillow has found a home in this room.
At this very moment our dog, Arden, is draped over the pillow on the bed. He’s an Australian cattle hound, about fifty pounds. His paws cradle the pillow and under his bloodshot eyes you can just read the word mother. It’s hard not to sigh and linger in the doorway when he looks at me like that.
But, let’s go down the hallway and sit together at the family room dining table. I will make us some tea. As you can see, the table has a knitting project on it. Let me explain: Mulan became determined to learn how to knit a couple of years ago. She badgered. Let’s take a class. It’ll be so much fun. I resisted. My resolve began to unravel. When Mulan became determined to knit, it seemed predetermined somehow. Of course I would have a daughter who wanted to knit. Maybe on some subconscious level she understands that the story of our trajectory toward each other has knitting in Act 1.
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Meet the Author
Julia Sweeney was a cast member of Saturday Night Live from 1990 to 1994. She has also written and performed in several successful, critically acclaimed one-woman shows, including God Said Ha!, which played on Broadway and was made into a film; In the Family Way, which appeared Off Broadway; and Letting Go of God, which was performed Off Broadway and made into a film. She lives outside of Chicago.
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It didn't take long to read If It's Not One Thing, It's Your Mother. Sweeney has an easy, conversational way of writing. It feels like sitting down for coffee with an interesting person, listening to them share all of their best stories. I could relate to her struggles to become a mother, and to a lot of the changes in thinking she experienced after becoming a mother: seeing our culture differently, wanting to be fully present to her daughter. I have to admit, I was slightly irritated by the chapter on strollers. It seemed kind of harsh, with little allowance for the possibility that some people may appear completely normal, but have special circumstances. Even though I understand what she was truly referring to, these pages started to take on a judgmental tone. I was glad to move on from it, and that it was a short chapter. But Sweeney presents herself honestly and openly. She is who she is, without pretense. I loved that - it was so refreshing! Although this book does focus around motherhood, I think it also offers a look into varied slices of Sweeney's life. I especially enjoyed the pages about her adventures with her brother, Bill, who reminds me of a dear friend of my own. This was an enjoyable read! I received a copy of this book from the publisher via NetGalley in exchange for an honest review. I did not receive any other compensation for this review.
I love this book! A little more grounded, a little more complicated than "God Says Ha!" (also highly recommended) it is a great read. Although many chapters focus on her daughter, I think her descriptions of friends, family, and relationships ring true for everyone. I was sorry to be getting to the end of the book.