If You Can't Say Something Nice

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First Good [ No Hassle 30 Day Returns ] [ Edition: First ] Publisher: Penguin (Non-Classics) Pub Date: 12/6/1988 Binding: Paperback Pages: 272.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Trillin's (With All Disrespect, etc.) flair for parodying the mores and foibles of private citizens and public figures alike is showcased in this collection of amusing essays, which first appeared in the Nation and in his syndicated column. Particularly apt are his send-ups on wine snobbery (``It's Coke or Royal Crown with meat, 7-Up or ginger ale with fish, and Dr. Pepper with game''); a specious Oreo cookies promotion claiming that if all the cookies made in the past 75 years were stacked on top of one another, they would go to the moon and back four times (``Would you have to use some kind of glue to hold the cookies together . . . or could you just put an extra smear of cream filling between cookies? What sort of ladder would you stand on?''); and severance pay (``In the world of huge corporations there's nothing more lucrative than being fired well''). The offerings are eclectic: ``If you thought I was above commenting on the Washington Post story that Secretary of State George Schultz may have a tattoo of a tiger on his backside, you overestimated me.'' (October 23)
Library Journal
All of the 63 essays here gathered appeared in the Nation or were distributed through syndication since December, 1984. Readers of Trillin's earlier collections ( Uncivil Liberties , With All Disrespect ) will find in this one precisely what they'd expect: a lively mind, smartly tailored prose, and a crisp point of view. He ranges easily over a variety of topics, few of any great importancethings like yuppies, a 25th wedding anniversary, a neon beer sign. He's never profound, but he's never dull either. One can only guess what might happen if he were to take some big risks, attempt some thornier subjects. That notwithstanding, Trillin enthusiasts will want this book, and others will like it. A.J. Anderson, Graduate Sch. of Library & Information Science, Simmons Coll., Boston
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Product Details

  • ISBN-13: 9780140114836
  • Publisher: Penguin Group (USA) Incorporated
  • Publication date: 11/1/1988
  • Pages: 272
  • Product dimensions: 7.00 (w) x 5.00 (h) x 1.00 (d)

Meet the Author

Calvin Trillin
A humorist in the tradition of Mark Twain and Robert Benchley, Calvin Trillin has been offering up his sly observations to magazine readers for decades, as a political "doggerelist" (The Deadline Poet) and columnist (Uncivil Liberties). He has also uncapped his pen to discuss the joys of family life and the pleasures of chasing down the perfect meal. Anna Quindlen, writing in her New York Times column in 1991, called him “a man who disembowels pomp with such a good-natured sword.”

Biography

As a religion reporter, Calvin Trillin showed himself as something of a Doubting Thomas.

He was working for Time in the 1960s, and he didn't much like his assigned beat. So, he turned to one of the standard tricks of a good reporter: He hedged. "I finally got out of that by prefacing everything with 'alleged,' " he told Publishers Weekly. "I'd write about 'the alleged parting of the Red Sea,' even 'the alleged Crucifixion,' and eventually they let me go."

Fans of Trillin's writing -- his snapshots of ordinary U.S. life for The New Yorker, his political poetry in the Nation, his search for the ideal meal with his wife good-naturedly in tow -- will recognize his style in this early exercise in subversion. He is warm, gentle, and human, but there can be a dash of mischievousness for taste. Even the unwelcome sight of a brussels sprout at a buffet provoked his ire. Turning to his wife, he said, "The English have a lot to answer for."

Humorist Mark Russell took note in the pages of The New York Times in 1987: "Mark Twain, Robert Benchley and [S. J.] Perelman are dead, but Calvin Trillin is right there with the post-funeral cocktail to assure us that life goes on."

Born in Kansas City but transplanted to the West Village of New York City, Trillin has kept in touch with his midwestern roots for much of his writing. A collection of articles from The New Yorker on so-called ordinary murders from around the country became the book Killings, called by The Wall Street Journal "one of the most low-key, dispassionate, matter-of-fact books on murder ever produced."

In its review, the Los Angeles Times said: "He may be The New Yorker's finest stylist, and his writing is quite different from the careful accretion of detail that characterizes much of the magazine's writing. Trillin omits as much as he possibly can; he leaves spaces for resonating, like a guitar string stopped and kept mute to sound the overtone from the next string down."

In Travels with Alice he writes of looking for hamburgers on the Champs Elysées in Paris. Even in a classic New York story, Tepper Isn't Going Out, he writes not of theater or restaurants or even a rent-controlled apartment equidistant between Zabar's and Central Park. Instead he seeks out deeper pleasures: finding the perfect parking space, and holding onto it.

Humor is a Trillin trademark. He began writing a humor column for The Nation in the late 1970s called Uncivil Liberties that became two book collections. In 1980, The New York Times chuckled gratefully at his first novel, writing that "the antics around the nameless news magazine in...Floater are as funny as The Front Page and as absurd as playground pranks."

In 1990, he began treating Nation readers to a new column, a weekly spot of verse on the political hijinks of the day, pieces with names like "If You Knew What Sununu." This, too, became a book, The Deadline Poet: My Life as a Doggerelist. He even shares insights into the creative process: "A fool is fine. A pompous fool's sublime. / It also helps if they have names that rhyme."

Trillin's résumé has a sense of elasticity: journalist, novelist, humorist, satirist, poet. But there is a commonality to his work: It's approachable. And The Washington Post's Jonathan Yardley points out that, for a journalist, this may be the toughest feat of all.

"Calvin Trillin is like an old shoe," he wrote in a 1998 review of Trillin's Family Man. "Whatever he may be writing about, he always makes you want to slip into it and get comfy. This may seem like a modest compliment, but it is a high one indeed. Few tricks are more difficult for the journalist to pull off than being consistently likable and engaging, making oneself and one's little world interesting and appealing to others."

Good To Know

Growing up in Kansas City, Calvin Marshall Trillin was known as Buddy.

The family name was originally Trilinsky.

He staged two one-man shows showcasing his humor in the late 1980s and early 1990s.

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    1. Also Known As:
      Calvin Marshall Trillin (full name)
    2. Hometown:
      New York, New York
    1. Date of Birth:
      December 5, 1935
    2. Place of Birth:
      Kansas City, Missouri
    1. Education:
      B.A., Yale University, 1957

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