If You Could See What I See

If You Could See What I See

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by Cathy Lamb
     
 

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In this moving, insightful new novel, acclaimed author Cathy Lamb delves into the heart of going home again, the challenge of facing loss--and the freedom of finally letting go. . .

For decades, the women in Meggie O'Rourke's family have run Lace, Satin, and Baubles, a lingerie business that specializes in creations as exquisitely pretty as they are practical. The

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Overview

In this moving, insightful new novel, acclaimed author Cathy Lamb delves into the heart of going home again, the challenge of facing loss--and the freedom of finally letting go. . .

For decades, the women in Meggie O'Rourke's family have run Lace, Satin, and Baubles, a lingerie business that specializes in creations as exquisitely pretty as they are practical. The dynamic in Meggie's family, however, is perpetually dysfunctional. In fact, if Meggie weren't being summoned back to Portland, Oregon, by her grandmother, she'd be inclined to stay away all together.

Since her husband's death a year ago, Meggie's emotions have been in constant flux, and so has her career as a documentary film maker. Finding ways to keep the family business afloat--and dealing with her squabbling sister and cousin--will at least give her a temporary focus. To draw customers to their website, Meggie decides to interview relatives and employees about their first bras and favorite lingerie. She envisions something flip and funny, but the confessions that emerge are unexpectedly poignant. There are stories of first loves and aching regrets, passionate mistakes and surprising rendezvous. And as the revelations illuminate her family's past, Meggie begins to find her own way forward.

With warmth and unflinching humor, If You Could See What I See explores the tender truths we keep close--and what can happen when we find the courage to bare them to the world.

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Product Details

ISBN-13:
9780758259400
Publisher:
Kensington
Publication date:
07/30/2013
Pages:
448
Sales rank:
625,391
Product dimensions:
5.83(w) x 8.23(h) x 1.32(d)

Read an Excerpt

if you could see what I see


By CATHY LAMB

KENSINGTON PUBLISHING CORP.

Copyright © 2013 Cathy Lamb
All rights reserved.
ISBN: 978-0-7582-5940-0


Excerpt

CHAPTER 1

Black.

That's what he was wearing when it happened.

I never wear black anymore.

He ended up wearing red, too.

That's what killed my soul.

The red.

He haunts me. He stalks me.

For over a year I have tried to outrun him.

It hasn't worked.

My name is Meggie.

I live in a tree house.

CHAPTER 2

My family sells lingerie.

Negligees, bras, panties, thongs, bustiers, pajamas, nightgowns, and robes.

My grandma, who is in her eighties, started Lace, Satin, and Baubles when she was sixteen. She said she arrived from Ireland after sliding off the curve of a rainbow with a dancing leprechaun and flew to America on the back of an owl.

I thought that was a magical story when I was younger. When I was older I found out that she had crisscross scars from repeated whippings on her back, so the rainbow, dancing leprechaun, and flying owl part definitely dimmed.

Grandma refuses to talk about the whippings, her childhood, or her family in Ireland. "It's over. No use whining over it. Who likes a whiner? Not me. Everyone has the crap knocked out of them in life, why blab about it? Blah blah blah. Get me a cigar, will you? No, not that one. Get one from Cuba. Red box."

What I do know is that by the time Regan O'Rourke was sixteen she was out on her own. It was summer and she picked strawberries for money here in Oregon and unofficially started her company. The woman who owned the farm had an obsession with collecting fabrics but never sewed. In exchange for two nightgowns, she gave Grandma stacks of fabric, lace, satin, and huge jam bottles full of buttons. Grandma worked at night in her room in a weathered boarding house until the early hours and sold her nightgowns door to door so she would have money for rent and food.

Lace, Satin, and Baubles was born. Our symbol is the strawberry.

My grandma still works at the company. So do my sisters, Lacey and Tory. I am back at home in Portland after years away working as a documentary filmmaker and more than a year of wandering. You could ask me where I wandered. I would tell you, "I took a skip and a dance into hell." It would be appropriate to say I spent the time metaphorically screaming.

My car broke down on the way back home, which pissed me off. I had bought it in Seattle, the city I flew into from the Ukraine. It was an old clunker, but still. It couldn't go a hundred more miles? I put it in neutral and shoved it over a cliff.

I had to hitchhike. I know that hitchhiking is dangerous. What bothered me was that the dangerous part didn't bother me at all. I was not worried about being picked up and murdered. That's the state I'm in right now, unfortunately.

I rode with a trucker. At one point she took off her shirt and drove half-naked. She said it was a tribute to her late husband, who used to drive trucks with her. She would take off her shirt to keep him awake. I took my shirt off, too. I don't know why. She put in a CD and we sang Elton John's "Crocodile Rock" together six times. It was her husband's favorite song. We cried.

When I arrived at Lace, Satin, and Baubles, my sisters each grabbed one of my elbows and hauled me upstairs to the light pink conference room. There's a long antique table in the middle of it, a sparkling chandelier, an antique armoire, a pink fainting couch, a rolltop desk, a photo of a strawberry field, and a view of the city of Portland. Inside that room we run a company. It isn't always pretty.

My sisters did not have pretty news for me.


Tory raised a perfectly arched black eyebrow at me, swung her leopard print designer heel, and said, "You look awful, Meggie. Ghostly, somewhat corpselike. You're not wearing makeup, are you? You need it."

"You don't look awful, Meggie. You look like you need ... a ... a ... nap." Lacey was wearing one of our best-selling black lace negligees as a shirt. "Welcome home. I'm glad you're here."

"Yes, welcome home, Meggie," Tory said, her tone snappish. "Please don't go out in those clothes. It's bad for the company's image. Homeless is not a style, you do know that, right?"

I was not offended. I didn't care. I leaned back in an antique chair, stared at the ceiling, and linked my hands behind my blond, too long, frizzy curls. I needed a beer.

"'Bout time you got here, though." Lacey put her leather knee-high boots flat on the ground and leaned on her elbows, her red curls tumbling forward. She has dark brown eyes, like coffee, like mine. "We're in serious trouble and we're going to need you to fix this immediately."

"Yep," Tory said, tossing her thick black hair back. "We're almost broke."

"What?" I said, shocked, my chair slamming back down. "Are you kidding?"

"No," Lacey said. "We are months from being out of business."

I looked from one sister to the other, back again, then uttered aloud the only thing that made sense at that moment: "Now I really need a beer."

I drummed my fingers against the table as my sisters launched themselves into a fiery and spear-throwing argument about why we were almost broke, which was their typical mode of communication. Verbal grenades were tossed. I interrupted the grenade tossing. "Why didn't you tell me that the company was in so much trouble?"

"Because Grandma told us to wait until you were back in the doors here," Lacey said. She is married with three teenagers. She says they are sucking the life out of her "through a straw and a strainer."

"She wanted you to enjoy your strange and bizarre year away tramping around the world like a lost space alien," Tory said, "without the full knowledge of our impending disaster."

"She should have told me." Fear started tingling my back. This was not good.

"It isn't my fault the company's taken a dive, Meggie," Tory said. "It's the economy. The numbers aren't being crunched right." She glared at Lacey, who was the chief financial officer. "The designers are evilly moody, defiant, hormonally imbalanced, won't take direction, and won't be creative on their own. It's like working with temperamental one-eyed Cyclopses."

"You're the chief designer, Tory," Lacey snapped.

Tory humphed, examined her nails. They were painted purple. "I manage the designers."

"You hired them," Lacey said.

Tory rolled her eyes. Her eyes are golden, no kidding. They're stunning. Her full name is Victoria Martinez Stefanos O'Rourke. Hispanic-Greek-Irish. My mother adopted her when she was five. Her mother was Mexican American, her father Greek American. They were killed in a car accident on the way to the beach. Tory was in the car at the time but to this day doesn't remember anything. Her mother, Rosie, who was my mother's best friend, was the company's accountant.

When we were younger, before Tory's parents were killed, Tory, Lacey, and I called each other "cousin." I called Rosie and Dimitri Aunt Rosie and Uncle Dimitri. Tory called my mother Aunt Brianna. When she came to live with us, my mother told us we were now all sisters. I know Tory has struggled with feeling like a sister. Lacey and I have always been close, "like an Oreo cookie," Tory says, and it made her feel "like rotten milk."

Agewise, Tory is almost exactly in the middle of Lacey and me, with me being the youngest. She wears tight, high-end suits, dresses, skirts, and heels every day. We use her, and her style and flair for lingerie, for the media. She is currently separated from her husband, Scotty, and she is as miserable as a lost puppy.

"Working with the designers is like trying to lasso cats." Tory mimed lassoing cats.

I tamped down my anger. "You've fired three designers in the last year, right?"

"I had to. It was my given duty."

"Your given duty? Because?"

Tory glared at me. "One was a slut—"

"Why would we care if she's a slut?" I threw my hands in the air. "It's not our place to make judgments about our employees' sex lives, and if she's not boinking anyone's husband or boyfriend here at the company, or her boss—that would be you, Tory—or her subordinates, what's it to us?"

"She always told me about her boyfriends."

Lacey screeched a bit between clenched teeth. "You were jealous of her."

"If you told her she was fired for being a slut, the lawsuit against us will stretch to the North Pole," I said.

"I didn't tell her she's a slut."

"In a meeting," Lacey said, "Lorinda said you were the most monstrously difficult and snotty totty person she had ever met. I liked the words snotty totty, frankly. Monstrously difficult was well chosen, too."

"And what happened to the other designers?" I asked.

"Rebecca," Tory snorted. "She smelled like a chicken slaughterhouse and she did not respect me or my position here—"

"She's a designer," I said. "She's an artist of clothes. Designers tell you what they think. Sometimes they say it nice, sometimes they don't."

"Rebecca had new ideas—" Lacey said, her face flushed.

"She wanted to add all sorts of bold colors and blurred designs, like paintings, and murals." Tory waved a hand dismissively in the air. "Who are we, Van Gogh? Ridiculous. Maybe I'll cut off my ear and send it to her."

"You brag so much about knowing designs, but you stifle and scare your employees," Lacey yelled, snapping a pencil in her hands.

"I don't stifle or scare anyone unless they're boomeranging idiots," Tory yelled back. "We sell tons of lingerie that I design—"

"Stop!" I shouted, slamming my hands on the table. "Stop fighting. I came home, I'm here, and I'm trying to figure out this mess. Back to the designers. Why did the third designer get fired?"

"I fired Chiara because she had a drinking problem," Tory said, tilting her chin up, her jaw tight.

"Chiara didn't have a drinking problem until about six months ago," Lacey ranted, hands up in the air, her silver bracelets clinking. "She said she started shooting back vodka to be able to handle you, Tory."

"Not true," Tory said. "She started drinking because ..."

"Because?" I prodded.

"Because." Tory sat straight up. "She's a Gemini."

I fell back in my chair. Would I get a migraine from today? "Geminis drink more?"

"Where does it say that?" Lacey said, pushing her red curls back with both hands. "Have the stars formed a sign that says, 'Geminis are lushes'?"

"You lack the innate spirituality needed to understand star signs," Tory said.

"I don't believe in star signs," I said. "I believe in numbers, and what I understand is that this company is almost out of business and it has nothing to do with Geminis slamming vodka down."

"This financial screwup is no thanks to you, Queen Mommy," Tory railed at Lacey. "Who keeps leaving me here to run carpools for cheerleading and to go to football games?"

Lacey, her face flaming said, "Don't bring my kids into this. You never even come over to see them. You're a lousy aunt."

I saw Tory's face crumble, then she put her mask back on. "As chief financial officer, Lacey, why didn't you do something to fix this?"

"Ladies, can we refocus here?" I said, but it lacked gusto. All was lost with the "lousy aunt" comment.

"I can't get the numbers up unless you put together products that people with brains want." Lacey turned and grabbed a mannequin that was wearing a light blue bra and light blue panties. She charged Tory with the mannequin, as if it were a person starting a fight.

I put my hand to my forehead. Yep. Migraine.

"Look at this! Your design! The stuff you're turning out is boring. It means nothing. It's plain. It's normal. We might as well call it 'Stuff your bladder-challenged grandma will like!'" She took the bra off the mannequin and hurled it in Tory's direction.

Not to be outdone, Tory, her face rigid with outrage, grabbed another mannequin, dressed in a burgundy negligee with black lace and a snap crotch, and charged back at Lacey. "Some of our stuff is plain because that's what some of our customers want. This design, my design, is a work of lingerie art!"

I don't think she meant to, but Tory slammed the mannequin down so hard an arm broke off.

We had two mannequins facing off in battle, wobbling back and forth. I sighed.

"Why don't you go Botox your butt?" Lacey picked up the downed arm of Tory's mannequin and threw it against the wall. The arm shattered, and the bang echoed through the room. "I am sick of you blaming me."

"I'm sick of you, Lacey!" Tory detached the arm of Lacey's mannequin in revenge, and it went flying and hit the other wall. Another shatter and bang. "Say good-bye to your arm!"

The door opened and my assistant, Abigail Chen, who moved from Vietnam when she was a little girl, changed her first name, and "became American," said, "Ah, another fight. No blood then yet?"

I shook my head.

"Okay. Let me know. Blood stains, you know."

"Yes, I realize that," I said.

"But the dental plan will cover broken teeth." Abigail raised her voice above the ruckus, the insults, and a few swear words as Lacey and Tory roared, each ripping the other arm off the opposing mannequin. "It's good to have you home. I think the family needs you, Meggie." She is good at sarcasm.

"I think they need me to break up the fights. Remember, it's all fun and games until someone gets bashed in the head." As if on cue I ducked as the head of a mannequin was knocked off and went flying across the room, missing me by inches.

Abigail raised her eyebrows at me. "Welcome home, Meggie."

"Thank you, Abigail. Glad you haven't quit working at the animal house." I blocked a flying mannequin leg with my arm. "It can be dangerous here."


She called and left a message on my cell phone. She was calling the police. She would have me arrested. I would go to jail forever. I shivered, a graphic image paralyzing my mind, then deleted it.


I'm renting a tree house. It's circular in shape, five years old, and was built on a private acre lot off a quiet street up in the hills of Portland. There's a long, curving driveway, and it has a city view.

It's owned by a friend of my mother's. Zoe wants to sell it to me. She moved to Mexico because "The men are hotter."

The best way to describe the tree house: The house is built up on stilts and there is a maple tree growing up the middle. Another maple tree is growing up through the deck in front. There are three other maple trees next to the house, so their branches surround the house like a hug. Floor-to-ceiling windows let the sunlight dance through all day. I feel like I'm living in the trees like a bird. Or a sneaky raccoon.

I have to walk up fifteen steps, complete with a rope that acts as a handrail, to get to the front door. The door opens to a great room and a kitchen, with open rafters above. Bathroom to the left with a shower and bathtub, built for two, though I never use the bathtub as that would make me feel like I was drowning.

Yes, I have electricity and plumbing. No, it is not at all like the tree houses kids play in. The kitchen has granite counters, and the backsplash looks like a psychedelic rainbow that's been squished onto tiles. Zoe is an artist and she handpainted the design. The cabinets are blue, and an island with a butcher block counter divides the kitchen and the great room.

I have a wooden kitchen table and chairs and an oversized L-shaped leather couch in the great room. I have strung white lights through the rafters. Sometimes I turn off all the lights except for them. I like the twinkling.

I pull down a ladder to climb up to the sleeping loft where I have a king-size bed and a white dresser. I have to have a king bed. I need the space and the room so I will not feel like I'm suffocating under cotton and linen. If I could have found a bigger bed, I would have it. A skylight lets me watch the branches of the maple tree sway above me, the white stars, the glowing moon, and the weather.

The owner has six Adirondack chairs in purple, blue, green, yellow, orange, and red on the deck. I never sit in the red chair.

I can watch the sun come up as I'm on a rise. I watch the sun come up a lot. It's proof another day has arrived. Sometimes I sit out on my deck in blankets and think about whether I want to join the day or call it a day.

My tree house is cozy, a total of about eight hundred square feet, including the loft, but it's perfect.

A perfect spot for me to watch my own brain disintegrate.


That night I felt the black rat's claw ripping through my throat.

The claw stretched out my esophagus and then my intestines, the blood flowing, clogging up my scream as broken, black feathers rained down on my face.

The other rat's claw tore through my vagina. It broke through my uterus and popped my ovaries, then forced itself up, up, up, its goal to hold the other claw in its knifelike grasp, as two lovers might hold hands.

His face was on the rat's head, and he was laughing, giggling, his nose on mine, his lips an inch away, trying to tantalize me, to tease. At the moment that the two claws met, my organs shredded, awash in blood, he kissed me, soft and sweet, his tongue darting in and out. "I love you, my Meggie," he whispered, as the claws moved, wrapped themselves around my heart, and squeezed. I watched my heart burst.
(Continues...)


Excerpted from if you could see what I see by CATHY LAMB. Copyright © 2013 by Cathy Lamb. Excerpted by permission of KENSINGTON PUBLISHING CORP..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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