- Shopping Bag ( 0 items )
-
All (3) from $16.30
-
New (3) from $16.30
Ships from: Santa Clarita, CA
Usually ships in 1-2 business days
Ships from: Brooklyn, NY
Usually ships in 1-2 business days
| Ikue Mori | Primary Artist |
| Anthony Coleman | Organ, Piano |
| Erik Friedlander | Cello |
| Kato Hideki | Bass |
| Theo Bleckmann | Vocals |
| Eyvind Kang | Violin |
| Jim Staley | Live Recording |
| Kato Hideki | Engineer |
| Ikue Mori | Producer, drum machine |
| Allan Tucker | Mastering |
| John Zorn | Executive Producer |
| Makigami Koichi | Contributor |
| Edgar Allan Poe | Poetry |
| Dan Gellert | Engineer |
| Jim Stanley | Engineer |
| Tsukioka Yoshitoshi | Artwork |
Editorial Reviews
All Music Guide - Joslyn Layne
Ikue Mori's One Hundred Aspects of the Moon Tzadik, 2000 is a wonderful and multi-faceted modern chamber suite similar in nature to her film music, as opposed to, say, her work in Death Ambient. The work is named for Mori's inspiration in composing this music, a woodblock print series by Yoshitoshi, the last master of Japanese Ukiyoe. The pieces ranges from a section reminiscent of John Zorn's cartoon music, called "Monkey Music Moon," to the interim piece heard during "Like a Reflection in the Moon" to the disturbed and repetitive "Cloth-Beating Moon." Mori performs on her drum machines, joined by pianist and organist Anthony Coleman, violinist Eyvind Kang, cellist Erik ...