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Iliad, Volume II: Books 13-24 (Loeb Classical Library) / Edition 2

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Overview

Here is a new Loeb Classical Library edition of Homer's stirring heroic account of the Trojan war and its passions. The eloquent and dramatic epic poem captures the terrible anger of Achilles, "the best of the Achaeans," over a grave insult to his personal honor and relates its tragic result--a chain of consequences that proves devastating for the Greek forces besieging Troy, for noble Trojans, and for Achilles himself. The poet gives us compelling characterizations of his protagonists as well as a remarkable study of the heroic code in antiquity.

The works attributed to Homer include the two oldest and greatest European epic poems, the Odyssey and the Iliad. These have been published in the Loeb Classical Library for three quarters of a century, the Greek text facing a faithful and literate prose translation by A. T. Murray. William F. Wyatt now brings the Loeb's Iliad up to date, with a rendering that retains Murray's admirable style but is written for today's readers.

Retells the events of the war between Greece and the city of Troy, focusing on Achilles' quarrel with Agamemnon.

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Product Details

  • ISBN-13: 9780674995802
  • Publisher: Harvard University Press
  • Publication date: 1/28/1925
  • Language: Greek, Ancient (to 1453)
  • Series: Loeb Classical Library Series , #171
  • Edition description: Second Edition
  • Edition number: 2
  • Pages: 672
  • Sales rank: 285,528
  • Product dimensions: 4.50 (w) x 6.40 (h) x 1.30 (d)

Meet the Author

Homer
William F. Wyatt is Professor of Classics, Brown University.

William F. Wyatt was Professor of Classics, Brown University.

Biography

We know very little about the author of The Odyssey and its companion tale, The Iliad. Most scholars agree that Homer was Greek; those who try to identify his origin on the basis of dialect forms in the poems tend to choose as his homeland either Smyrna, now the Turkish city known as Izmir, or Chios, an island in the eastern Aegean Sea.

According to legend, Homer was blind, though scholarly evidence can neither confirm nor contradict the point.

The ongoing debate about who Homer was, when he lived, and even if he wrote The Odyssey and The Iliad is known as the "Homeric question." Classicists do agree that these tales of the fall of the city of Troy (Ilium) in the Trojan War (The Iliad) and the aftermath of that ten-year battle (The Odyssey) coincide with the ending of the Mycenaean period around 1200 BCE (a date that corresponds with the end of the Bronze Age throughout the Eastern Mediterranean). The Mycenaeans were a society of warriors and traders; beginning around 1600 BCE, they became a major power in the Mediterranean. Brilliant potters and architects, they also developed a system of writing known as Linear B, based on a syllabary, writing in which each symbol stands for a syllable.

Scholars disagree on when Homer lived or when he might have written The Odyssey. Some have placed Homer in the late-Mycenaean period, which means he would have written about the Trojan War as recent history. Close study of the texts, however, reveals aspects of political, material, religious, and military life of the Bronze Age and of the so-called Dark Age, as the period of domination by the less-advanced Dorian invaders who usurped the Mycenaeans is known. But how, other scholars argue, could Homer have created works of such magnitude in the Dark Age, when there was no system of writing? Herodotus, the ancient Greek historian, placed Homer sometime around the ninth century BCE, at the beginning of the Archaic period, in which the Greeks adopted a system of writing from the Phoenicians and widely colonized the Mediterranean. And modern scholarship shows that the most recent details in the poems are datable to the period between 750 and 700 BCE.

No one, however, disputes the fact that The Odyssey (and The Iliad as well) arose from oral tradition. Stock phrases, types of episodes, and repeated phrases -- such as "early, rose-fingered dawn" -- bear the mark of epic storytelling. Scholars agree, too, that this tale of the Greek hero Odysseus's journey and adventures as he returned home from Troy to Ithaca is a work of the greatest historical significance and, indeed, one of the foundations of Western literature.

Author biography from the Barnes & Noble Classics edition of The Odyssey.

Good To Know

The meter (rhythmic pattern of syllables) of Homer's epic poems is dactylic hexameter.

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Read an Excerpt

Iliad

Books 13-24
By Homer

Harvard University Press

Copyright © 1999 Homer
All right reserved.

ISBN: 0674995805


Chapter One



The Rage of Achilles


Rage—Goddess, sing the rage of Peleus' son Achilles,
murderous, doomed, that cost the Achaeans countless losses,
hurling down to the House of Death so many sturdy souls,
great fighters' souls, but made their bodies carrion,
feasts for the dogs and birds,
and the will of Zeus was moving toward its end.
Begin, Muse, when the two first broke and clashed,
Agamemnon lord of men and brilliant Achilles.


    What god drove them to fight with such a fury?
Apollo the son of Zeus and Leto. Incensed at the king
he swept a fatal plague through the army—men were dying
and all because Agamemnon spurned Apollo's priest.
Yes, Chryses approached the Achaeans' fast ships
to win his daughter back, bringing a priceless ransom
and bearing high in hand, wound on a golden staff,
the wreaths of the god, the distant deadly Archer.
He begged the whole Achaean army but most of all
the two supreme commanders, Atreus' two sons,
"Agamemnon, Menelaus—all Argives geared for war!
May the gods who hold the halls of Olympus give you
Priam's city to plunder, then safe passage home.
Just set my daughter free, my dear one ... here,
accept these gifts, this ransom. Honor the god
who strikes from worlds away—the son of Zeus, Apollo!"


    And all ranks of Achaeans cried out their assent:
"Respect the priest, accept the shining ransom!"
But it brought no joy to the heart of Agamemnon.
The king dismissed the priest with a brutal order
ringing in his ears: "Never again, old man,
let me catch sight of you by the hollow ships!
Not loitering now, not slinking back tomorrow.
The staff and the wreaths of god will never save you then.
The girl—I won't give up the girl. Long before that,
old age will overtake her in my house, in Argos,
far from her fatherland, slaving back and forth
at the loom, forced to share my bed!
                                        Now go,
don't tempt my wrath—and you may depart alive."


    The old man was terrified. He obeyed the order,
turning, trailing away in silence down the shore
where the battle lines of breakers crash and drag.
And moving off to a safe distance, over and over
the old priest prayed to the son of sleek-haired Leto,
lord Apollo, "Hear me, Apollo! God of the silver bow
who strides the walls of Chryse and Cilia sacrosanct—
lord in power of Tenedos—Smintheus, god of the plague!
If I ever roofed a shrine to please your heart,
ever burned the long rich bones of bulls and goats
on your holy altar, now, now bring my prayer to pass.
Pay the Danaans back—your arrows for my tears!"


    His prayer went up and Phoebus Apollo heard him.
Down he strode from Olympus' peaks, storming at heart
with his bow and hooded quiver slung across his shoulders.
The arrows clanged at his back as the god quaked with rage,
the god himself on the march and down he came like night.
Over against the ships he dropped to a knee, let fly a shaft
and a terrifying clash rang out from the great silver bow.
First he went for the mules and circling dogs but then,
launching a piercing shaft at the men themselves,
he cut them down in droves—
and the corpse-fires burned on, night and day, no end in sight.


    Nine days the arrows of god swept through the army.
On the tenth Achilles called all ranks to muster—
the impulse seized him, sent by white-armed Hera
grieving to see Achaean fighters drop and die.
Once they'd gathered, crowding the meeting grounds,
the swift runner Achilles rose and spoke among them:
"Son of Atreus, now we are beaten back, I fear,
the long campaign is lost. So home we sail ...
if we can escape our death—if war and plague
are joining forces now to crush the Argives.
But wait: let us question a holy man,
a prophet, even a man skilled with dreams—
dreams as well can come our way from Zeus—
come, someone to tell us why Apollo rages so,
whether he blames us for a vow we failed, or sacrifice.
If only the god would share the smoky savor of lambs
and full-grown goats, Apollo might be willing, still,
somehow, to save us from this plague."
                                          So he proposed
and down he sat again as Calchas rose among them,
Thestor's son, the clearest by far of all the seers
who scan the flight of birds. He knew all things that are,
all things that are past and all that are to come,
the seer who had led the Argive ships to Troy
with the second sight that god Apollo gave him.
For the armies' good the seer began to speak:
"Achilles, dear to Zeus ...
you order me to explain Apollo's anger,
the distant deadly Archer? I will tell it all.
But strike a pact with me, swear you will defend me
with all your heart, with words and strength of hand.
For there is a man I will enrage—I see it now—
a powerful man who lords it over all the Argives,
one the Achaeans must obey ... A mighty king,
raging against an inferior, is too strong.
Even if he can swallow down his wrath today,
still he will nurse the burning in his chest
until, sooner or later, he sends it bursting forth.
Consider it closely, Achilles. Will you save me?"


    And the matchless runner reassured him: "Courage!
Out with it now, Calchas. Reveal the will of god,
whatever you may know. And I swear by Apollo
dear to Zeus, the power you pray to, Calchas,
when you reveal god's will to the Argives—no one,
not while I am alive and see the light on earth, no one
will lay his heavy hands on you by the hollow ships.
None among all the armies. Not even if you mean
Agamemnon here who now claims to be, by far,
the best of the Achaeans."
                             The seer took heart
and this time he spoke out, bravely: "Beware—
he casts no blame for a vow we failed, a sacrifice.
The god's enraged because Agamemnon spurned his priest,
he refused to free his daughter, he refused the ransom.
That's why the Archer sends us pains and he will send us more
and never drive this shameful destruction from the Argives,
not till we give back the girl with sparkling eyes
to her loving father—no price, no ransom paid—
and carry a sacred hundred bulls to Chryse town.
Then we can calm the god, and only then appease him."


    So he declared and sat down. But among them rose
the fighting son of Atreus, lord of the far-flung kingdoms,
Agamemnon—furious, his dark heart filled to the brim,
blazing with anger now, his eyes like searing fire.
With a sudden, killing look he wheeled on Calchas first:
"Seer of misery! Never a word that works to my advantage!
Always misery warms your heart, your prophecies—
never a word of profit said or brought to pass.
Now, again, you divine god's will for the armies,
bruit it about, as fact, why the deadly Archer
multiplies our pains: because I, I refused
that glittering price for the young girl Chryseis.
Indeed, I prefer her by far, the girl herself,
I want her mine in my own house! I rank her higher
than Clytemnestra, my wedded wife---she's nothing less
in build or breeding, in mind or works of hand.
But I am willing to give her back, even so,
if that is best for all. What I really want
is to keep my people safe, not see them dying.
But fetch me another prize, and straight off too,
else I alone of the Argives go without my honor.
That would be a disgrace. You are all witness,
look—my prize is snatched away!"
                                            But the swift runner
Achilles answered him at once, "Just how, Agamemnon,
great field marshal ... most grasping man alive,
how can the generous Argives give you prizes now?
I know of no troves of treasure, piled, lying idle,
anywhere. Whatever we dragged from towns we plundered,
all's been portioned out. But collect it, call it back
from the rank and file? That would be the disgrace.
So return the girl to the god, at least for now.
We Achaeans will pay you back, three, four times over,
if Zeus will grant us the gift, somehow, someday,
to raze Troy's massive ramparts to the ground."


    But King Agamemnon countered, "Not so quickly,
brave as you are, godlike Achilles—trying to cheat me.
Oh no, you won't get past me, take me in that way!
What do you want? To cling to your own prize
while I sit calmly by—empty-handed here?
Is that why you order me to give her back?
No—if our generous Argives will give me a prize,
a match for my desires, equal to what I've lost,
well and good. But if they give me nothing
I will take a prize myself—your own, or Ajax'
or Odysseus' prize—I'll commandeer her myself
and let that man I go to visit choke with rage!
Enough. We'll deal with all this later, in due time.
Now come, we haul a black ship down to the bright sea,
gather a decent number of oarsmen along her locks
and put aboard a sacrifice, and Chryseis herself,
in all her beauty ... we embark her too.
Let one of the leading captains take command.
Ajax, Idomeneus, trusty Odysseus or you, Achilles,
you—the most violent man alive—so you can perform
the rites for us and calm the god yourself."
                                                A dark glance
and the headstrong runner answered him in kind: "Shameless—
armored in shamelessness—always shrewd with greed!
How could any Argive soldier obey your orders,
freely and gladly do your sailing for you
or fight your enemies, full force? Not I, no.
It wasn't Trojan spearmen who brought me here to fight.
The Trojans never did me damage, not in the least,
they never stole my cattle or my horses, never
in Phthia where the rich soil breeds strong men
did they lay waste my crops. How could they?
Look at the endless miles that lie between us ...
shadowy mountain ranges, seas that surge and thunder.
No, you colossal, shameless—we all followed you,
to please you, to fight for you, to win your honor
back from the Trojans—Menelaus and you, you dog-face!
What do you care? Nothing. You don't look right or left.
And now you threaten to strip me of my prize in person—
the one I fought for long and hard, and sons of Achaea
handed her to me.
                     My honors never equal yours,
whenever we sack some wealthy Trojan stronghold—
my arms bear the brunt of the raw, savage fighting,
true, but when it comes to dividing up the plunder
the lion's share is yours, and back I go to my ships,
clutching some scrap, some pittance that I love,
when I have fought to exhaustion.
                                     No more now—
back I go to Phthia. Better that way by far,
to journey home in the beaked ships of war.
I have no mind to linger here disgraced,
brimming your cup and piling up your plunder."


    But the lord of men Agamemnon shot back,
"Desert, by all means—if the spirit drives you home!
I will never beg you to stay, not on my account.
Never—others will take my side and do me honor,
Zeus above all, whose wisdom rules the world.
You—I hate you most of all the warlords
loved by the gods. Always dear to your heart,
strife, yes, and battles, the bloody grind of war.
What if you are a great soldier? That's just a gift of god.
Go home with your ships and comrades, lord it over
     your Myrmidons!
You are nothing to me—you and your overweening anger!
But let this be my warning on your way:
since Apollo insists on taking my Chryseis,
I'll send her back in my own ships with my crew.
But I, I will be there in person at your tents
to take Briseis in all her beauty, your own prize—
so you can learn just how much greater I am than you
and the next man up may shrink from matching words with me,
from hoping to rival Agamemnon strength for strength!"


    He broke off and anguish gripped Achilles.
The heart in his rugged chest was pounding, torn ...
Should he draw the long sharp sword slung at his hip,
thrust through the ranks and kill Agamemnon now?—
or check his rage and beat his fury down?
As his racing spirit veered back and forth,
just as he drew his huge blade from its sheath,
down from the vaulting heavens swept Athena,
the white-armed goddess Hera sped her down:
Hera loved both men and cared for both alike.
Rearing behind him Pallas seized his fiery hair—
only Achilles saw her, none of the other fighters—
struck with wonder he spun around, he knew her at once,
Pallas Athena! the terrible blazing of those eyes,
and his winged words went flying: "Why, why now?
Child of Zeus with the shield of thunder, why come now?
To witness the outrage Agamemnon just committed?
I tell you this, and so help me it's the truth—
he'll soon pay for his arrogance with his life!"


    Her gray eyes clear, the goddess Athena answered,
"Down from the skies I come to check your rage
if only you will yield.
The white-armed goddess Hera sped me down:
she loves you both, she cares for you both alike.
Stop this fighting, now. Don't lay hand to sword.
Lash him with threats of the price that he will face.
And I tell you this—and I know it is the truth—
one day glittering gifts will lie before you,
three times over to pay for all his outrage.
Hold back now. Obey us both."
                                 So she urged
and the swift runner complied at once: "I must—
when the two of you hand down commands, Goddess,
a man submits though his heart breaks with fury.
Better for him by far. If a man obeys the gods
they're quick to hear his prayers."
                                        And with that
Achilles stayed his burly hand on the silver hilt
and slid the huge blade back in its sheath.
He would not fight the orders of Athena.
Soaring home to Olympus, she rejoined the gods
aloft in the halls of Zeus whose shield is thunder.


    But Achilles rounded on Agamemnon once again,
lashing out at him, not relaxing his anger for a moment:
"Staggering drunk, with your dog's eyes, your fawn's heart!
Never once did you arm with the troops and go to battle
or risk an ambush packed with Achaea's picked men—
you lack the courage, you can see death coming.
Safer by far, you find, to foray all through camp,
commandeering the prize of any man who speaks against you.
King who devours his people! Worthless husks, the men you rule—
if not, Atrides, this outrage would have been your last.
I tell you this, and I swear a mighty oath upon it ...
by this, this scepter, look,
that never again will put forth crown and branches,
now it's left its stump on the mountain ridge forever,
nor will it sprout new green again, now the brazen ax
has stripped its bark and leaves, and now the sons of Achaea
pass it back and forth as they hand their judgments down,
upholding the honored customs whenever Zeus commands—
This scepter will be the mighty force behind my oath:
someday, I swear, a yearning for Achilles will strike
Achaea's sons and all your armies! But then, Atrides,
harrowed as you will be, nothing you do can save you—
not when your hordes of fighters drop and die,
cut down by the hands of man-killing Hector! Then—
then you will tear your heart out, desperate, raging
that you disgraced the best of the Achaeans!"
                                                 Down on the ground
he dashed the scepter studded bright with golden nails,
then took his seat again. The son of Atreus smoldered,
glaring across at him, but Nestor rose between them,
the man of winning words, the clear speaker of Pylos ...
Sweeter than honey from his tongue the voice flowed on and on.
Two generations of mortal men he had seen go down by now,
those who were born and bred with him in the old days,
in Pylos' holy realm, and now he ruled the third.
He pleaded with both kings, with clear good will.
"No more—or enormous sorrow comes to all Achaeal.
How they would exult. Priam and Priam's son's
and all the Trojans. Oh they'd leap for joy
to hear the two of you battling on this way,
you who excel us all, first in Achaean councils,
first in the ways of war.
                            Stop. Please.
Listen to Nestor. You are both younger than I,
and in my time I struck up with better men than you,
even you, but never once did they make light of me.
I've never seen such men, I never will again ...
men like Pirithous, Dryas, that fine captain,
Caeneus and Exadius, and Polyphemus, royal prince,
and Theseus, Aegeus' boy, a match for the immortals.
They were the strongest mortals ever bred on earth,
the strongest, and they fought against the strongest too,
shaggy Centaurs, wild brutes of the mountains—
they hacked them down, terrible, deadly work.
And I was in their ranks, fresh out of Pylos,
far away from home—they enlisted me themselves
and I fought on my own, a free lance, single-handed.
And none of the men who walk the earth these days
could battle with those fighters, none, but they,
they took to heart my counsels, marked my words.
So now you listen too. Yielding is far better ...
Don't seize the girl, Agamemnon, powerful as you are—
leave her, just as the sons of Achaea gave her,
his prize from the very first.
And you, Achilles, never hope to fight it out
with your king, pitting force against his force:
no one can match the honors dealt a king, you know,
a sceptered king to whom great Zeus gives glory.
Strong as you are—a goddess was your mother—
he has more power because he rules more men.
Atrides, end your anger—look, it's Nestor!
I beg you, cool your fury against Achilles.
Here the man stands over all Achaea's armies,
our rugged bulwark braced for shocks of war."


    But King Agamemnon answered him in haste,
"True, old man—all you say is fit and proper—
but this soldier wants to tower over the armies,
he wants to rule over all, to lord it over all,
give out orders to every man in sight. Well,
there's one, I trust, who will never yield to him!
What if the everlasting gods have made a spearman of him?
Have they entitled him to hurl abuse at me?"


    "Yes!"—blazing Achilles broke in quickly—
"What a worthless, burnt-out coward I'd be called
if I would submit to you and all your orders,
whatever you blurt out. Fling them at others,
don't give me commands!
Never again, I trust, will Achilles yield to you.
And I tell you this—take it to heart, I warn you—
my hands will never do battle for that girl,
neither with you, King, nor any man alive.
You Achaeans gave her, now you've snatched her back.
But all the rest I possess beside my fast black ship—
not one bit of it can you seize against my will, Atrides.
Come, try it! So the men can see, that instant,
your black blood gush and spurt around my spear!"


    Once the two had fought it out with words,
battling face-to-face, both sprang to their feet
and broke up the muster beside the Argive squadrons.
Achilles strode off to his trim ships and shelters,
back to his friend Patroclus and their comrades.
Agamemnon had a vessel hauled down to the sea,
he picked out twenty oarsmen to man her locks,
put aboard the cattle for sacrifice to the god
and led Chryseis in all her beauty amidships.
Versatile Odysseus took the helm as captain.
                                             All embarked,
the party launched out on the sea's foaming lanes
while the son of Atreus told his troops to wash,
to purify themselves from the filth of plague.
They scoured it off, threw scourings in the surf
and sacrificed to Apollo full-grown bulls and goats
along the beaten shore of the fallow barren sea
and savory smoke went swirling up the skies.


    So the men were engaged throughout the camp.
But King Agamemnon would not stop the quarrel,
the first threat he hurled against Achilles.
He called Talthybius and Eurybates briskly,
his two heralds, ready, willing aides:
"Go to Achilles' lodge. Take Briseis at once,
his beauty Briseis by the hand and bring her here.
But if he will not surrender her, I'll go myself,
I'll seize her myself, with an army at my back—
and all the worse for him!"
                                He sent them off
with the strict order ringing in their ears.
Against their will the two men made their way
along the breaking surf of the barren salt sea
and reached the Myrmidon shelters and their ships.
They found him beside his lodge and black hull,
seated grimly—and Achilles took no joy
when he saw the two approaching.
They were afraid, they held the king in awe
and stood there, silent. Not a word to Achilles,
not a question. But he sensed it all in his heart,
their fear, their charge, and broke the silence for them:
"Welcome, couriers! Good heralds of Zeus and men,
here, come closer. You have done nothing to me.
You are not to blame. No one but Agamemnon—
he is the one who sent you for Briseis.
Go, Patroclus, Prince, bring out the girl
and hand her to them so they can take her back.
But let them both bear witness to my loss ...
in the face of blissful gods and mortal men,
in the face of that unbending, ruthless king—
if the day should come when the armies need me
to save their ranks from ignominious, stark defeat.
The man is raving—with all the murderous fury in his heart.
He lacks the sense to see a day behind, a day ahead,
and safeguard the Achaeans battling by the ships."


    Patroclus obeyed his great friend's command.
He led Briseis in all her beauty from the lodge
and handed her over to the men to take away.
And the two walked back along the Argive ships
while she trailed on behind, reluctant, every step.
But Achilles wept, and slipping away from his companions,
far apart, sat down on the beach of the heaving gray sea
and scanned the endless ocean. Reaching out his arms,
again and again he prayed to his dear mother: "Mother!
You gave me life, short as that life will be,
so at least Olympian Zeus, thundering up on high,
should give me honor—but now he gives me nothing.
Atreus' son Agamemnon, for all his far-flung kingdoms—
the man disgraces me, seizes and keeps my prize,
he tears her away himself!"
                              So he wept and prayed
and his noble mother heard him, seated near her father,
the Old Man of the Sea in the salt green depths.
Suddenly up she rose from the churning surf
like mist and settling down beside him as he wept,
stroked Achilles gently, whispering his name, "My child—
why in tears? What sorrow has touched your heart?
Tell me, please. Don't harbor it deep inside you.
We must share it all."
                         And now from his depths
the proud runner groaned: "You know, you know,
why labor through it all? You know it all so well ...
We raided Thebe once, Eetion's sacred citadel,
we ravaged the place, hauled all the plunder here
and the armies passed it round, share and share alike,
and they chose the beauty Chryseis for Agamemnon.
But soon her father, the holy priest of Apollo
the distant deadly Archer, Chryses approached
the fast trim ships of the Argives armed in bronze
to win his daughter back, bringing a priceless ransom
and bearing high in hand, wound on a golden staff,
the wreaths of the god who strikes from worlds away.
He begged the whole Achaean army but most of all
the two supreme commanders, Atreus' two sons,
and all ranks of Achaeans cried out their assent,
'Respect the priest, accept the shining ransom!'
But it brought no joy to the heart of Agamenmon,
our high and mighty king dismissed the priest
with a brutal order ringing in his ears.
And shattered with anger, the old man withdrew
but Apollo heard his prayer—he loved him, deeply—
he loosed his shaft at the Argives, withering plague,
and now the troops began to drop and die in droves,
the arrows of god went showering left and right,
whipping through the Achaeans' vast encampment.
But the old seer who knew the cause full well
revealed the will of the archer god Apollo.
And I was the first, mother, I urged them all,
'Appease the god at once!' That's when the fury
gripped the son of Atreus. Agamemnon leapt to his feet
and hurled his threat—his threat's been driven home.
One girl, Chryseis, the fiery-eyed Achaeans
ferry out in a fast trim ship to Chryse Island,
laden with presents for the god. The other girl,
just now the heralds came and led her away from camp,
Briseus' daughter, the prize the armies gave me.
But you, mother, if you have any power at all,
protect your son! Go to Olympus, plead with Zeus,
if you ever warmed his heart with a word or any action ...


    Time and again I heard your claims in father's halls,
boasting how you and you alone of all the immortals
rescued Zeus, the lord of the dark storm cloud,
from ignominious, stark defeat ...
That day the Olympians tried to chain him down,
Hera, Poseidon lord of the sea, and Pallas Athena—
you rushed to Zeus, dear Goddess, broke those chains,
quickly ordered the hundred-hander to steep Olympus,
that monster whom the immortals call Briareus
but every mortal calls the Sea-god's son, Aegaeon,
though he's stronger than his father. Down he sat,
flanking Cronus' son, gargantuan in the glory of it all,
and the blessed gods were struck with terror then,
they stopped shackling Zeus.
                               Remind him of that,
now, go and sit beside him, grasp his knees ...
persuade him, somehow, to help the Trojan cause,
to pin the Achaeans back against their ships,
trap them round the bay and mow them down.
So all can reap the benefits of their king—
so even mighty Atrides can see how mad he was
to disgrace Achilles, the best of the Achaeans!"


    And Thetis answered, bursting into tears,
"O my son, my sorrow, why did I ever bear you?
All I bore was doom ...
Would to god you could linger by your ships
without a grief in the world, without a torment!
Doomed to a short life, you have so little time.
And not only short, now, but filled with heartbreak too,
more than all other men alive—doomed twice over.
Ah to a cruel fate I bore you in our halls!
Still, I shall go to Olympus crowned with snow
and repeat your prayer to Zeus who loves the lightning.
Perhaps he will be persuaded.
                                But you, my child,
stay here by the fast ships, rage on at the Achaeans,
just keep clear of every foray in the fighting.
Only yesterday Zeus went off to the Ocean River
to feast with the Aethiopians, loyal, lordly men,
and all the gods went with him. But in twelve days
the Father returns to Olympus. Then, for your sake,
up I go to the bronze floor, the royal house of Zeus—
I'll grasp his knees, I think I'll win him over."
                                                    With that vow
his mother went away and left him there, alone,
his heart inflamed for the sashed and lovely girl
they'd wrenched away from him against his will.
Meanwhile Odysseus drew in close to Chryse Island,
bearing the splendid sacrifice in the vessel's hold.
And once they had entered the harbor deep in bays
they furled and stowed the sail in the black ship,
they lowered the mast by the forestays, smoothly,
quickly let it down on the forked mast-crutch
and rowed her into a mooring under oars.
Out went the bow-stones—cables fast astern—
and the crew themselves swung out in the breaking surf,
leading out the sacrifice for the archer god Apollo,
and out of the deep-sea ship Chryseis stepped too.
Then tactful Odysseus led her up to the altar,
placing her in her loving father's arms, and said,
"Chryses, the lord of men Agamemnon sent me here
to bring your daughter back and perform a sacrifice,
a grand sacrifice to Apollo—for all Achaea's sake—
so we can appease the god
who's loosed such grief and torment on the Argives."


    With those words he left her in Chryses' arms
and the priest embraced the child he loved, exultant.
At once the men arranged the sacrifice for Apollo,
making the cattle ring his well-built altar,
then they rinsed their hands and took up barley.
Rising among them Chryses stretched his arms to the sky
and prayed in a high resounding voice, "Hear me, Apollo!
God of the silver bow who strides the walls of Chryse
and Cilia sacrosanct—lord in power of Tenedos!
If you honored me last time and heard my prayer
and rained destruction down on all Achaea's ranks,
now bring my prayer to pass once more. Now, at last,
drive this killing plague from the armies of Achaea!"
    His prayer went up and Phoebus Apollo heard him.
And soon as the men had prayed and flung the barley,
first they lifted back the heads of the victims,
slit their throats, skinned them and carved away
the meat from the thighbones and wrapped them in fat,
a double fold sliced clean and topped with strips of flesh.
And the old man burned these over dried split wood
and over the quarters poured out glistening wine
while young men at his side held five-pronged forks.
Once they had burned the bones and tasted the organs
they cut the rest into pieces, pierced them with spits,
roasted them to a turn and pulled them off the fire.
The work done, the feast laid out, they ate well
and no man's hunger lacked a share of the banquet.
When they had put aside desire for food and drink,
the young men brimmed the mixing bowls with wine
and tipping first drops for the god in every cup
they poured full rounds for all. And all day long
they appeased the god with song, raising a ringing hymn
to the distant archer god who drives away the plague,
those young Achaean warriors singing out his power,
and Apollo listened, his great heart warm with joy.


    Then when the sun went down and night came on
they made their beds and slept by the stern-cables ...
When young Dawn with her rose-red fingers shone once more,
they set sail for the main encampment of Achaea.
The Archer sent them a bracing following wind,
they stepped the mast, spread white sails wide,
the wind hit full and the canvas bellied out
and a dark blue wave, foaming up at the bow,
sang out loud and strong as the ship made way,
skimming the whitecaps, cutting toward her goal.
And once offshore of Achaea's vast encampment
they eased her in and hauled the black ship high,
far up on the sand, and shored her up with timbers.
Then they scattered, each to his own ship and shelter.


    But he raged on, grimly camped by his fast fleet,
the royal son of Peleus, the swift runner Achilles.
Now he no longer haunted the meeting grounds
where men win glory, now he no longer went to war
but day after day he ground his heart out, waiting there,
yearning, always yearning for battle cries and combat.


    But now as the twelfth dawn after this shone clear
the gods who live forever marched home to Olympus,
all in a long cortege, and Zeus led them on.
And Thetis did not forget her son's appeals.
She broke from a cresting wave at first light
and soaring up to the broad sky and Mount Olympus,
found the son of Cronus gazing down on the world,
peaks apart from the other gods and seated high
on the topmost crown of rugged ridged Olympus.
And crouching down at his feet,
quickly grasping his knees with her left hand,
her right hand holding him underneath the chin,
she prayed to the lord god Zeus, the son of Cronus:
"Zeus, Father Zeus! If I ever served you well
among the deathless gods with a word or action,
bring this prayer to pass: honor my son Achilles!—
doomed to the shortest life of any man on earth.
And now the lord of men Agamemnon has disgraced him,
seizes and keeps his prize, tears her away himself. But you—
exalt him, Olympian Zeus: your urgings rule the world!
Come, grant the Trojans victory after victory
till the Achaean armies pay my dear son back,
building higher the honor he deserves!"
                                          She paused
but Zeus who commands the storm clouds answered nothing.
The Father sat there, silent. It seemed an eternity ...
But Thetis, clasping his knees, held on, clinging,
pressing her question once again: "Grant my prayer,
once and for all, Father, bow your head in assent!
Or deny me outright. What have you to fear?
So I may know, too well, just how cruelly
I am the most dishonored goddess of them all."
                                                         Filled with anger
Zeus who marshals the storm clouds answered her at last:
"Disaster. You will drive me into war with Hera.
She will provoke me, she with her shrill abuse.
Even now in the face of all the immortal gods
she harries me perpetually, Hera charges me
that I always go to battle for the Trojans.
Away with you now Hera might catch us here.
I will see to this. I will bring it all to pass.
Look, I will bow my head if that will satisfy you.
That, I remind you, that among the immortal gods
is the strongest, truest sign that I can give.
No word or work of mine—nothing can be revoked,
there is no treachery, nothing left unfinished
once I bow my head to say it shall be done."


    So he decreed. And Zeus the son of Cronus bowed
his craggy dark brows and the deathless locks came pouring
down from the thunderhead of the great immortal king
and giant shock waves spread through all Olympus.


    So the two of them made their pact and parted.
Deep in the sea she dove from radiant Mount Olympus.
Zeus went back to his own halls, and all the gods
in full assembly rose from their seats at once
to meet the Father striding toward them now.
None dared remain at rest as Zeus advanced,
they all sprang up to greet him face-to-face
as he took his place before them on his throne.
But Hera knew it all. She had seen how Thetis,
the Old Man of the Sea's daughter, Thetis quick
on her glistening feet was hatching plans with Zeus.
And suddenly Hera taunted the Father, son of Cronus:
"So, who of the gods this time, my treacherous one,
was hatching plans with you?
Always your pleasure, whenever my back is turned,
to settle things in your grand clandestine way.
You never deign, do you, freely and frankly,
to share your plots with me—never, not a word!"


    The father of men and gods replied sharply,
"Hera—stop hoping to fathom all my thoughts.
You will find them a trial, though you are my wife.
Whatever is right for you to hear, no one, trust me,
will know of it before you, neither god nor man.
Whatever I choose to plan apart from all the gods—
no more of your everlasting questions, probe and pry no more."


    And Hera the Queen, her dark eyes wide, exclaimed,
"Dread majesty, son of Cronus, what are you saying?
Now surely I've never probed or pried in the past.
Why, you can scheme to your heart's content
without a qualm in the world for me. But now
I have a terrible fear that she has won you over,
Thetis, the Old Man of the Sea's daughter, Thetis
with her glistening feet. I know it. Just at dawn
she knelt down beside you and grasped your knees
and I suspect you bowed your head in assent to her—
you granted once and for all to exalt Achilles now
and slaughter hordes of Achaeans pinned against their ships."


    And Zeus who marshals the thunderheads returned,
"Maddening one ... you and your eternal suspicions—
I can never escape you. Ah but tell me, Hera,
just what can you do about all this? Nothing.
Only estrange yourself from me a little more—
and all the worse for you.
If what you say is true, that must be my pleasure.
Now go sit down. Be quiet now. Obey my orders,
for fear the gods, however many Olympus holds,
are powerless to protect you when I come
to throttle you with my irresistible hands."
                                                He subsided
but Hera the Queen, her eyes wider, was terrified.
She sat in silence. She wrenched her will to his.
And throughout the halls of Zeus the gods of heaven
quaked with fear. Hephaestus the Master Craftsman
rose up first to harangue them all, trying now
to bring his loving mother a little comfort,
the white-armed goddess Hera: "Oh disaster ...
that's what it is, and it will be unbearable
if the two of you must come to blows this way,
flinging the gods in chaos just for mortal men.
No more joy for us in the sumptuous feast
when riot rules the clay.
I urge you, mother---you know that I am right—
work back into his good graces, so the Father,
our beloved Father will never wheel on us again,
send our banquets crashing! The Olympian lord of lightning—
what if he would like to blast us from our seats?
He is far too strong. Go back to him, mother,
stroke the Father with soft, winning words—
at once the Olympian will turn kind to us again."


    Pleading, springing up with a two-handled cup,
he reached it toward his loving mother's hands
with his own winning words: "Patience, mother!
Grieved as you are, bear up, or dear as you are,
I have to see you beaten right before my eyes.
I would be shattered—what could I do to save you?
It's hard to fight the Olympian strength for strength.
You remember the last time I rushed to your defense?
He seized my foot, he hurled me off the tremendous threshold
and all day long I dropped, I was dead weight and then,
when the sun went down, down I plunged on Lemnos,
little breath left in me. But the mortals there
soon nursed a fallen immortal back to life."


    At that the white-armed goddess Hera smiled
and smiling, took the cup from her child's hands.
Then dipping sweet nectar up from the mixing bowl
he poured it round to all the immortals, left to right.
And uncontrollable laughter broke from the happy gods
as they watched the god of fire breathing hard
and bustling through the halls.
                                  That hour then
and all day long till the sun went down they feasted
and no god's hunger lacked a share of the handsome banquet
or the gorgeous lyre Apollo struck or the Muses singing
voice to voice in choirs, their vibrant music rising.


    At last, when the sun's fiery light had set,
each immortal went to rest in his own house,
the splendid high halls Hephaestus built for each
with all his craft and cunning, the famous crippled Smith.
And Olympian Zeus the lord of lightning went to his own bed
where he had always lain when welcome sleep came on him.
There he climbed and there he slept and by his side
lay Hera the Queen, the goddess of the golden throne.


Continues...

Excerpted from Iliad by Homer Copyright © 1999 by Homer. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Read More Show Less

Table of Contents

Iliad

Book 13

Book 14

Book 15

Book 16

Book 17

Book 18

Book 19

Book 20

Book 21

Book 22

Book 23

Book 24

Index

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Customer Reviews

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( 62 )
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See All Sort by: Showing 1 – 20 of 62 Customer Reviews
  • Anonymous

    Posted June 25, 2002

    A readable Iliad in modern idiom

    Robert Fagles's translation of Homer's Iliad is spiritually if not literally true to the original. Both versions repeat set speeches and descriptions in precisely the same words, and the translation exhibits a fairly regular rhythmic beat. But Homer's Greek was chanted, and the set passages were like refrains in which listeners could, if they chose, join in as a chorus. In English, the repetitions sometimes become tedious, especially when the same speech is given three times in two pages, as in the relay of Zeus's orders in Book II. Especially noteworthy is Bernard Knox's long and fascinating Introduction, a masterpiece of literary criticism which conveys Homer's grim attitude toward war, the interplay of divine and human will, and the ancient concepts of honor, courage, and virility in the face of the stark finality of death. Knox also includes a succinct explanation of the quantitative, rather than accentual, basis of Greek (and Latin) verse. For easy readability, Fagles's translation is without rival. For elegance and poetry, however, I recommend Richmond Lattimore's older but still gripping and fluent translation.

    3 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted October 1, 2012

    Fagles' Iliad ebook is full of mistakes! Do not buy!

    The Nook version of this title is rife with errors -- for anyone out there that is thinking of buying Fagles' transation of the Iliad for the Nook, DO NOT BUY! Penguin's disrespect for the reputation of their house, together with their decision to sell this ebook to consumers WITHOUT EVEN PROOFREADING IT is shameful. This is a seminal work of epic poetry, part of the foundation of our Western literary tradition. An example: "You fool" is "You foot", "corn" becomes "com", lowercase L's replace exclamation points, and quotation marks go in the wrong direction. Shame on Penguin, and shame on Barnes and Noble for not providing a feedback link for poorly formatted ebooks. B&N, take this title down immediately, until Penguin reviews it. B&N is charging $14 for this? An outrage.

    2 out of 2 people found this review helpful.

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  • Posted November 1, 2010

    more from this reviewer

    A sonnet review (from All-Consuming Books)

    "Achilles doesn't gladly suffer fools,
    and Agamemnon's foolishness is shown
    when he takes away Briseis and rules
    proudly, claiming war prizes for his own
    which should, by rights, belong to other men
    (the slavery issue never gets addressed)
    but this king of all the Greeks is brought low when
    Achilles boycotts battle. Since their best
    and boldest fighter's sitting out, the Greeks
    are getting hacked to bits by Hector, who's
    just fighting for his home, but then Zeus speaks,
    and brings down Trojan doom: they're going to lose.
    The Greeks march ahead with inexorable forces
    and Troy buries Hector, the breaker of horses."

    Here we have the story of the fall of Troy at the hands of the Greeks, though The Iliad actually ends before the fall of Troy, the Trojan Horse comes along in a later book, The Odyssey, and the Greeks are usually called Achaeans or Argives (I think what they're called at any given point has something to do with Homer's metrics and how many syllables his lines needed). The half-god warrior Achilles is the central figure of the story and the action is driven as much by his decisions as it is by the whims of the gods, who take sides in the war and vigorously defend their favorite champions. Achilles meets his opposite in Hector, prince of Troy, who is a family man fighting to defend his own home city, while Achilles is in it for the glory and is fighting for a man he hates. Hector kills Achilles' friend Patroclus, Achilles kills Hector in retaliation, and the war-cycle spirals downward and gets uglier with each passing skirmish.

    Some themes:

    Rage: The Iliad is called the epic of menis, rage, the first chapter is titled "The Wrath of Achilles," and the first (and best) line in the whole epic is, "Rage-Goddess, sing the rage of Peleus' son Achilles." This killing-anger isn't something the characters can escape from for any length of time. Rage can be hidden, but it always eventually bursts forth again--Achilles even nurtures the feeling. He's furious and refuses to fight for the Achaeans, and then when they bring him presents to appease him, he ain't want to be appeased! Cooler heads don't seem to prevail, here, and the epidemic of rage ensures that The Iliad is endlessly violent and gory--except for Hector's body, which is preserved from decay by the gods, the other casualties of war either get thrown onto pyres or become food for the vultures.

    Vengeance. An eye for an eye, ad infinitum. Humans love seeking vengeance, like Achilles avenging Patroclus by killing Hector, but the gods are fond of it, too. The gods are big on damage control--they might not be able to stop you from doing something disastrous, but they'll certainly punish you for it after the fact, like Apollo visiting the Achaeans with a plague after they kidnap Chryseis, the daughter of his priest.

    Doom. Not just fate, but negative fate. Doom hangs over all of Troy and over most of the Achaens that the reader might actually care about: though Achilles is a killing machine, it's possible to empathize with him, and the propheices make it clear that he's going to die at Troy; Odysseus is going to live through the war, but it'll be another long decade before he gets home; Agamemnon is going to be murdered by his wife's boyfriend when he gets home (but since he's a power-hungry tyrant who killed his own daughter, it's not such a loss), and Menelaus is going to regain Helen and go home, but you can't say they'll live at all h

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 26, 2014

    Great Version!

    This is a great version of the classic epic poem, by an excellent translator, and with tremendously helpful additional materials, especially the introduction! I highly recommend all of Fagles translations of classical Greek literature!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 11, 2014

    I had to read this book for my Literature class and I thought I

    I had to read this book for my Literature class and I thought I was gonna die, especially seeing how thick the book was. Once I started reading it I couldn't put it down. This book translates the events well and the read was easy. Would definitely advise you to read.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted September 2, 2014

    There are no line numbers. Do not buy this for an english class

    Do not buy this for an english class

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  • Anonymous

    Posted June 21, 2013

    If you n eed this...order from somewhere else.  B&N cancelle

    If you n eed this...order from somewhere else.  B&N cancelled my order because it is out of stock and didn't notify me.   Website says it  is available and normally ships within 24 hours.  :(  I needed this for school.  Very disappointed in B&N customer service.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 9, 2013

    Wonderful poem ,gripping read

    This translation of the Iliad is a great read. Start with the poem ,. Read the
    forward later, if at all.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 10, 2012

    AWESOME!!!

    Mr. Fagles' translation of the iliad is PERFECT!!! WARNING: May cause severe bewilderment; Has a natural aptitude for adventure!

    Was this review helpful? Yes  No   Report this review
  • Posted November 4, 2012

    My favorite translation to my favorite epic

    Fagles retains the poetic beauty of Homer's original tale while keeping the grittiness intact.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 12, 2012

    Excellent

    I read this last year as a high school freshman and thought it was quite good. This transalation is much less boring than others.

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  • Posted September 28, 2010

    HATED

    I didnt enjoy this book one bit. I had to read it for high school and just finished it. It was very difficult to understand and I dont think anyone should make themselves read it for fun. If you want to know the plotline which isnt very bad then go to sparknotes for a good lengthy description and analysis. WARNING: Reading may cause drowsiness and exaustion. Also some cases of distress and axiety. Not reccomended for most readers.

    0 out of 10 people found this review helpful.

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  • Posted November 18, 2009

    Bought it for my Kid

    Came quickly, my Kid was excited and really enjoyed the book

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  • Posted September 21, 2009

    more from this reviewer

    Intellectually Stimulating and absolutely thrilling

    A classic masterpiece. Great violence! It's the true art of war...when war was up close and personal. This is where Hollywood comes for their great action blockbusters. Spies, Emotional struggles, violence, war...all that in the fantasy of the gods. Really good reading

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  • Anonymous

    Posted March 18, 2009

    Robert Fagle's Translation of Homer's The Iliad

    This is the original Superhero story. Though previous translations from the ancient Greek were dry, and by many accounts, almost unreadable, this one is gorgeous. Fagle's translation reads like prose. And a great introduction by Bernard Knox helps with context and history. Highly recommended.

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  • Posted December 19, 2008

    The Iliad

    My son and I tried making it through the recommended Lattimore translation with a guide and almost stopped reading the Iliad all together. We are sooo glad we gave Fagles a try!! This is an amazing story, told using a wonderful translation. Can't wait for the Odyssey!

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  • Anonymous

    Posted May 6, 2008

    the iliad

    i loved the translation of this story and the language flows nicely. I stayed captivated the entire time. My ten year old brother had a hard time reading it though, it would be dificult for anyone younger than twelve. A definate must read for everyone.

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  • Anonymous

    Posted November 19, 2007

    Go Homer!

    This translation of one of the most important pieces of international literature is surely one of the best. The language flows and the story is vivid to your imagination. I recommend this version to anyone who wants the truth behink Troy

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  • Anonymous

    Posted June 16, 2005

    Spectacular

    I never read this book but i need to read it for English 9H. Everyone's putting 5 stars, so i guess i should too...:o)

    0 out of 4 people found this review helpful.

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  • Anonymous

    Posted January 9, 2003

    Didi's Review of the Iliad

    Homer's The Iliad unfolds the events of a few months during the tenth year of the Trojan War, which was supposedly fought for the possession of the beautiful Helen. The story gives an in depth look at both the Trojan and Achaian side, as well as the involvement from Mount Olympus. Homer does a great job portraying his character's emotions and making them seem very life-like. As I read the book, I felt like I knew the characters, both Trojan and Achaian, and could relate to their feelings and troubles. I also enjoyed his characterization of the gods. The gods have the same emotions and flaws as mortals, even though they don't have to deal with the same problems in everyday life. Although some of the battle scenes are quite gruesome, Homer balances them out with conventional activities. I'm not usually a fan of war stories, but I enjoyed Homer's style and descriptions. My favorite part about the book is the characterization and growth of Achilles. In the beginning and well into the middle of the story, Achilles is portrayed as selfish, arrogant, and almost childish. Due to Agamemnon hurting Achilles pride by taking away his war prize, a maiden named Bryseis, Achilles refuses to fight. Even when Agamemnon admits that he was wrong, Achilles refuses to surrender due to his wounded pride. However, once Achilles' dearest friend Patrochlus dies, another side of Achilles is shown. The reader sees that Achilles genuinely cared for Partrochlus and wants to avenge his death. Achilles brutally kills Hektor and drags his body around the burial mound of his dead friend. This shows the cruel side of Achilles. However, when Hektor's father makes an emotional plea for the return of his son's body, Achilles obliges. This shows his growth and Homer ends the book with Achilles as a hero.

    0 out of 1 people found this review helpful.

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