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I'm in You

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All Music Guide - Bruce Eder
It was almost inevitable that I'm in You would be thought of as a letdown no matter now good it was. Following up to one of the biggest selling albums of the decade, Peter Frampton faced a virtually impossible task, made even more difficult by the fact that in the two years since he'd cut any new material, he had evolved musically away from some of the sounds on Frampton Comes Alive. The result was mostly a surprisingly laid-back album steeped in lyricism and craftsmanship, particularly in its use of multiple overdubs even on the harder rocking numbers. From the opening bars of "I'm in You," dominated by the sound of the piano played by Frampton and an ARP ...
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08/01/2000 CD Good 1 CD in jewel case w/cover art. Light wear on case. Disc plays perfectly! Tulsa's best used bookstore. Located on South Mingo Road since 1991. No-hassle ... return policy if not completely satisfied. Read more Show Less

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Editorial Reviews

All Music Guide - Bruce Eder
It was almost inevitable that I'm in You would be thought of as a letdown no matter now good it was. Following up to one of the biggest selling albums of the decade, Peter Frampton faced a virtually impossible task, made even more difficult by the fact that in the two years since he'd cut any new material, he had evolved musically away from some of the sounds on Frampton Comes Alive. The result was mostly a surprisingly laid-back album steeped in lyricism and craftsmanship, particularly in its use of multiple overdubs even on the harder rocking numbers. From the opening bars of "I'm in You," dominated by the sound of the piano played by Frampton and an ARP synthesizer-generated string section, rather than a guitar, it was clear that Frampton was exploring new sides of his music. Cuts like "Won't You Be My Friend," a piece of white funk that might've been better at six minutes running time, seemed to be dangerously close to self-indulgence at eight minutes long. The high points also include the title track, "Don't Have to Worry," and a killer cover of Stevie Wonder's "Signed, Sealed Delivered I'm Yours"; a couple of solid rock numbers, "Tried to Love" and the crunching "I'm A Roadrunner" also work their way in here to pump up the tension and excitement. I'm in You was successful on its own terms, and had Frampton recorded it before the live album, it would probably be very fondly looked back on. As it was, many listeners were not impressed. The spring 2000 reissue in 20-bit audio recreates the original album artwork and notes and is the best way to appreciate the multi-layered sound and the crunchier rock moments on this album.
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Product Details

  • Release Date: 8/1/2000
  • Label: A&M
  • UPC: 606949071424
  • Catalog Number: 490714

Album Credits

Performance Credits
Peter Frampton Primary Artist, Acoustic Guitar, Bass, Guitar, Piano, Drums, Electric Guitar, Keyboards, Vocals, Slide Guitar, ARP
Ringo Starr Drums
Mike Finnegan Background Vocals
Richie Hayward Percussion
Bob Mayo Acoustic Guitar, Guitar, Piano, Keyboards, Vocals, Background Vocals, fender rhodes, Wurlitzer, Arp Bass
Stanley Sheldon Bass, Vocals, Fretless Bass Guitar, Fender Jazz Bass
John Siomos Drums, Tambourine, Cabasa
Stevie Wonder Harmonica
Technical Credits
Peter Frampton Producer, Engineer, Arp String Ensemble
Frank D'Augusta Engineer
Lamont Dozier Composer
Eddie Holland Composer
Chris Kimsey Producer, Engineer
George Marino Mastering
Bob Mayo Arp String Ensemble
Doug Sax Remastering
Roland Young Art Direction
Neal Preston Back Cover
Irving Penn Cover Photo
Beth Stempel Reissue Production Coordination
Ryan Rogers Reissue Design
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