I'm Nobody! Who Are You?: Poems of Emily Dickinson for Children

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Schneider, Rex Owings Mills, Maryland, U.S.A. 1978 Soft Cover Good. No Jacket An illustrated collection of poems for young people by an outstanding 19th-century American poet ... whose works were published posthumously. Book is in good condition with edgewear and light cover soil. 84 pages, 10.5 x 8. Read more Show Less

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SCHNEIDER, Rex color artwork Owings Mills, MD 1978, 1981 3rd ptg HARDCOVER Good+ Ex-Lib Cond 8X11" OVERSIZED GOOD+ DJ 84+Pg. Full Page Color Ilust Drawings On The Page With Each ... Poem...back cover has small photo of SCHNEIDER AT WORK DRAWING.. Read more Show Less

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Overview

Emily Dickinson's Open Folios is a scholarly edition and aesthetic exploration of a group of forty late drafts and fragments hitherto known as the "Lord letters." The drafts are presented in facsimile form alongside typed transcriptions that reproduce as fully as possible the shock of script and startling array of visual details inscribed on the surfaces of the manuscripts. Marta L. Werner argues that a redefinition of the editorial enterprise is needed to approach the revelations of these writings - the details that have been all but erased by editorial interventions and print conventions in the twentieth century. Paradoxically, "un-editing" them allows a better understanding of the relationship between medium and
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Overview

Emily Dickinson's Open Folios is a scholarly edition and aesthetic exploration of a group of forty late drafts and fragments hitherto known as the "Lord letters." The drafts are presented in facsimile form alongside typed transcriptions that reproduce as fully as possible the shock of script and startling array of visual details inscribed on the surfaces of the manuscripts. Marta L. Werner argues that a redefinition of the editorial enterprise is needed to approach the revelations of these writings - the details that have been all but erased by editorial interventions and print conventions in the twentieth century. Paradoxically, "un-editing" them allows a better understanding of the relationship between medium and messages. Werner's commentary forsakes the claims to comprehensiveness generally associated with scholarly narrative in favor of a series of speculative and fragmentary "close-ups" - a portrait in pieces. Finally, she proposes the acts of both reading and writing as visual poems. A crucial reference for Dickinson scholars, this book is also of primary importance to textual scholars, editorial theorists, and students of gender and cultural studies interested in the production, dissemination, and interpretation of works by women writers.

Editorial Reviews

Booknews
Based on the proceedings of an international symposium organized by the Food Chemistry Group of the Royal Society of Chemistry at the U. of East Anglia, Norwich, England, March 1990. The central theme is the role of food macromolecules in determining the stability, structure, texture, and rheology of food colloids, with particular reference to gelling behavior and interactions between macromolecules and interfaces. A notable feature is the wide range of physicochemical techniques which are now being used to address the problems in this field. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Product Details

  • ISBN-13: 9780916144210
  • Publisher: Stemmer House
  • Publication date: 8/1/1978
  • Edition description: 1st edition
  • Edition number: 1
  • Pages: 84
  • Series: Poetry for Young People
  • Product dimensions: 8.61 (w) x 10.82 (h) x 0.54 (d)

Table of Contents

Acknowledgments
Abbreviations
Introduction. "Called Back": Scenes of Reading and Writing 1
Ch. 1 Flyleaves: Toward a Poetics of Reading Emily Dickinson's Late Writings 11
Ch. 2 Lost Events: Toward a Poetics of Editing Emily Dickinson's Late Writings 41
Ch. 3 Open Folios: An Experimental Edition of Forty of Emily Dickinson's Drafts and Fragments 55
Appendix 1. The Bingham, Leyda, and Johnson Collections 273
Appendix 2. Sequences and Dates 278
Appendix 3. History of Manuscript Ownership 281
Appendix 4. Mutilated Manuscripts and Missing Leaves 284
Appendix 5. The Johnson Reconstructions 286
Appendix 6. Transcripts 289
Appendix 7. Excluded Manuscripts 290
Appendix 8. Paper Types 291
Notes 293
Bibliography 303

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