I'm Not Dead [Platinum]

I'm Not Dead [Platinum]

2.3 3
by Pink
     
 

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Although it hardly deserved it, Try This -- Pink's 2003 sequel to her 2001 artistic and commercial breakthrough, M!ssundaztood -- turned out to be something of a flop, selling considerably less than its predecessor and generating no true hit singles. Perhaps this downturn in sales was due to the harder rock direction she pursued on See more details below

Overview

Although it hardly deserved it, Try This -- Pink's 2003 sequel to her 2001 artistic and commercial breakthrough, M!ssundaztood -- turned out to be something of a flop, selling considerably less than its predecessor and generating no true hit singles. Perhaps this downturn in sales was due to the harder rock direction she pursued on Try This, perhaps the songs she co-wrote with Rancid's Tim Armstrong weren't quite pop even if they were poppy, perhaps it was just a matter of timing, but the album just didn't click with a larger audience, through no fault of the music, which was the equal to that on M!ssundaztood. When faced with such a commercial disappointment, some artists would crawl back to what made them a star, but not Pink. Although she does pump up the dance on 2006's I'm Not Dead, it's way too simple to call the album a return to "Get the Party Started" -- Pink is far too complex to do something so straightforward. No, Pink is complicated, often seemingly contradictory: she tears down "porno paparazzi girls" like Paris Hilton just as easily as she flaunts her bling on "'Cuz I Can"; she celebrates that "I Got Money Now"; she'll swagger and snarl and swear like a sailor, then turn around and write sweet songs of support to a teenager, or a knowingly melancholy reflection like "I Got Money Now"; she'll collaborate with Britney Spears hitmaker Max Martin on one track, then turn around and bring in the Indigo Girls for support on a stripped-down protest song. She'll try anything, and she does on I'm Not Dead. It Ping-Pongs between dense dancefloor anthems and fuzzy power pop, acoustic folk-rock and anthemic power ballads, hard rock tunes powered by electronic beats and dance tunes sung with the zeal of a rocker. It's not just that Pink tries a lot of different sounds, it's that she seizes the freedom to hurl insults at both George W. Bush and a sleazoid who tried to pick her up at a bar, or to end a chorus with a chant of "Ice cream, ice cream/We all want ice cream." Far from sounding cow-towed by the reaction to Try This, Pink sounds liberated, making music that's far riskier and stranger than anything else in mainstream pop in 2006. And it's a testament to her power as both a musician and a persona that for this record, even though she's working with singer/songwriter Butch Walker, Max Martin, and Teddy Geiger's cohort, Billy Mann -- her most mainstream collaborators since LA Reid and Babyface helmed her 2000 debut, Can't Take Me Home -- she sounds the strangest she ever has, and that's a positively thrilling thing to hear. That's because she not only sounds strange, she sounds stronger as a writer and singer, as convincing when she's singing the bluesy, acoustic "The One That Got Away" as when she's taunting and teasing on "Stupid Girls" or "U + Ur Hand" or when she's singing a propulsive piece of pure pop like "Leave Me Alone (I'm Lonely)." In other words, she sounds complex: smart, funny, sexy, catchy, and best of all, surprising and unpredictable. This is the third album in a row where she's thrown a curve ball, confounding expectations by delivering a record that's wilder, stronger, and better than the last. And while that's no guarantee that I'm Not Dead will be a bigger hit than Try This, at least it's proof positive that there are few pop musicians more exciting in the 2000s than Pink. [Virgin/Zomba's 2007 platinum edition features four bonus tracks and a bonus DVD.]

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Product Details

Release Date:
12/11/2007
Label:
La Face
UPC:
0886971929423
catalogNumber:
719294
Rank:
67738

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Tracks

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Album Credits

Performance Credits

Pink   Primary Artist
Cathy Dennis   Background Vocals
Daniel Chase   Drums
Greg Kurstin   Musician
Lee Levin   Drums
Shawn Pelton   Drums
Leon Pendarvis   Conductor
Jeff Phillips   Guitar
Roc Raida   DJ
Andy Timmons   Guitar
Butch Walker   Bass,Guitar,Keyboards,Background Vocals
Beth Cohen   Background Vocals
Kara DioGuardi   Background Vocals
Joey Waronker   Drums
Billy Mann   Guitar,Piano,Keyboards,Background Vocals
Robin Lynch   Guitar
Max Martin   Guitar,Musician
Mike Elizondo   Guitar,Keyboards
Geoff Zanelli   Synthesizer,Bass,Guitar
Pete Wallace   Guitar,Percussion,Piano
Steven Wolf   Tambourine
Christopher Rojas   Guitar,Violin,Drums
Lukasz "Dr. Luke" Gottwald   Guitar,Musician
Lasse Mårtén   Drums
Rafael Moreira   Guitar
Mylious Johnson   Drums

Technical Credits

Cathy Dennis   Composer
Dallas Austin   Composer
Daniel Chase   drum programming
Clay   Producer
Roger Davies   Management
Greg Kurstin   Producer,Engineer
Brian Malouf   Engineer
Leon Pendarvis   Orchestral Arrangements
B. Walker   Composer
Butch Walker   Composer,Programming,Producer
Kara DioGuardi   Arranger,Producer
Billy Mann   Arranger,Composer,Programming,Producer,Engineer,drum programming
Jeri Heiden   Art Direction
Tom Coyne   Mastering
Robin Lynch   Composer
Max Martin   Composer,Producer,drum programming
Mike Elizondo   Programming,Producer
Paul David Hager   Engineer
Joe Zook   Engineer
Irene Taylor   Management
Mario A. Elizondo   Composer
Josh Abraham   Producer,Engineer
Billy Man   Composer
Pink   Composer
Adam Hawkins   Engineer
Josh Wilbur   Engineer
Pete Wallace   Engineer
Glen Nakasako   Art Direction
Steven Wolf   Programming
Christopher Rojas   Producer,Engineer
Lukasz "Dr. Luke" Gottwald   Composer,drum programming
Lasse Mårtén   Engineer
Doug Tyo   Engineer
Rami   Composer
Niklas Olovson   Composer
Francesco Perlangeli   Engineer
Steven Manzano   Management

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