I'm OK - You're OK

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Overview

"Happy childhood" notwithstanding, most of us are living out the NOT OK feelings of a defenseless CHILD wholly dependent on OK others for stroking and care. By the third year of life, says Dr. Harris, most of us have made the unconscious decision I'M NOT OK-YOU'RE OK. This negative Life Position, shared by successful and unsuccessful people alike, contaminates our rational ADULT potential — leaving us vulnerable to the inappropriate, emotional reactions of our CHILD and the uncritically learned behavior ...

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Overview

"Happy childhood" notwithstanding, most of us are living out the NOT OK feelings of a defenseless CHILD wholly dependent on OK others for stroking and care. By the third year of life, says Dr. Harris, most of us have made the unconscious decision I'M NOT OK-YOU'RE OK. This negative Life Position, shared by successful and unsuccessful people alike, contaminates our rational ADULT potential — leaving us vulnerable to the inappropriate, emotional reactions of our CHILD and the uncritically learned behavior programmed into our PARENT.

In personal Transactions, NOT OK people resort to harmful withdrawal, rituals, activities, pastimes, and games for getting needed strokes while avoiding painful intimacy with people they see as OK.

Dr. Thomas A. Harris's pioneering work in Transactional Analysis has had a fundamental impact on our understanding of interpersonal behavior. In showing us how to make the conscious decision I'M OK-YOU'RE OK, he has helped millions of despairing people find the freedom to change, to liberate their ADULT effectiveness, and to achieve joyful intimacy with the people in their lives.

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Product Details

  • ISBN-13: 9780380007721
  • Publisher: HarperCollins Publishers
  • Publication date: 4/28/1976
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 320
  • Product dimensions: 4.18 (w) x 6.75 (h) x 0.80 (d)

Meet the Author

Thomas Harris

The late Thomas Harris was a Navy psychiatrist and a professor at the University of Arkansas. He practiced psychiatry in Sacramento, California and directed the Transactional Analysis Association.

Biography

Insightful. Cunning. Mysteriously elusive. Wickedly dark. Such descriptions could just as easily apply to novelist Thomas Harris as they could to his most famous creation -- one of the most notorious literary (and cinematic) villains of all time. Hannibal Lecter has left a wake of murder and chaos through a trilogy of horrifically mesmerizing thrillers: Red Dragon, The Silence of the Lambs, and Hannibal. Now, twenty-five years after making his debut, Lecter is back in Harris's fifth novel Hannibal Rising. Biography From within the shadows of a darkened cell lurks a human monster with an intellect as sharp as a straight razor and a conscience as blank as a death shroud. He's Hannibal Lecter, a formerly brilliant psychiatrist turned prisoner after it was discovered that the good doctor had some rather, err... unconventional appetites.

Ever since the release of the film version of The Silence of the Lambs in 1991, Hannibal Lecter has been one of the most famous fictional villains in popular culture, perhaps only rivaled by Dracula and Frankenstein's monster. But what of Lecter's creator? Thomas Harris is quite a bit less accessible than the cannibalistic psychopath he crafted. While Harris is infamously media-shy, it is well known that he was once a crime reporter working for the Waco Tribune-Herald, later becoming a reporter and editor for the Associated Press. Harris would carry his fascination with true crime over to the world of literary fiction when he wrote his debut novel in the mid-70s. Black Sunday, the harrowing, terrifying tale of a terrorist attack plotted to take place during the Super Bowl, was inspired by the real-life assassination of eleven Israeli athletes at the 1972 Munich Olympics. The novel revealed a young author with a gift for building palpable suspense out of a seemingly improbable situation (at least, in 1975 the idea of a mass-scale terrorist attack on U.S. soil was considered to be highly improbable). Two years after the novel's release, it became a major motion picture directed by the late John Frankenheimer (The Manchurian Candidate) and starring Robert Shaw and Bruce Dern. Black Sunday was the first film based on a book by Thomas Harris, but it was by no means the last.

In 1981, Harris finally published his second novel. It was Red Dragon that first introduced the world to Hannibal Lecter as he assists Special Agent William Graham of the FBI in his quest to hunt down a ritualistic killer. Lecter was a villain unlike any other: calm, controlled, insightful, even humorous, but ready to strike like a viper at any given moment. The book became a massive hit, both critically and commercially, paving the way for further adventures featuring the flesh-eating Lecter.

When Hannibal "The Cannibal" returned in a novel that propelled the character into the realm of superstardom, he was once again pitting wits with an FBI agent bent on bringing down a serial killer. However, this time the agent was infinitely more complex, her relationship with Lecter infinitely more provocative. Clarice Starling's battle of wits with Lecter was detailed in The Silence of the Lambs, one of the finest thrillers in print. The critical accolades were astounding: The New York Times, The Washington Post, The San Francisco Examiner, and the Chicago Tribune are just a sampling of the periodicals that praised The Silence of the Lambs. But it was Jonathan Demme's film adaptation of the novel that really sealed Harris's -- and Lecter's -- position in pop culture. With Anthony Hopkins giving a career performance as the doctor, The Silence of the Lambs is widely regarded as one of the greatest horror films in cinema history. In fact, it is the only horror film ever to sweep the Academy Awards, winning trophies for Best Film, Best Director, Best Actor, Best Actress (Jodie Foster as Agent Starling), and Best Screenplay Based on Material Previously Published.

Not surprisingly, expectations were high when Harris published Hannibal in 1999. However, this reunion between Hannibal Lecter and Clarice Starling was deemed too-much-of-a-grisly-thing by many critics who felt that the story had stumbled into the realm of gross self-parody. That didn't stop many from praising the book, though. In his review for the New York Times, fellow horror-master Stephen King said that Harris's fourth novel was "one of the two most frightening popular novels of our time, the other being The Exorcist." Larry King wrote in USA Today that Hannibal was nothing less than "a work of art." Once again, the story found a home on the big screen with Anthony Hopkins returning as Lecter and Julianne Moore taking over the role of Clarice. Much like the book upon which it was based, Hannibal received mixed notices because of its graphic violence despite the fact that the original ending of the book had been softened considerably.

For those hoping that the mixed reaction to Hannibal did not result in an end to Lecter's exploits, Harris's next book should be a bit of gruesome good news. Hannibal Rising is a prequel to the Lecter trilogy, tracking how an abandoned boy in Eastern Europe came to become one of the most diabolical creations in literature. So, settle down with some fava beans and a nice chianti, and hold tight... Hannibal Lecter will be back before you can say, "I'm having an old friend for dinner."

Good To Know

Harris is making his screenwriting debut with an adaptation of his Hannibal Rising. Starring the young French actor Gaspard Ulliel as Hannibal Lecter, the film is slated for release in February 2007.

Harris supposedly declined to be involved in the making of The Silence of the Lambs, but when the film wrapped, he sent each member of the cast and crew a bottle of wine.

Hannibal Lecter made his big screen debut as played by Brian Cox in the 1986 Michael Mann film Manhunter, an adaptation of Red Dragon. Sixteen years later, Brett Ratner remade the film with the novel's original title and Anthony Hopkins resuming his role as Lecter.

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Read an Excerpt

Chapter One



Freud, Penfield, and Berne



I contradict myself. I am large. I contain multitudes.
--Walt Whitman

Throughout history one impression of human nature has been consistent: that man has a multiple nature. Most often it has been expressed as a dual nature. It has been expressed mythologically, philosophically, and religiously. Always it has been seen as a conflict: the conflict between good and evil, the lower nature and the higher nature, the inner man and the outer man. "There are times," said Somerset Maugham, "when I look over the various parts of my character with perplexity. I recognize that I am made up of several persons and that the person that at the moment has the upper hand will inevitably give place to another. But which is the real one? All of them or none?"

That man can aspire to and achieve goodness is evident through all of history, however that goodness may be understood. Moses saw goodness supremely as justice, Plato essentially as wisdom, and Jesus centrally as love; yet they all agreed that virtue, however understood, was consistently undermined by something in human nature which was at war with something else. But what were these somethings?

When Sigmund Freud appeared on the scene in the early twentieth century, the enigma was subjected to a new probe, the discipline of scientific inquiry. Freud's fundamental contribution was his theory that the waning factions existed in the unconscious. Tentative names were given to the combatants: the Superego became thought of as the restrictive, controlling force over the Id (instinctual drives), with the Ego as a referee operatingout of "enlightened self-interest."

We are deeply indebted to Freud for his painstaking and pioneering efforts to establish the theoretical foundation upon which we build today. Through the years scholars and clinicians have elaborated, systematized, and added to his theories. Yet the "persons within" have remained elusive, and it seems that the hundreds of volumes which collect dust and the annotations of psychoanalytic thinkers have not provided adequate answers to the persons they are written about.

I stood in the lobby of a theater at the end of the showing of the motion picture Who's Afraid of Virginia Woolf? and listened to a number of comments by people who had just seen the picture: "I'm exhausted!" "And I come to movies to get away from home." "Why do they want to show something like that?" "I didn't get it, I guess you have to be a psychologist." I got the impression that many of these people left the theater wondering what was really going on, sure there must have been a message, but unable to find anything relevant to them or liberating in terms of how to end "fun and games" in their own lives.

We are dutifully impressed by formulations such as Freud's definition of psychoanalysis as a "dynamic conception which reduces mental life to an interplay of reciprocally urging and checking forces." Such a definition and its countless elaborations may be useful to "the professionals," but how useful are these formulations to people who hurt? George and Martha in Edward Albees play used red-hot, gutsy, four-letter words that were precise and to the point. The question is, As therapists can we speak with George and Martha as precisely and pointedly about why they act as they do and hurt as they do? Can what we say be not only true but also helpful, because we are understood? "Speak English! I can't understand a word you're saying" is not an uncommonly held attitude toward persons who claim to be experts in the psychological fields. Restating esoteric psychoanalytic ideas in even more esoteric terms does not reach people where they live. As a consequence the reflections of ordinary folk are often expressed in pitiful redundancies and in superficial conversations with such summary comments as, "Well, isn't that always the way?" with no understanding of how it can be different.

In a sense, one of the estranging factors of the present day is the lag between specialization and communication, which continues to widen the gulf between specialists and nonspecialists. Space belongs to the astronauts, understanding human behavior belongs to the psychologists and psychiatrists, legislation belongs to the congressmen, and whether or not we should have a baby belongs to the theologians. This is an understandable development; yet the problems of nonunderstanding and noncommunication are so great that means must be devised whereby language can keep up with the developments of research.

In the field of mathematics an answer to this dilemma was attempted in the development of the "new mathematics," now being taught in elementary schools throughout the country. The new mathematics is not so much a new form of computation as of communication of mathematical ideas, answering questions not only of what, but also of why, so that the excitement of going to the moon or using a computer will not remain exclusively in the realm of scientists but can also exist in comprehensible form for the student. The science of mathematics is not new, but the way it is talked about is new. We would find ourselves handicapped if we were still to use the Babylonian, Mayan, Egyptian, or Roman number systems. The desire to use mathematics creatively brought about new ways of systematizing numbering concepts. The new mathematics of today has continued this creative growth. We recognize and appreciate the creative thinking which the earlier systems represented, but we do not encumber today's work with those now less-effective methods.

This is my position with regard to Transactional Analysis. I respect the devoted effort of the psychoanalytic theorists of the past. What I hope to demonstrate in this book is a new way to state old ideas and a clear way to present new ones, not as an inimical or deprecating assault on the work of the past, but rather as a means of meeting the undeniable evidence that the old methods do not seem to be working very well.

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Table of Contents

Author's Note 11
Preface 13
1. Freud, Penfield, and Berne 21
2. Parent, Adult, and Child 38
3. The Four Life Positions 60
4. We Can Change 78
5. Analyzing the Transaction 89
6. How We Differ 123
7. How We Use Time 141
8. P-A-C and Marriage 154
9. P-A-C and Children 172
10. P-A-C and Adolescents 206
11. When Is Treatment Necessary? 228
12. P-A-C and Moral Values 246
13. Social Implications of P-A-C 280
Index 305
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Customer Reviews

Average Rating 4.5
( 7 )
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Sort by: Showing all of 7 Customer Reviews
  • Posted November 19, 2009

    I Also Recommend:

    This book is a must read for anyone in a difficult relationship at work or at home

    For 18 months I agonized over a mental blockage I had with a colleague then I discovered "I'm OK You're OK". What a difference this book made. It gave me a new perspective on relationships with others and helped me to move from a victim to a victor. I never looked back. I am getting a copy for a colleague of mine that I believe will also benefit.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 12, 2000

    UNDERSTANDING MY ACTIONS

    This book was so well written anyone could read and understand it. I am a student studying Criminology/Psychology, just enrolled at Empire State College in NY. This book has, no doubt, helped me to understand communication transactions and how it can be successfully used between all people. Something this profound can only change a person in the best possible way forever.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 17, 2013

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  • Posted August 25, 2012

    It's been more than thirty years since I first read this book, b

    It's been more than thirty years since I first read this book, but I
    found myself referring to it when counseling a friend on how to deal
    with her teenager. I remembered using this theory when going through the
    teens with my own kids. Now I'm planning to reread this and see what I
    may have forgotten. What's certain is that not many books stay with us
    thirty years after we've read the last word. This is one of those
    memorable ones.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 14, 2000

    TO UNDERSTAND ME,YOU, AND THEM

    THIS BOOK IS SO WONDERFUL AND DOWN TO EARTH. IT WAS AS IF I WAS BONDED TO THE AUTHOR. I HAVE GAIN SO MUCH KNOWLEDGE AND INSIGHTS ON NOT ONLY MY RELATIONSHIP I AM/HAD BUT MANY OTHERS. I NOW VIEW PEOPLE THRU THE P-A-C.THANK YOU SO VERY VERY MUCH. I WISH THE BOOK CAME ON AUDIOCASSETE.IF IT DOES THEN E-MAIL ME AT gjenuine@hotmail.com SO I CAN GET IT........I LOOK FORWARD TO MORE.....

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  • Anonymous

    Posted June 6, 2009

    No text was provided for this review.

  • Anonymous

    Posted October 9, 2010

    No text was provided for this review.

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