Imagination Becomes Reality: Part VI

Overview

The sixth and final volume of the Imagination Becomes Reality series, featuring works from the renowned Goetz Collection in Munich, includes a selection of works by 50 of the most interesting and relevant artists of our day, all of whom expand on the discourse of painting without ever being limited to one medium. Ingvild Goetz remarks: "Many artists expand the medium of painting in sculpture, photography and video; that is, they 'paint' on different surfaces, whereas conversely, painters often first generate ...
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2007 Hardcover New 3939894036. Flawless copy, brand new, pristine, never opened--Text in English and German. 224 pp.; 110 ills.

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Overview

The sixth and final volume of the Imagination Becomes Reality series, featuring works from the renowned Goetz Collection in Munich, includes a selection of works by 50 of the most interesting and relevant artists of our day, all of whom expand on the discourse of painting without ever being limited to one medium. Ingvild Goetz remarks: "Many artists expand the medium of painting in sculpture, photography and video; that is, they 'paint' on different surfaces, whereas conversely, painters often first generate their pictures on computers to then ultimately transfer them to canvas." This volume collects key works by Franz Ackermann, Olaf Breuning, James Casebere, Peter Doig, Inka Essenhigh, Barnaby Furnas, Wade Guyton/Kelley Walker, Eberhard Havekost, Lothar Hempel, William Kentridge, Mark Leckey, Loretta Lux, Raymond Pettibon, Lari Pittman, Michael Raedecker, Wilhelm Sasnal, Dana Schutz, Markus Selg, Cindy Sherman, Laurie Simmons, Hiroshi Sugito, Tal R and Jeff Wall, among others.
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Product Details

  • ISBN-13: 9783939894032
  • Publisher: Goetz, Ingvild, Kunstverlag, GmbH
  • Publication date: 7/28/2007
  • Edition description: Bilingual
  • Pages: 224

Meet the Author

Hans Belting is professor of art history and media theory at the University of Munich and the University of Chicago, and the author of The End of the History of Art? and Likeness and Presence.

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