Imagining Nabokov: Russia Between Art and Politics

Overview

Vladimir Nabokov’s “Western choice”—his exile to the West after the 1917 Bolshevik Revolution—allowed him to take a crucial literary journey, leaving the closed nineteenth-century Russian culture behind and arriving in the extreme openness of twentieth-century America. In Imagining Nabokov: Russia Between Art and Politics, Nina L. Khrushcheva offers the novel hypothesis that because of this journey, the works of Russian-turned-American Vladimir Nabokov (1899–1977) are highly relevant to the political ...

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Imagining Nabokov: Russia between Art and Politics

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Overview

Vladimir Nabokov’s “Western choice”—his exile to the West after the 1917 Bolshevik Revolution—allowed him to take a crucial literary journey, leaving the closed nineteenth-century Russian culture behind and arriving in the extreme openness of twentieth-century America. In Imagining Nabokov: Russia Between Art and Politics, Nina L. Khrushcheva offers the novel hypothesis that because of this journey, the works of Russian-turned-American Vladimir Nabokov (1899–1977) are highly relevant to the political transformation under way in Russia today. Khrushcheva, a Russian living in America, finds in Nabokov’s novels a useful guide for Russia’s integration into the globalized world. Now one of Nabokov’s “Western” characters herself, she discusses the cultural and social realities of contemporary Russia that he foresaw a half-century earlier.

 

In Pale Fire; Ada, or Ardor; Pnin; and other works, Nabokov reinterpreted the traditions of Russian fiction, shifting emphasis from personal misery and communal life to the notion of forging one’s own “happy” destiny. In the twenty-first century Russia faces a similar challenge, Khrushcheva contends, and Nabokov’s work reveals how skills may be acquired to cope with the advent of democracy, capitalism, and open borders.

 

 

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What People Are Saying

Ian Buruma
Combining literary criticism with political theory is often attempted and rarely done well. Nina Khrushcheva succeeds brilliantly in this highly original work. Her book deepens one's knowledge of Nabokov, Russia, and the condition of exile by mixing literary and political concerns without diminishing the importance or interest of either.—Ian Buruma, Henry Luce Professor of Democracy, Human Rights and Journalism, Bard College
Michael Wood
A very lively, funny, and informed piece of work, full of interesting opinions about Russia, the West, individual writers, and various national literatures.—Michael Wood, Princeton University
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Product Details

  • ISBN-13: 9780300108866
  • Publisher: Yale University Press
  • Publication date: 1/28/2008
  • Pages: 256
  • Product dimensions: 5.50 (w) x 8.30 (h) x 1.00 (d)

Meet the Author

Nina L. Khrushcheva is associate professor of international affairs, International Affairs Program, The New School, New York. The great-granddaughter of former Soviet Premier Nikita Khrushchev, she now lives in New York City.

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Table of Contents


Acknowledgments     xi
Note on Transliteration and Translations     xiii
List of abbreviations     xiv
Chronology: Works by Vladimir Sirin and Vladimir Nabokov     xvi
Introduction: Nabokov and Us     1
Prologue: Nabokov's Russian Return...and Retreat     21
Imagining Nabokov     37
On the Way to the Author     74
Poet, Genius, and Hero     110
Epilogue: Nabokov as the Pushkin of the Twenty-first Century     176
The End     187
Envoi     192
Notes     199
Select Bibliography     227
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  • Anonymous

    Posted December 12, 2007

    A reviewer

    An excellent book, and just in time for the March 2008 Russian presidential elections. It provides an original way to explain Russia's culture of despotism, interconnects literature and politics, providing compelling reasons at to why Russia is so brilliant at art, but its own worst enemy when it comes to democracy.

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