Imajica II: The Reconciliation

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The magical tale of ill-fated lovers lost among worlds teetering on the edge of destruction, where their passion holds the key to escape.

There has never been a book like Imajica. Transforming every expectation offantasy fiction with its heady mingling of radical sexuality and spiritual anarchy, it has carried its millions of readers into regions of passion and philosophy that few books have even attempted to map. It's an epic in every way; vast in conception, obsessively ...

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1995 Mass Market Paperback Our goal with every sale is customer satisfaction, so please buy with confidence. Every order is shipped the same day or the next day. This is a used ... book in good condition and may show some signs of use or wear. Read more Show Less

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Overview

The magical tale of ill-fated lovers lost among worlds teetering on the edge of destruction, where their passion holds the key to escape.

There has never been a book like Imajica. Transforming every expectation offantasy fiction with its heady mingling of radical sexuality and spiritual anarchy, it has carried its millions of readers into regions of passion and philosophy that few books have even attempted to map. It's an epic in every way; vast in conception, obsessively detailed in execution, and apocalyptic in its resolution. A book of erotic mysteries and perverse violence. A book of ancient, mythological landscapes and even more ancient magic.

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Editorial Reviews

Washington Post Book World
Rich in plot twists, byzantine intrigues and hidden secrets, Imajica is a Chinese puzzle box constructed on a universal scale...Barker has an unparalleled talent for envisioning other worlds.
Atlanta Journal
Spellbinding.
L.A. Life
Barker's most ambitious work to date...rapturously full of emtions.
New York Daily News
Wonderfully entertaining...Clive Barker is a magician of the first order.
USA Today
Exhilarating...[a] masterpiece.
Washington Post Book World
Rich in plot twists, byzantine intrigues and hidden secrets, Imajica is a Chinese puzzle box constructed on a universal scale. . . Barker has an unparalleled talent for envisioning other worlds.
Atlanta Journal
Spellbinding.
L.A. Life
Barker's most ambitiouswork to date. . . rapturously full of emtions.
New York Daily News
Wonderfully entertaining. . . Clive Barker is a magician ofthe first order.
USA Today
Exhilarating. . . [a] masterpiece. .
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Product Details

  • ISBN-13: 9780061094156
  • Publisher: HarperCollins Publishers
  • Publication date: 6/28/1995
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 544
  • Product dimensions: 4.18 (w) x 6.75 (h) x 1.08 (d)

Meet the Author

Clive Barker
Clive Barker
A diversely talented and always chilling writer-artist, Clive Barker creates worlds that turn humanity's baser qualities inside out, hold them in front of a funhouse mirror, and transform them into the stuff of nightmares.

Biography

Nothing ever begins....Nothing is fixed. In and out the shuttle goes, fact and fiction, mind and matter woven into patterns that may have only this in common: that hidden among them is a filigree that will with time become a world.

It must be arbitrary, then, the place at which we choose to embark.

Somewhere between a past half forgotten and a future as yet only glimpsed."

And here is as good a place as any to begin with Clive Barker, the author of strange and scary stories such as the novel that begins above, Weaveworld. Barker is probably best known as the creator of the Hellraiser franchise -- which began with the novella The Hellbound Heart; later became the 1987 horror classic that Barker directed; and was then a comic from 1989-1994. He accomplished the print-to-film-to-comic trifecta again with Nightbreed, the film version of which was released in 1990.

Barker drew attention with his early '80s story volumes, Books of Blood. His first novel, The Damnation Game, not only put him on a par authors such as Stephen King but earned praise from those same authors. He is widely admired for weaving into his scary stories complex themes about human nature and desires.

In addition to crafting his signature novels, a chilling amalgam of horror, sci-fi, and fantasy, Barker is an accomplished artist. (His comic Ectokids is in development as a movie project at Nickelodeon.) He has also written for children -- a fact that surprises readers familiar only with his disturbing adult oeuvre. But, in fact, his children's tales (The Thief of Always, Abarat, etc.) are among his most imaginative.

No matter what his audience or medium, Barker's stories are effective because it's clear that he takes his work, and his genre, very seriously -- and expects the same from his audience. In an interview with Barnes & Noble.com, he told us "[Fantasy and horror] liberate us into a world in which our frustrations and our repressions can take an exoticized form, rendering them more safely and also, if we dare, more approachable."

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    1. Hometown:
      Los Angeles
    1. Date of Birth:
      October 5, 1952
    2. Place of Birth:
      Liverpool, England
    1. Education:
      Liverpool University
    2. Website:

Read an Excerpt

Chapter One

Like The Theater District Of so many great cities across the Imajica, whether in Reconciled Dominions or in the Fifth, the neighborhood in which the Ipse stood had been a place of some notoriety in earlier times, when actors of both sexes had supplemented their wages with the old five-acter — hiring, retiring, seduction, conjunction, and remittance — all played hourly, night and day. The center of these activities had moved away, however, to the other side of the city, where the burgeoning numbers of middle-class clients felt less exposed to the gaze of their peers out seeking more respectable entertainment. Lickerish Street and its environs had sprung up in a matter of months and quickly became the third richest Kesparate in the city, leaving the theater district to decline into legitimacy.

Perhaps because it was of so little interest to people, it had survived the traumas of the last few hours better than most Kesparates its size. It had seen some action. General Mattalaus' battalions had passed through its streets going south to the causeway, where rebels were attempting to build a makeshift bridge across the delta; and later a party of families from the Caramess had taken refuge in Koppocovi's Rialto. But no barricades had been erected, and none of the buildings burned. The Deliquium would meet the morning intact. Its survival, however, would not be accorded to general disinterest; rather to the presence at its perimeter of Pale Hill, a site which was neither a hill nor pale, but a circle of remembrance in the center of which lay a well, used from time immemorial as a repository for the corpses ofexecuted men, suicides, paupers, and, on occasion, romantics who favored rotting in such company. Tomorrow's rumors would whisper that the ghosts of these forsaken souls had risen to defend their terrain, preventing the vandals and the barricade builders from destroying the Kesparate by haunting the steps of the Ipse and the Rialto and howling in the streets like dogs maddened from chasing the comet's tail.

With her clothes in rags and her throat uttering one seamless supplication, Quaisoir went through the heart of several battles quite unscathed. There were many such grief-stricken women on the streets of Yzordderrex tonight, all begging Hapexamendios to return children or husbands into their arms, and they were for the most part given passage through the lines, their sobs password enough.

The battles themselves didn't distress her; she'd organized and viewed mass executions in her time. But when the heads had rolled she'd always made a swift departure, leaving the aftermath for somebody else to shovel up. Now she had to tread barefoot in streets that were like abattoirs, and her legendary indifference to the spectacle of death was overtaken by a horror so profound she had several times changed her direction to avoid a street that stank too strongly of innards and burned blood. She knew she would have to confess this cowardice when she finally found the Man of Sorrows, but she was so laden with guilt that one more fault or less would scarcely matter.

Then, as she came to the corner of the street at the end of which lay Pluthero Quexos' playhouse, somebody called her name. She stopped and looked for her summoner. A man dressed in blue was rising from a doorstep, the fruit he'd been peeling in one hand, the peeling blade in the other. He seemed to be in no doubt as to her identity.

"You're his woman," he said.

Was this the Lord? she wondered. The man she'd seen on the rooftops at the harbor had been silhouetted against a bright sky; his features had been difficult to see. Could this be him?

He was calling someone from the interior of the house on the steps of which he'd been sitting, a sometime bordello to judge by its lewdly carved portico. The disciple, an Oethac, emerged with a bottle in one hand, the other ruffling the hair of a cretinous boy child, naked and glistening. She began to doubt her first judgment, but she didn't dare leave until she had her hopes confirmed or dashed.

"Are you the Man of Sorrows?" she said.

The fruit peeler shrugged. "Isn't everybody tonight?" he said, tossing the uneaten fruit away.

The cretin leapt down the steps and snatched it up, pushing the entire thing into his mouth so that his face bulged and the juice ran from his lips.

"You're the cause of this," the peeler said, jabbing his knife in Quaisoir's direction. He glanced around at the Oethac. "She was at the harbor. I saw her."

"Who is she?" the Oethac said.

"The Autarch's woman," came the reply. "Quaisoir." He took a step towards her. "You are, aren't you?"

She could no more deny this than she could take flight. If this man was indeed Jesu, she couldn't begin her pleas for forgiveness with a lie.

"Yes," she told him, "I'm Quaisoir. I was the Autarch's woman."

"She's fucking beautiful," the Oethac said.

"What she looks like doesn't matter," the fruit peeler told him. "It's what she's done that's important."

"Yes," Quaisoir said, daring to believe now that this was indeed the Son of David. "That's what's important. What I've done."

"The executions..."

"Yes."

"The purges..."

"Yes."

"I've lost a lot of friends, and you're the reason."

"Oh, Lord, forgive me," she said, and dropped to her knees.

"I saw you at the harbor this morning," Jesu said, approaching her as she knelt. "You were smiling."

"Forgive me."

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  • Anonymous

    Posted March 13, 2002

    Weird and Wonderful

    A great variation on fantasy. I loved the characters. What more can you say to praise a work of fiction? Question your beliefs. The meloncholy of London comes drowsing into your life.

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