Immigration, Popular Culture, and the Re-routing of European Muslim Identity [NOOK Book]

Overview

This book examines contemporary North African immigration to Spain through the critical analysis of novels, film, and hip-hop produced by and about immigrants. By studying the remapping of Europe as a topography of immigration, and by investigating the ways in which cultural productions have been translating and mediating old Mediterranean identities and revitalizing the trope of Al-Andalus, this study examines the creation of new 'European', 'Moorish', and "European Islamic" identities in Spain and Europe at ...
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Immigration, Popular Culture, and the Re-routing of European Muslim Identity

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Overview

This book examines contemporary North African immigration to Spain through the critical analysis of novels, film, and hip-hop produced by and about immigrants. By studying the remapping of Europe as a topography of immigration, and by investigating the ways in which cultural productions have been translating and mediating old Mediterranean identities and revitalizing the trope of Al-Andalus, this study examines the creation of new 'European', 'Moorish', and "European Islamic" identities in Spain and Europe at large. Central to this study is the concept of traslado, used here to trace both the translation and transfer of cultural memory and national identity through a focus on immigrants who have been moving between and transcending national spaces. In tracing the re-routing of 'Moorishness,' this study integrates many areas of postcolonial, gender, and border studies, ultimately proposing a wider cross-reading of texts that reflects today's increasingly transnational immigrant subjectivities.

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Editorial Reviews

From the Publisher
"In this lively, refreshingly original, and thought-provoking work, Lara Dotson-Renta draws upon recent novels, films, songs and other media to trace the flow of people and ideas between Morocco and Spain. With her focus on traslado—a notion of 'translation' that can also signal, in Spanish, the movement of bodies across borders—she explores the senses of familiarity, estrangement, and anxiety that characterize contemporary Spanish-Moroccan encounters. As a robust Moroccan Muslim immigrant population takes root in Spain, will the country now become a new Andalusia (reviving its connections to an earlier Islamic heritage), a gateway to modern Europe, or something else entirely? Dotson-Renta maps out these questions about cultural identity in the current age of mass migration, and does so in a way that will appeal to scholars of Spain, North Africa, and the wider Mediterranean world."
—Heather J. Sharkey, associate professor of Middle Eastern & Islamic Studies, University of Pennsylvania

"Dotson-Renta suggests a new way of looking at the contemporary phenomenon of Islamic immigration to Europe, setting it within a history of movement between the shores of the Mediterranean, particularly between Morocco and Spain. As the author rightly contends, this relationship has its origin in Moorish Andalusia, a reference that has resonance in contemporary fiction in several languages and even, very interestingly, in contemporary rap and hip-hop music. In focusing on a small number of works, she manages to include a diversity of languages and genres, ranging from an autobiographical piece in Catalan to popular music to internationally known literary prizewinners like Tahar ben Jelloun's Partir."
—Mary Jean Green, Edward Tuck Professor of French, Dartmouth College

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Product Details

  • ISBN-13: 9781137304025
  • Publisher: Palgrave Macmillan
  • Publication date: 8/16/2012
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 200
  • File size: 3 MB

Meet the Author

Lara N. Dotson-Renta is an assistant professor and assistant dean of Career Services at Quinnipiac University.

Lara N. Dotson-Renta is an assistant professor & assistant dean of Career Services at Quinnipiac University.
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Table of Contents

Introduction
Memory, Return, and the 'Other Side'
Romancing Europe: Postcolonial Foundational Fictions
Europe via Spain: Media, Islam, and the Sounds of Immigrant Identity
Conclusion
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