The Importance of Being Earnest by Oscar Wilde | NOOK Book (eBook) | Barnes & Noble
The Importance of Being Earnest

The Importance of Being Earnest

4.2 51
by Oscar Wilde
     
 

View All Available Formats & Editions

About the Author

Oscar Wilde was born in Dublin in 1854. He graduated from Oxford University in 1878 with a reputation as a brilliant scholar and quickly dazzled London society with his wit and his flamboyant dress. His first literary successes came in the 1880s with his lecture tour of America and the publication of his fairy tales. These were followed

Overview

About the Author

Oscar Wilde was born in Dublin in 1854. He graduated from Oxford University in 1878 with a reputation as a brilliant scholar and quickly dazzled London society with his wit and his flamboyant dress. His first literary successes came in the 1880s with his lecture tour of America and the publication of his fairy tales. These were followed by five highly polished plays and The Picture of Dorian Gray, all completed during the first half of the 1890s. After losing a slander suit over accusations of his homosexual behavior, Wilde was prosecuted and spent two years in prison. Following his release in 1897, estranged from his wife and children, Wilde moved to Paris, where he died in 1900.

Editorial Reviews

Philip E. Smith University of Pittsburgh
"Broadview's Importance of Being Earnest carries on the press's excellent series of texts for general readers and students alike. Samuel Lyndon Gladden presents the three-act text, as well as an appendix with important scenes and lines from the original four-act version. The volume includes many useful annotations and glosses, appendices with contextual information, illustrations, and extracts from letters and documents that will enhance understanding and interpretation of the play. The introduction places the play in up-to-date critical and biographical contexts, illuminating issues without closing down other approaches to making sense of Wilde's carefully composed dramatic nonsense."
Frederick S. Roden University of Connecticut
"Samuel Lyndon Gladden's edition of The Importance of Being Earnest continues Broadview Press's proven tradition of excellence. This book will serve the undergraduate, general reader, and scholar. Gladden's introduction is provocative, and the ancillary materials are especially welcome. Gladden balances familiar with unexpected contemporary works – from Gilbert and Sullivan to Ada Leverson, playbills to reviews, poems to pictures, conduct manuals to dandy tracts – plus excerpts of Wilde's writings, including an earlier version of the play. Bibliography and chronology complete the presentation as one-stop shopping for an earnest acquaintance with Wilde's charmer as social text."
From the Publisher

“Samuel Lyndon Gladden’s edition of The Importance of Being Earnest continues Broadview Press’s proven tradition of excellence. This book will serve the undergraduate, general reader, and scholar. Gladden’s introduction is provocative, and the ancillary materials are especially welcome. Gladden balances familiar with unexpected contemporary works — from Gilbert and Sullivan to Ada Leverson, playbills to reviews, poems to pictures, conduct manuals to dandy tracts — plus excerpts of Wilde’s writings, including an earlier version of the play. Bibliography and chronology complete the presentation as one-stop shopping for an earnest acquaintance with Wilde’s charmer as social text.” — Frederick S. Roden, University of Connecticut

“Broadview’s Importance of Being Earnest carries on the press’s excellent series of texts for general readers and students alike. Samuel Lyndon Gladden presents the three-act text, as well as an appendix with important scenes and lines from the original four-act version. The volume includes many useful annotations and glosses, appendices with contextual information, illustrations, and extracts from letters and documents that will enhance understanding and interpretation of the play. The introduction places the play in up-to-date critical and biographical contexts, illuminating issues without closing down other approaches to making sense of Wilde’s carefully composed dramatic nonsense.” — Philip E. Smith, University of Pittsburgh

Product Details

ISBN-13:
9781625396389
Publisher:
Waxkeep Publishing
Publication date:
02/03/2013
Sold by:
Barnes & Noble
Format:
NOOK Book
Sales rank:
154,121
File size:
891 KB

Related Subjects

Read an Excerpt

FIRST ACT


SCENE - Morning-room in Algernon's flat in Half-Moon Street. The room is luxuriously and artistically furnished. The sound of a piano is heard in the adjoining room.

[Lane is arranging afternoon tea on the table, and after the music has ceased, Algernon enters.]

ALGERNON: Did you hear what I was playing, Lane?

LANE: I didn't think it polite to listen, sir.

ALGERNON: I'm sorry for that, for your sake. I don't play accurately - anyone can play accurately - but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life.

LANE: Yes, sir.

ALGERNON: And, speaking of the science of Life, have you got the cucumber sandwiches cut for Lady Bracknell?

LANE: Yes, sir.[Hands them on a salver.]

ALGERNON: [Inspects them, takes two, and sits down on the sofa.] Oh! . . . by the way, Lane, I see from your book that on Thursday night, when Lord Shoreman and Mr. Worthing were dining with me, eight bottles of champagne are entered as having been consumed.

LANE: Yes, sir; eight bottles and a pint.

ALGERNON: Why is it that at a bachelor's establishment the servants invariably drink the champagne? I ask merely for information.

LANE: I attribute it to the superior quality of the wine, sir. I have often observed that in married households the champagne is rarely of a first-rate brand.

ALGERNON: Good Heavens! Is marriage so demoralising as that!

LANE: I believe it is a very pleasant state, sir. I have had very little experience of it myself up to the present. I have only been married once. That was in consequence of a misunderstanding between myself and a young person.

ALGERNON: [Languidly.] I don't know that I am much interested in your family life, Lane.

LANE: No, sir; it is not a very interesting subject. I never think of it myself.

ALGERNON: Very natural, I am sure. That will do, Lane, thank you.

LANE: Thank you, sir. [Lane goes out.]

ALGERNON: Lane's views on marriage seem somewhat lax. Really, if the lower orders don't set us a good example, what on earth is the use of them? They seem, as a class, to have absolutely no sense of moral responsibility. [Enter Lane.]

LANE: Mr. Ernest Worthing. [Enter Jack.] [Lane goes out.]

ALGERNON: How are you, my dear Ernest? What brings you up to town?

JACK: Oh, pleasure, pleasure! What else should bring one anywhere? Eating as usual, I see, Algy!

ALGERNON: [Stiffly.] I believe it is customary in good society to take some slight refreshment at five o'clock. Where have you been since last Thursday?

JACK: [Sitting down on the sofa.] In the country.

ALGERNON: What on earth do you do there?

JACK: [Pulling off his gloves.] When one is in town one amuses oneself. When one is in the country one amuses other people. It is excessively boring.

ALGERNON: And who are the people you amuse?

JACK: [Airily.] Oh, neighbours, neighbours.

ALGERNON: Got nice neighbours in your part of Shropshire?

JACK: Perfectly horrid! Never speak to one of them.

ALGERNON: How immensely you must amuse them! [Goes over and takes sandwich.] By the way, Shropshire is your county, is it not?

JACK: Eh? Shropshire? Yes, of course. Hallo! Why all these cups? Why cucumber sandwiches? Why such reckless extravagance in one so young? Who is coming to tea?

ALGERNON: Oh! merely Aunt Augusta and Gwendolen.

JACK: How perfectly delightful!

ALGERNON: Yes, that is all very well; but I am afraid Aunt Augusta won't quite approve of your being here.

JACK: May I ask why?

ALGERNON: My dear fellow, the way you flirt with Gwendolen is perfectly disgraceful. It is almost as bad as the way Gwendolen flirts with you.

JACK: I am in love with Gwendolen. I have come up to town expressly to propose to her.

ALGERNON: I thought you had come up for pleasure? . . . I call that business.

JACK: How utterly unromantic you are!

ALGERNON: I really don't see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married, I'll certainly try to forget the fact.

JACK: I have no doubt about that, dear Algy. The Divorce Court was specially invented for people whose memories are so curiously constituted.

ALGERNON: Oh! there is no use speculating on that subject. Divorces are made in Heaven - [Jack puts out his hand to take a sandwich. Algernon at once interferes.] Please don't touch the cucumber sandwiches. They are ordered specially for Aunt Augusta. [Takes one and eats it.]

JACK: Well, you have been eating them all the time.

ALGERNON: That is quite a different matter. She is my aunt. [Takes plate from below.] Have some bread and butter. The bread and butter is for Gwendolen. Gwendolen is devoted to bread and butter.

JACK: [Advancing to table and helping himself.] And very good bread and butter it is too.

ALGERNON: Well, my dear fellow, you need not eat as if you were going to eat it all. You behave as if you were married to her already. You are not married to her already, and I don't think you ever will be.

JACK: Why on earth do you say that?

ALGERNON: Well, in the first place girls never marry the men they flirt with. Girls don't think it right.

JACK: Oh, that is nonsense!

ALGERNON: It isn't. It is a great truth. It accounts for the extraordinary number of bachelors that one sees all over the place. In the second place, I don't give my consent.

Meet the Author

Oscar Wilde was born in Dublin in 1856. In the years following his graduation from Oxford in 1878 he published poems and stories which included The Picture of Dorian Gray. Lady Windermere's Fan was produced in 1892, A Woman of No Importance in 1893 and An Ideal Husband and The Importance of Being Earnest in 1895. Later work included De Profundis and The Ballad of Reading Gaol. He died in 1900.
Oscar Fingal O'Flahertie Wills Wilde (b. Dublin, 1854) was an Irish playwright, who wrote one of the best loved comedies in the English language - The Importance of Being Earnest (1895). A leading wit and conversationalist in London society, his career was destroyed at its height when he was imprisoned for homosexual offences. Wilde was born in Dublin and educated at Trinity College, Dublin, and Magdalen College, Oxford. Settling in London, he became famous for his extravagant dress, long hair, and paradoxical views on art, literature, and morality. His first play, Vera (1880), a tragedy about Russian nihilists, was produced in New York to poor reviews. Success in the theatre came with the elegant drawing-room comedy Lady Windermere's Fan. A Woman of No Importance (1893) was another success. Other works for the theatre were An Ideal Husband (1895) and the biblical Salomé (1896), written in French for Sarah Bernhardt. Wilde flaunted his homosexual affairs, including his ill-fated liaison with Lord Alfred Douglas. Following a celebrated trial in 1895 he was sentenced to two years' imprisonment with hard labour. The sentence led to public humiliation, poor health, and bankruptcy. On his release in 1897 he left for France and remained in exile there until his death in 1900.

Brief Biography

Date of Birth:
October 16, 1854
Date of Death:
November 30, 1900
Place of Birth:
Dublin, Ireland
Place of Death:
Paris, France
Education:
The Royal School in Enniskillen, Dublin, 1864; Trinity College, Dublin, 1871; Magdalen College, Oxford, England, 1874

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >

The Importance of Being Earnest 4.2 out of 5 based on 0 ratings. 51 reviews.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
My theatre class is going to put on this production at our school in a few months and I can't wait. This play is unbelievably hilarious and witty as well. There are alot of big words that don't quite make sense but when you put it all together it creates the perfect classic story about betrayal and deception and diguise! I have read alot of plays in my 14 year life and this is definately at the very top of my favorites list!!!
Anonymous More than 1 year ago
Anonymous More than 1 year ago
This is such a brilliant play! Honestly it's simply hilarious and a must read for absolutely everyone! It's funny enough for reader's to be entertained throughout the play and it uses satirical prose to reveal a deeper meaning.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Yay!
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
It was awesome clasic situation. Really easy and fast read. Itvtruly leaves you with a lesson if being earnest
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago