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The Importance of Living

The Importance of Living

by Yutang Lin

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The Importance of Living is also known as the Art of Living, is one of the master works written by Lin Yutang in English, a renowned Chinese writer and translator during the period of the Republic of China. It is ranked as two major representative works of Lin Yutang along with "My Country and My People", both are written by Lin Yutang in English.
The Importance


The Importance of Living is also known as the Art of Living, is one of the master works written by Lin Yutang in English, a renowned Chinese writer and translator during the period of the Republic of China. It is ranked as two major representative works of Lin Yutang along with "My Country and My People", both are written by Lin Yutang in English.
The Importance Living describes all of the aspects of life of the Chinese in comparison with the Westerners. Including the life style, way of thinking, life habits, values, etc. It is crowned as "Life Bible" and called a "John Day Book". To live gracefully and meaningfully, the Book is a good reference.
The text of the Book is the complete original text of the book published for the first time in 1937.

Editorial Reviews

Library Journal
Published in 1937, this was one of the original "don't worry, be happy" books. The Chinese philosopher here expounds on the mindset people need to develop in order to have a more successful and peaceful life.

Product Details

CreateSpace Publishing
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6.00(w) x 9.00(h) x 1.10(d)

Read an Excerpt

In what follows I am presenting the Chinese point of view, because I cannot help myself. I am interested only in presenting a view of life and of things as the best and wisest Chinese minds have seen it and expressed it in their folk wisdom and their literature. It is an idle philosophy born of an idle life, evolved in a different age, I am quite aware. But I cannot help feeling that this view of life is essentially true, and since we are alike under the skin, what touches the human heart in one country touches all. I shall have to present a view of life as Chinese poets and scholars evaluated it with their common sense, their realism and their sense of poetry. I shall attempt to reveal some of the beauty of the pagan world, a sense of the pathos and beauty and terror and comedy of life, viewed by a people who have a strong feeling of the limitations of our existence, and yet somehow retain a sense of the dignity of human life.

The Chinese philosopher is one who dreams with one eye open, who views life with love and sweet irony, who mixes his cynicism with a kindly tolerance, and who alternately wakes up from life's dream and then nods again, feeling more alive when he is dreaming than when he is awake, thereby investing his waking life with a dream-world quality. He sees with one eye closed and with one eye opened the futility of much that goes on around him and of his own endeavors, but barely retains enough sense of reality to determine to go through with it. He is seldom disillusioned because he has no illusions, and seldom disappointed because he never had extravagant hopes. In this way his spirit is emancipated.

For, after surveying the field of Chinese literature andphilosophy, I come to the conclusion that the highest ideal of Chinese culture has always been a man with a sense of detachment (takuan) toward life based on a sense of wise disenchantment. From this detachment comes high-mindedness (k'uanghuai), a high-mindedness which enables one to go through life with tolerant irony and escape the temptations of fame and wealth and achievement, and eventually makes him take what comes. And from this detachment arise also his sense of freedom, his love of vagabondage and his pride and nonchalance. It is only with this sense of freedom and nonchalance that one eventually arrives at the keen and intense joy of living.

It is useless for me to say whether my philosophy is valid or not for the Westerner. To understand Western life, one would have to look at it as a Westerner born, with his own tempera-ment, his bodily attitudes and his own set of nerves. I have no doubt that American nerves can stand a good many things that Chinese nerves cannot stand, and vice versa. It is good that it should be so — that we should all be born different. And yet it is all a question of relativity. I am quite sure that amidst the hustle and bustle of American life, there is a great deal of wistfulness, of the divine desire to lie on a plot of grass under tall beautiful trees of an idle afternoon and just do nothing. The necessity for such common cries as "Wake up and live" is to me a good sign that a wise portion of American humanity prefer to dream the hours away. The American is after all not as bad as all that. It is only a question whether he will have more or less of that sort of thing, and how he will arrange to make it possible. Perhaps the American is merely ashamed of the word "loafing" in a world where everybody is doing something, but somehow, as sure as I know he is also an animal, he likes sometimes to have his muscles relaxed, to stretch on the sand or to lie still with one leg comfortably curled up and one arm placed below his head as his pillow. If so, he cannot be very different from Yen Huei, who had exactly that virtue and whom Confucius desperately admired among all his disciples. The only thing I desire to see is that he be honest about it, and that he proclaim to the world that he likes it when he likes it, that it is not when he is working in the office but when he is lying idly on the sand that his soul utters, "Life is beautiful."

We are, therefore, about to see a philosophy, and art of living as the mind of the Chinese people as a whole has understood it. I am inclined to think that, in a good or bad sense, there is nothing like it in the world. For here we come to an entirely new way of looking at life by an entirely different type of mind. It is a truism to say that the culture of any nation is the product of its mind. Consequently, where there is a national mind so racially different and historically isolated from the Western cultural world, we have the right to expect new answers to the problems of life, or what is better, new methods of approach, or, still better, a new posing of the problems themselves. We know some of the virtues and deficiencies of that mind, at least as revealed to us in the historical past. It has a glorious art and a contemptible science, a magnificent common sense and an infantile logic, a fine womanish chatter about life and no scholastic philosophy. It is generally known that the Chinese mind is an intensely practical, hard-headed one, and it is also known to some lovers of Chinese art that it is a profoundly sensitive mind; by a still smaller proportion of people, it is accepted as also a profoundly poetic and philosophical mind. At least the Chinese are noted for taking things philosophically, which is saying more than the statement that the Chinese have a great philosophy or have a few great philosophers. For a nation to have a few philosophers is not so unusual, but for a nation to take things philosophically is ter-rific. It is evident anyway that the Chinese as a nation are more philosophic than efficient, and that if it were otherwise, no nation could have survived the high blood pressure of an efficient life for four thousand years. Four thousand years of efficient living would ruin any nation. An important consequence is that, while in the West, the insane are so many that they are put in an asylum, in China the insane are so unusual that we worship them, as anybody' who has a knowledge of Chinese literature will testify. And that, after all, is what I am driving at. Yes, the Chinese have a light, an almost gay, philosophy, and the best proof of their philosophic temper is to be found in this wise and merry philosophy of living.

Meet the Author

LIN YUTANG was born in 1895 to a mission family and became one of the best-known Chinese scholars and writers.