Impossible Presence: Surface and Screen in the Photogenic Era / Edition 2

Impossible Presence: Surface and Screen in the Photogenic Era / Edition 2

by Terry Smith
     
 

ISBN-10: 0226763854

ISBN-13: 9780226763859

Pub. Date: 09/28/2001

Publisher: University of Chicago Press


What has been the fate of the image in modernity, modern art, popular cultures, in postmodern art and in postmodernity? Has the simulacrum reached the point of unconditional purity? Or has the real returned often enough to convince even the most abject aficionados of posthumanism that presence insists most powerfully as persistence despite its apparent

Overview


What has been the fate of the image in modernity, modern art, popular cultures, in postmodern art and in postmodernity? Has the simulacrum reached the point of unconditional purity? Or has the real returned often enough to convince even the most abject aficionados of posthumanism that presence insists most powerfully as persistence despite its apparent impossibility? The great, historical generative structures—perspectival space, the picturesque visual journey, and Baroque theatricality—have long since been displaced by two distinctly modern ones: the surface and the screen. The encounter between the historical structures and the modern ones has, we can now see, been all along conducted through the "flesh" of the photographic. These intersections—definitive of modernism—continue to challenge all visual artists with something to show. They are also vitally shaping visual communication in public spheres.

In his introduction Terry Smith shows how each chapter contributes to our understanding of how the interplay between viscerality and enervation, the struggles between surface and screen, and the rise of the photogenic have fundamentally shaped modern visual cultures. The essays in this volume trace the histories of these encounters. Marshall Berman sets out the emergence of New York's Time Square as a paradigm site of electric interaction between city and self. Peter J. Hutchings follows the gaze of subjects in early photographs as it reaches across time and space to unsettle theorists of modern seeing. For Tom Gunning, the amateur photography of the Lumière brothers revealed a strange world of phenomena and actions, actual but "impossible in appearance," which they then, in their cinematograph, set in awe-inspiring motion. It was this aspect of photography, Richard Shiff shows, which most marked modernist painting from Cézanne and Seurat to Chuck Close, forcing its digitalization. One outcome, by the 1960s, was the Warhol phenomenon, read in two distinct ways here by Jeremy Gilbert-Rolfe, as an art shaped by the esthetics of fashion photography and video. Surface and screen took on new meanings at each stage, as they have again, recently, in the contemporary Aboriginal art movement, explored as it happened by Fred R. presence—indeed. Throughout, the body demanded figurative presence—indeeed, Elizabeth Grosz insists that it remains the basis of an ethics of everyday life while Javier Sanjines shows how an imagery of the body can be a site of both the construction of national identities and their reimaging Another Vidler traces the impacts of digitalization on design and our anxieties about architecture.

Contributors:
Jean Baudrillard
Marshall Berman
Jeremy Gilbert-Rolfe
Elizabeth Grosz
Tom Gunning
Peter Hutchings
Fred R. Myers
Javier Sanjines
Richard Shiff
Hugh J. Silverman
Terry Smith

Product Details

ISBN-13:
9780226763859
Publisher:
University of Chicago Press
Publication date:
09/28/2001
Edition description:
1
Pages:
309
Product dimensions:
6.00(w) x 9.00(h) x 1.00(d)

Table of Contents

Preface and Acknowledgments
Introduction
Enervation, viscerality: the fate of the image in Modernity
Terry Smith
Chapter 1
Too much is not enough: metamorphoses of Times Square
Marshall Berman
Chapter 2
New thresholds of vision: instantaneous photography and the early cinema of Lumière
Tom Gunning
Chapter 3
Through a fishwife's eye: between Benjamin and Deleuze on the timely image
Peter J. Hutchings
Chapter 4
Realism of low resolution: digitisation and modern painting
Richard Shiff
Chapter 5
Beauty and the contemporary sublime
Jeremy Gilbert-Rolfe
Chapter 6
Andy Warhol: snobbish machine
Jean Baudrillard
Chapter 7
Andy Warhol: chiasmatic visibility
Hugh J. Silverman
Chapter 8
Naked
Elizabeth Grosz
Chapter 9
Visceral Cholos: desublimation and the critique of Mestizaje in the Bolivian Andes
Javier Sanjines
Chapter 10
Traffic in culture: on knowing Pintupi painting
Fred R. Myers
Chapter 11
Warped Space: architectural anxiety in digital culture
Anthony Vidler
List of Images
Notes on Contributors

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