Impressionism: Paint and Politics

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New Haven, CT 2004 Hard cover Very Good. Sewn binding. Paper over boards. With dust jacket. 256 p. Contains: Illustrations.

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Cumberland, Rhode Island, U.S.A. 2004 Large Hardcover Very Good Dust jacket is very slightly shelfworn. Nice, clean, tight, unmarked copy. In this handsome book, a leading ... authority on Impressionist painting offers a new view of this admired and immensely popular art form. John House examines the style and technique, subject matter and imagery, exhibiting and marketing strategies, and social, political, and ideological contexts of Impressionism in light of the perspectives that have been brought to it in the last twenty years. When all of these diverse approaches are taken into account, he argues, Impressionism can be seen as a movement that challenged both artistic and political authority with its uncompromisingly modern subject matter and its determinedly secular worldview. Moving from the late 1860s to the early 1880s, House analyzes the paintings and career strategies of the leading Impressionist artists, pointing out the ways in which they countered the dominant conventions of the contemporary art wo Read more Show Less

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New Haven, CT 2004 Hard cover Good. Sewn binding. Paper over boards. With dust jacket. 256 p. Contains: Illustrations.

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New Haven, Connecticut 2004 Hardcover 1st Edition Near Fine in Near Fine jacket 4to-over 9?-12" tall. 1st Printing. Profusely illustrated with black-and-white illustrations and ... color reproductions of paintings. "This beautiful book explores the history of Impressionism by from a wide range of perspectives...subject matter, painting technique, exhibiting and marketing strategy, and...political and ideological contexts."--from the front flap, . Read more Show Less

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Overview

In this handsome book, a leading authority on Impressionist painting offers a new view of this admired and immensely popular art form. John House examines the style and technique, subject matter and imagery, exhibiting and marketing strategies, and social, political, and ideological contexts of Impressionism in light of the perspectives that have been brought to it in the last twenty years. When all of these diverse approaches are taken into account, he argues, Impressionism can be seen as a movement that challenged both artistic and political authority with its uncompromisingly modern subject matter and its determinedly secular worldview.
Moving from the late 1860s to the early 1880s, House analyzes the paintings and career strategies of the leading Impressionist artists, pointing out the ways in which they countered the dominant conventions of the contemporary art world and evolved their distinctive and immediately recognizable manner of painting. Focusing closely on the technique, composition, and imagery of the paintings themselves and combining this fresh appraisal with recent historical studies of Impressionism, House explores how pictorial style could generate social and political meanings and opens new ways of looking at this luminous art.

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Product Details

  • ISBN-13: 9780300102406
  • Publisher: Yale University Press
  • Publication date: 8/28/2004
  • Edition description: New Edition
  • Pages: 256
  • Product dimensions: 8.70 (w) x 11.18 (h) x 0.98 (d)

Meet the Author

John House is the Walter H. Annenberg Professor at the Courtauld Institute of Art, London. He is the author of, among other works, Monet: Nature into Art, published by Yale University Press.

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Table of Contents

1 The Ecole des Batignolles : oppositional painting in the late 1860s 5
2 Sketch and finished painting 45
3 Modernising the landscape : the environs of Paris 71
4 The viewer of modern life 101
5 Making a mark : the impressionist brushstroke 145
6 From the 'little church' to the marketplace : Impressionism around 1880 187
7 Coda : Impressionism's histories reviewed 207
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