Impressionists: Portraits and Confidences

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New York, NY 1986 Hard cover from the Editions d'Art Albert Skira, S.A., Geneva Very good in very good dust jacket. with Storage Box; 191 pages; Illustrated;

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New York 1986 Hardcover First Edition Fine in Fine jacket Folio-over 12"-15" tall. 191 pages. Illustrated folio of Impressionist paintings with writings, letters, and witness ... accounts by the painters, their friends, and writers and critics of the Impressionist period; 107 color reproductions, 80 black and white illustrations. Book and dust jacket are clean, tight, and bright-as new. Book comes in slip case with has slightly bumped corners and some minor edgewear. Read more Show Less

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Buy with Confidence. Excellent Customer Support. We ship from multiple US locations. No CD, DVD or Access Code Included.

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New York 1988 Hardcover 1st Book fine, Dust jacket fine. With 107 color reproductions and 80 black and white illustrations. Writings, letters and written accounts by the ... painters, their friends, and writers and critics of the Impressionist period. Read more Show Less

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New York 1986 Hard Cover First Edition Fine in Near Fine jacket Fine in near fine dust jacket with some rubbing and tiny knick to front of dj (barely discernible).

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1986. Hardcover As new, clean, tight & bright condition, with bright and crisp dust jacket / near new box [large 4to] 191pp., 107 color plates, 80 black & white plates.

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1986 1st Edition 3. pp. 191. Description: 191 p. : ill.; 33 cm. Subjects: Impressionism (Art)--France--Painting, French--19th century--Impressionist ... artists--France--Portraits--Corresponden Summary: The French impressionists gave each other advice and help despite their rivalries and disputes. The portraits they made of each other and of themselves crystallized their common ways of seeing. Renoir painted Sisley; Manet sketched Monet; Cezanne sat for Pissarro, while Felix Nadar photographed nearly everybody. Bonafoux (Rembrandt Self-Portrait has stitched together an episodic and disjointed narrative that nevertheless offers rewarding glimpses of the impressionists at work and play, while also reproducing many of their portraits and other paintings. We see Manet at 30 trying to shock and provoke the fashionable world that he aspired to be part of, but which rejected him. Along with period photographs and letters, this scrapbook contains 187 reproductions, including seldom-seen, pleasing pictures by such ar Read more Show Less

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
The French impressionists gave each other advice and help despite their rivalries and disputes. The portraits they made of each other and of themselves crystallized their common ways of seeing. Renoir painted Sisley; Manet sketched Monet; Cezanne sat for Pissarro, while Felix Nadar photographed nearly everybody. Bonafoux (Rembrandt Self-Portrait has stitched together an episodic and disjointed narrative that nevertheless offers rewarding glimpses of the impressionists at work and play, while also reproducing many of their portraits and other paintings. We see Manet at 30 trying to shock and provoke the fashionable world that he aspired to be part of, but which rejected him. Along with period photographs and letters, this scrapbook contains 187 reproductions, including seldom-seen, pleasing pictures by such artists as Jongkind, Zandomeneghi, Bazille, Boudin, Lhuillier, Morisot, Caillebotte, Marie Bracquemond. (January 2)
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Product Details

  • ISBN-13: 9780847807321
  • Publisher: Rizzoli
  • Publication date: 1/15/1986
  • Pages: 191

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