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| Roland Hanna | Primary Artist, Piano |
| Roland Hanna | Indexed Contributor |
| Major Holley | Bass |
| Oliver Jackson | Drums |
| Alan Dawson | Drums |
| George Duvivier | Bass |
| George Gershwin | Composer |
| Sigmund Romberg | Composer |
| Miles Davis | Composer |
| Stanley Adams | Composer |
| John Coltrane | Composer |
| Ira Gershwin | Composer |
| Johnny Green | Composer |
| M. Grever | Composer |
| Oscar Hammerstein II | Composer |
| Roland Hanna | Composer |
| Edward Heyman | Composer |
| Claude Carriere | Liner Notes |
| Gerhard Lehner | Engineer |
| Patrice Quef | Engineer |
| Robert Sour | Composer |
| Frank Eyton | Composer |
| H. Thompson | Composer |
| Jean Marc Fritz | Graphic Design |
| Jean Michel Proust | Graphic Design |
| Tina Biderman | English Translations |
Editorial Reviews
All Music Guide - Ken Dryden
Sir Roland Hanna was busy in the recording studios during the late '70s, as a number of different labels recognized his tremendous chops in a wide range of styles. Most of Impressions, put out by Black & Blue, is devoted to a trio session with bassist Major Holley and drummer Alan Dawson, kicking off with a brisk take of Cole Porter's "I Love You" and Sigmund Romberg's "Lover, Come Back to Me." Although "Body and Soul" is all but owned by tenor saxophonist Coleman Hawkins for his famous 1939 record, Hanna turns in a whirlwind solo piano interpretation that stands on its own merit. John Coltrane's "Impressions" is not typically heard in a piano trio setting, but it works ...