Impulse

Impulse

4.6 13
by Steven Gould
     
 

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Steven Gould returns to the world of his classic novel Jumper in the thrilling sequel Impulse.
Cent has a secret. She lives in isolation, with her parents, hiding from the people who took her father captive and tortured him to gain control over his ability to teleport, and from the government agencies who want to use his talent. Cent has seen the

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Overview

Steven Gould returns to the world of his classic novel Jumper in the thrilling sequel Impulse.
Cent has a secret. She lives in isolation, with her parents, hiding from the people who took her father captive and tortured him to gain control over his ability to teleport, and from the government agencies who want to use his talent. Cent has seen the world, but only from the safety of her parents' arms. She's teleported more than anyone on Earth, except for her mother and father, but she's never been able to do it herself. Her life has never been in danger.

Until the day when she went snowboarding without permission and triggered an avalanche. When the snow and ice thundered down on her, she suddenly found herself in her own bedroom. That was the first time.

Editorial Reviews

Library Journal
Since childhood, Cent has lived off the grid with her parents in an isolated Yukon cabin. Cent's parents are both "jumpers," whose abilities to teleport have made them a target of governments and other organizations wanting to exploit them. Now a teenager, Cent wants to experience normal high school life. When an emergency situation triggers her first "jump," her parents reluctantly agree but decide they will all keep a low profile. But circumstances—and Cent's sense of honor—dictate otherwise, and the family finds itself back on the radar. Gould re-enters the world of his Jumper series (Jumper; Jumper: Griffin's Story; Reflex), following the first jumpers and their daughter as they confront a modern world even more complex and morally ambiguous than the one they fled. VERDICT With its teenage protagonist treading a treacherous path through high school, adult and YA fans of both J.K. Rowling's Harry Potter novels and Orson Scott Card's "Ender" series will enjoy this sf adventure.
School Library Journal
Gr 8 Up—This addition to the series is the first one marketed to young adults. It stands strongly on its own, but will encourage teens to pick up Jumper (1992) and Reflex (2004, both Tor) as well as seek out the 2008 film, Jumper, based on the first book. Sixteen-year-old Cent has spent her life in isolation, hiding from the people who are looking to kidnap and control her father and his ability to jump from place to place via teleportation. Although she has been able to travel the world by "jumping" with her parents, her entire existence is a secret, and she has never been able to go to school or have friends. This all changes when she is caught in an avalanche and suddenly ends up back in her own bedroom. Cent is a jumper, too. No longer able to protect her, her parents allow her to assume a false name, set down roots, and attend school, where she makes friends and finds her first love. But what happens when her identity is discovered and her family is suddenly in grave danger? A great science-fiction story that holds up to classic adult/YA crossovers, this is a must-read for any fans of the genre. With a strong female protagonist, interesting secondary characters, a bit of romance, some humor, and loads of action and adventure, Impulse will keep readers engaged from start to finish.—Sharon McKellar, Oakland Public Library, CA
Publishers Weekly
Familiarity with Gould’s Jumper and Reflex (or, at minimum, the film of Jumper) is recommended before starting this initially confusing but intriguing story. Millicent “Cent” Ross is born in secrecy and raised in relative seclusion by her overprotective parents, Millie and Davy. The isolation isn’t without reason: government forces and others are looking for the Ross family. Millie and Davy have the ability to teleport, or “jump,” from location to location. Cent has only jumped with her parents, never on her own, until a freak accident unleashes her dormant power and opens up a whole new world. She demands release from her isolation, but controlling her power is as daunting as navigating high school, what with boys, sports, and a particularly loathsome bully. Fans of the series will enjoy meeting the next generation, but other readers may just feel lost. (Jan.)
Cory Doctorow

Jumper [is] one of those rare books that can be read as a YA or a book for adults; like Ender's Game or vintage Heinlein.
The Magazine of Fantasy & Science Fiction Charles de Lint

Reflex is a fun, fast-paced novel… You don't need to have read Jumper to enjoy the new novel, but all three of the books mentioned here are highly recommended.
From the Publisher
Jumper [is] one of those rare books that can be read as a YA or a book for adults; like Ender's Game or vintage Heinlein.”—Cory Doctorow

Reflex is a fun, fast-paced novel… You don’t need to have read Jumper to enjoy the new novel, but all three of the books mentioned here are highly recommended.”—Charles de Lint,  The Magazine of Fantasy & Science Fiction

Kirkus Reviews
The third of a well-regarded series (that inspired a poorly regarded film) is essentially Teleporting: The Next Generation, as Davy and Millie Rice's daughter Cent discovers that she, too, can "jump." Years after teleporter Davy Rice was captured by a mysterious corporation (Reflex, 2004), he remains paranoid that they'll find him or his loved ones again. He and his wife, Millie, live off the grid in a nearly inaccessible lodge 60 miles from the Arctic Circle, home-schooling their 16-year-old daughter and strongly discouraging her from developing relationships with others. Cent's unhappiness with the status quo finally persuades her parents to purchase a home in a small town and enroll her in high school. Of course, the Rices' pretense at a normal life doesn't last long. Like her parents, who covertly teleport to spearhead relief efforts all over the globe, Cent has compulsive heroic tendencies. She simply can't resist employing her newly developed teleporting ability against Caffeine, the school bully who's blackmailing three freshman into serving as drug mules. Davy's overprotectiveness of his daughter will be most amusing to series fans--as a 17-year-old in Jumper (1992), he was robbing banks and fighting terrorists. One of the strongest aspects of the series is its serious attempt to explore and exploit the possibilities of teleporting (and how to circumvent them), and Cent's experiments to add velocity to her jumps add velocity to the plot. Readers will cheer for sympathetic Cent, but she's a bit too perfect; despite her extraordinarily isolated upbringing and claims of social awkwardness, her insightfulness about people is incredibly high, and she's unreasonably able at negotiating the dating scene. Ultimately, though, this is a great romp with a little social conscience–raising mixed in. Mr. Gould, please write faster.

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Product Details

ISBN-13:
9781429987547
Publisher:
Tom Doherty Associates
Publication date:
01/08/2013
Series:
Jumper , #3
Sold by:
Macmillan
Format:
NOOK Book
Pages:
368
Sales rank:
51,799
File size:
1 MB

Read an Excerpt

Impulse


By Steven Gould, Beth Meacham

Tom Doherty Associates

Copyright © 2012 Steven Gould
All rights reserved.
ISBN: 978-1-4299-8754-7



CHAPTER 1

Millie: The Underlying Problem


It was more of a lodge than a cabin but "cabin" is what they called it. The walls were made of heavy, thick logs, after all. The main living area was a broad space leading from kitchen to dining area to a two-story-high lounge arranged around a tall, fieldstone fireplace.

Millie sat on one of the couches, staring out the windows, and frowned. It was snowing outside—big, fat, fluffy flakes—but she really wasn't noticing.

She was alone in the room and then she wasn't.

Davy was wearing a tropical-weight suit with the sleeves of the jacket rolled up on his forearms. He unrolled them as he asked, "What's wrong?"

Millie sighed, her eyes tracking up to the ceiling before returning to Davy's face.

Davy glanced up to the second-floor landing. "The usual?"

Millie jerked her thumb up. "Go look at her door."

He sighed. "She is an irritation of the spirit...."

Millie completed the phrase, "... and a great deal of trouble."

Davy vanished. After a brief pause Millie heard laughter drift down the staircase. Millie stood and jumped, appearing beside Davy in the upstairs hallway.

A sign, scrawled on butcher paper, was tacked to a closed bedroom door. It said:

HELP!

BEING HELD PRISONER BY TELEPORTING ALIENS! KEPT FROM NORMAL LIFE. SEND FRIENDS. ALSO ICE CREAM.

Davy was shaking his head and still laughing.

"Stop it!" Millie said. "You're not helping!"

"You gotta admit, she is funny," Davy said. "Takes after me that way."

Millie snapped. "What—you think you're funny?" She pulled at Davy's arm, leading him back toward the landing.

Davy raised his eyebrows at Millie and grinned.

"Okay, she is funny, but the underlying problem is no less a problem."

Davy's smile faded and he jerked his chin down toward the kitchen, and vanished.

Millie followed to see him putting the kettle on.

"What choice do we have?" Davy said. "I mean, really?"

Millie shook her head. She felt like she should have an answer but she didn't.

Davy hugged her and that was good ... but the underlying problem was still no less a problem.

And it could only get worse.

CHAPTER 2

Cent: "But it will kill you dead, just the same."


I don't really exist, you know.

We live in the Canadian Rockies, sixty miles south of the Arctic Circle. I was born here, in this house. Mom and Dad paid a nurse midwife to live with us for the last month of the pregnancy. Dad was prepared to transfer Mom to a hospital if things went wrong, but things "worked out" as did I, apparently. Mom said it was definitely "work."

But there's no birth record. No birth certificate. No Social Security number.

We're in the middle of nowhere. The second largest city in the province is a hundred miles to the southeast, but I've never been there. Next nearest town is 140 miles north: Old Crow. No roads to Old Crow, it just has an airstrip and the river.

No roads to our house, either. It was built by a billionaire as a hunting lodge at the head of a mountain valley using helicoptered labor. We get moose, caribou, deer, wolves, lynx, and rabbits. Starbucks? Not so much.

The walls are heavy logs, two feet thick. The roof is steeply pitched anodized steel to keep the snow from piling up. It sloughs off the snow in the winter until the bottom floor windows and doors are buried. One year the snow rose high enough to cover the second floor, but Dad melted it away, making sure that the chimney, ventilation stacks, upper doors, and triple-glazed windows remained clear.

There's a log-surfaced helicopter pad, but Dad does nothing to keep it clear, no matter what the season. Moss, brush, and small trees are taking it over.

Dad doesn't care. That's not how he rolls.

He does spend a lot of the summers fixing up the lodge itself—that and the springhouse out back.

The springs are the reason the billionaire built the lodge here: one hot, one cold. One tasting of sulfur and one tasting like a deep breath of winter. We don't need a hot-water heater—the hot spring provides bath, washing, and soaking water—though it leaves mineral stains in the tub. We drink from the cold spring and use it to make showers less scalding. For two thirds of the year we run hot spring water through radiators to heat the house, and all year round we use the temperature difference between the two springs to generate electricity.

That was Dad's doing. I think back when it was a hunting lodge, they had a diesel generator. But it was rusted solid when Dad bought the place. The billionaire had become a mere millionaire during the economic meltdown and a vacation home that required two-hundred-mile round-trips by helicopter became something he couldn't afford.

Dad's not a billionaire, but then he doesn't need a helicopter to get here, either.

The electrical generator came from an Icelandic power company that built it as a proof-of-concept device at one of their geothermal wells. When they upgraded that installation to the megawatt commercial version, Dad bought the prototype for mere thousands of dollars.

When I was little, I named it Buzz since that's what it does, sits in the basement and buzzes. To be fair, it also gurgles, hisses, and thumps, but for a four-year-old, buzz is as entertaining a word as ever there was, especially if you add extra "zzzzzzzzzzzz" at the end.

And then one day, when I was fifteen, it stopped buzzing.

I was watching an old anime on my desktop, but the screen blipped out along with the lights and then I was sitting in the dark, listening to the DVD drive spin to a halt.

I heard Mom yell from her office across the hall. "Davy!"

Dad's voice answered from downstairs, "Yeah, yeah. I'm on it!"

I felt my way over to the door and opened it. The battery-powered emergency light in the stairwell had come on. The windows were dark—it was late afternoon and October, and what little dusk light was on the southern horizon was blocked by the ridge on the far side of the valley.

Dad had just come out of the library when I tripped down the stairs. He smiled briefly at me. "Hey, Cent. Pretty dark up there, I bet."

"You think?" I said. "What's wrong with Buzz?"

He shook his head. "Not sure. Let's go see." He reached out to ruffle my hair.

I was styling it these days with a lot of gel and I slapped his arm away. "Rule one, Daddy! How many times do I gotta tell you?"

He laughed again. "Don't touch the hair. Right. Sorry."

I swear he does it just to mess with me.

When he opened the door at the top of the basement stairs, I heard a high-pitched beeping noise, one I'd never heard before. I started to take a step down and Dad grabbed me by my collar and pulled me back.

"Damn!" Dad said. "Well, at least we know what's wrong with Buzz. Don't go down there."

"What's that alarm?"

"Halogen detector. There's a leak in the system. The Freon is leaking out."

He was no longer smiling.

I knew about the Freon. The hot water from the spring boils it to vapor, which expands through the turbine generator. The cold spring water condenses it again. I'm homeschooled, so the generator has been the source of many science lessons: state changes of matter, Boyle's law, electromagnetism.

"Freon isn't poisonous, Dad."

"No. But it will kill you dead, just the same." The serious look on his face eased at my expression. "Definitely not poisonous. We're okay up here. Let me give you a clue: Freon is heavier than air."

I thought about it for a moment. "Ah. Like water?"

"Like water you can't see or feel or smell, yes. Which means?"

"The air is on top. The Freon fills up the basement and pushes the air out."

He grinned, big. "On the nosey, little posy."

"You'd pass out, eh?"

"Before you died. Heard about a shrimp boat with a refrigeration leak down in the hull. Different members of the crew kept going down into the hold to see what happened to the previous guy. The coast guard found the vessel going in circles, everybody suffocated."

I eyed the stairs dubiously. "You sure we're okay?"

He got that look on his face and smiled.

"No!" I said. "I don't need another real-life math problem!"

He led me back upstairs where we found Mom typing at her computer. She had a laptop with a battery. She didn't have to stop what she was doing because Buzz was busted.

"What's wrong with Buzz?" she asked.

"Leaking Freon," Dad said calmly.

"And displacing all the air in the house!" I said.

Mom's eyes widened and she looked at Dad. Dad shrugged. "Not very likely, but Millicent is going to calculate the answer to that."

Mom raised her eyebrows and pushed a pad of paper and a pen toward me across her desk.

Dad said, "Assume an eight-foot-high ceiling. The generator room is twelve by ten feet. It's about a quarter of the entire basement."

I did that part in my head. "Nine-hundred-sixty cubic feet. How much Freon?"

Dad jumped and I don't mean he bounced in place. He disappeared, vanished. I said something under my breath, which caused Mom to sit up straight and give me "the look."

"Sorry. I was watching my show. I already did homework today." I sounded whiny. I hate sounding whiny. I tried again, with a more reasonable voice. "I work hard, don't I?"

"The look" faded and Mom said, "Yes, honey, you do. But you know your father. He never finished school. He's one of the smartest men I know but he has this thing about education."

"Tell me about it. If I hear the phrase 'teachable moment' one more time, I'm gonna barf."

Dad reappeared at my elbow, a manual and a sheet of paper in his hand.

"Had to go to the library for the Material Safety Data sheet. Didn't know the density."

I looked at Mom and sighed heavily. Dad put the books on the desk by the notepad and slid a chair over for me to sit.

It was dark, but when he pulled the bedroom door all the way open, the emergency light from the hall shone across half the desk.

"Dad! This is Buzz's manual—you went into the basement!"

He shrugged. "As you said, it's not poisonous. I held my breath. Wasn't in there more than five seconds." Mom and I both gave him "the look" but after so many years, he's impervious. He reached down and tapped the notepad.

I sighed and sat down. The manual specs said the generator was charged with 175 pounds of Freon, the ozone-safe R-22 version. The Material Data Sheet told me the density, and when I converted, I got .225 pounds per cubic foot. That seemed pretty heavy but I double-checked it. "Must be a big molecule." I grabbed Mom's laptop and called up a calculator. "Seven hundred and eighty cubic feet. Uh, in the generator room that would displace the air up to, uh, six and a half feet off the floor."

Dad held his hand over his head. "Worse than that, I think. You didn't account for altitude."

"Oh." I blushed. As I'd said, we'd already done Boyle's law but I'd forgotten. I knew the conversion factor for our forty-five hundred feet of altitude by heart. "Okay." I multiplied the figure by 1.18. "Call it 920 cubic feet." I tapped away. "It would fill the room to seven and two-thirds feet."

Mom spoke. "I guess we don't have to worry about the whole house."

I felt the need to make up for my earlier slip. "Really, not even the basement.

When we open the door to the generator room it will flow out into the other rooms and be less than two feet high. Not a problem if we don't lie on the floor."

Mom turned to Dad. "You won't leave it there, will you?"

Dad shook his head. "I'll twin to a higher altitude and suck it out. But before it all leaks out, I want to find out where it's leaking, so we can fix it. Hopefully without hauling the thing back to Reykjavik."

"We can put the stuff from the freezer on the porch," Mom said, glancing at the window. It was eighteen degrees Fahrenheit outside and would probably drop another ten degrees before morning. "But the stuff in the refrigerator needs not to freeze. Ice chest?"

Dad shook his head. "I'll go get a backup generator. I've been meaning to for some time, but Buzz has been so reliable and I've been worried about carbon monoxide."

"Well," Mom said. "Since it looks like we'll be without power for a while—" She looked at me. "—Let's go shopping."

"Clothes?" I asked, hopefully.

"You've got plenty of clothes," Mom said. "I'm thinking lentils ... about nine tons."


* * *

Yes, I have enough clothes. I know that, but it's not the clothes I'm interested in. It's the people—the clerks, the other customers, the people walking by on the streets. Mom and Dad never let me spend significant time with other people.

It's like being in a cult.

Mom said summer so that meant Southern Hemisphere. I changed out of my sweater into a T-shirt and put on running shoes. When I came out onto the landing Mom was waiting, jeans and a T-shirt like me, plus a cotton work shirt and a broad-brimmed hat.

"Africa?" I asked.

"Australia."

"Let me grab my shades." I had to fumble in the dark but I found my snowboarding shades and grabbed a Yomiuri Giants baseball cap.

When I came out again, Mom opened her arms and I walked into her embrace. When she let me go my ears popped, the sun was blazing down, and I could smell a feedlot. I put on my glasses and hat. It's warm enough at home, with the hot spring radiators, but in the depth of winter you're always aware of the cold at the edges, in the corners, near the windows.

At least for the moment, the sun felt as good as Mom's embrace.

It was a small town, I could tell. There was a train yard with large grain silos, a passenger station, and a railroad museum. An old-fashioned railway water tank sat among eucalyptus trees. Old-fashioned letters spelled Kalgoorlie Bitter across one square face, with a small image of a foaming beer stein.

A street sign below saidAllenby Street. Across the road was a Chinese restaurant, and my stomach rumbled.

I pointed at it and Mom shrugged. "Perhaps. Business first."

Her business was near the grain silos at the office of the Co-operative Bulk Handling Group. A passenger train pulled in while Mom was inside and I watched people get off. Many of them went into the train museum or headed into the restaurant.

I overheard enough to determine that the train had come from Perth and would continue on to Kalgoorlie, and that a few of the passengers were doing the entire run across the continent to Sydney.

Mom came back outside with a man who said, "Down this way. We loaded 'er up yesterday arvo."

The accent was broader than I was used to. We'd been to Perth and Sydney and Melbourne but this was more like Crocodile Dundee.

He led us around the corner to where a medium-sized dump truck stood outside warehouse doors. He stood up on the step and stuck his his head in the open window. "Yair. Keys are in 'er."

"Great," Mom said. "I'll have it back in four hours?"

"Tomorrow morning be all right," he said, grinning broadly. "This your daughter?"

Mom nodded. I stood up and nodded politely. His face was like an old piece of leather, lined and tan. I tried not to stare. I don't get to see people much, not up close.

I started to get in on the right-hand side of the truck and froze in the doorway when I realized it was right-hand drive. I knew there was something odd about the traffic I'd been watching. I got into the seat and slid under the wheel to the passenger side, banging my knee on the stick shift.

Mom followed me in, started it up, and pulled out into the wrong-side-ofthe-road traffic like she drove here every day. She took a piece of paper out of her shirt pocket and handed it to me.

"You're the navigator."

We left the town of Merredin, Western Australia, on 94, the Great Eastern Highway, but only as far as the first exit. Mom drove south a mile, and turned off onto a weed-filled dirt road lined with high brush on both sides. It curved away from the paved road and Mom pulled off as soon as it was out of sight of the highway.

"Watch out for snakes," she said.

"Great," I said. "Visit exotic Australia. Get bitten by an exotic snake. Die exotically."

Mom jumped away, vanishing like a lightbulb turning off.

I climbed out the window and up onto the roof of the cab. After what she'd said about snakes, I wasn't going anywhere near the bushes.

Mom was in the back of the truck, intermittently. That is, she was picking up burlap sacks one at a time and disappearing, reappearing, grabbing another sack and repeating.

They were stenciled CBHG Yellow Lentils fifteen kilos. I did the math while I watched Mom empty the truck. Nine tons of lentils, presuming she meant English tons, would be about 545 bags. Mom was doing one every five seconds, though she took an occasional break. Straight through, it would have taken about forty-five minutes, but she slowed down near the end. The truck was empty in an hour and ten minutes.

She was sweaty and dusty, too.

"Back to the warehouse?" I said.

She shook her head, vanished, and reappeared, a bottle of cold water in each hand. She handed me one and guzzled the other, sprinkling some of it over her hair.

Before driving back into Merredin, she drove a half hour further out of town and the half hour back. "Mileage," explained Mom. "Don't want them to think I'm too local if we buy more."

We listened to a call-in show on the radio, entertained by the accents. "Why do they pitch their sentences up at the end, like every line is a question?" I asked.


(Continues...)

Excerpted from Impulse by Steven Gould, Beth Meacham. Copyright © 2012 Steven Gould. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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