Jewelry commemorating dead loved ones often ends up tucked into boxes of family documents rather than kept accessible with baubles more frequently worn. So the evidence of lives mourned gets filed away, sometimes forgotten for decades. The Massachusetts Historical Society in Boston has received gold tokens inscribed with laments, mixed with paperwork donated since the institution was founded in 1791.... Sarah Nehama, a jewelry maker in Boston, is the show’s major private lender and wrote the catalog (from the University of Virginia Press). She has acquired about 175 mourning pieces in the past eight years, paying prices into the four figures. She has delved into the genealogy of the deceased and their mourners, identifying cousins of Benjamin Franklin and assorted British aristocrats.
In Death Lamented: The Tradition of Anglo-American Mourning Jewelryby Sarah Nehama, Anne E. Bentley (Foreword by), Ondine LeBlanc, Ondine LeBlanc
In Death Lamented: The Tradition of Anglo-American Mourning Jewelry illustrates and explains prime examples of rings, bracelets, brooches, and other pieces of mourning jewelry from the seventeenth, eighteenth, and nineteenth centuries. Like the exhibition at the Massachusetts Historical Society, this volume showcases the materials in the Society’s/i>
In Death Lamented: The Tradition of Anglo-American Mourning Jewelry illustrates and explains prime examples of rings, bracelets, brooches, and other pieces of mourning jewelry from the seventeenth, eighteenth, and nineteenth centuries. Like the exhibition at the Massachusetts Historical Society, this volume showcases the materials in the Society’s collection and that of Sarah Nehama, a jeweler and private collector who co-curated the event at the MHS. These elegant and evocative objects are presented in context, including written explanations of the history, use, and meaning of the jewelry, as well as related pieces of material culture, such as broadsides, photographs, portraits, and trade cards. The jewelry included illustrates some of the most exemplary types, from early gold bands with death’s head iconography to jeweled brooches and intricately woven hairwork pieces of the Civil War era.
Distributed for the Massachusetts Historical Society
"Good trim size: inviting to pick up and leaf through. Beautiful reproductions. Good choice of fonts; very legible text. Handsomely done. Again, a book crafted to be a beautiful vehicle for its subject matter: the photography almost is scientificto show the viewer the minute details of very, very small keepsakes holding physical memories (locks of hair, etc.), and rings inscribed in the *inside* of the bandstill manages to be beautiful. The typesetting wonderfully balanced with the images, making this a comfortable read for a sometimes uncomfortable subject."
- Massachusetts Historical Society
- Publication date:
- Sales rank:
- Product dimensions:
- 9.30(w) x 8.10(h) x 0.50(d)
- Age Range:
- 18 Years
Meet the Author
Sarah Nehama is a designer/jeweler who works in precious metals and gemstones. She sells her work through galleries, at juried shows, and to private customers. Sarah has a degree in art history and studied jewelry making in Boston and New York. She is a collector of antique mourning and sentimental jewelry and currently resides in Boston.
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