Janet Zarish, Head of Acting, NYU Graduate Acting Program, USA
'Sloan deftly defines the responsibilities an actor must bring to the creative environment inside a director’s rehearsal process. However, his real gift is the blueprint of how every actor must explore, research, and prepare a role outside the rehearsal room. In my opinion, In Rehearsal should be required reading for all undergraduate actors.'
John David Lutz, Chair, Department of Theatre, University of Evansville, USA
'Everyone who is contemplating going into rehearsal for anything at all (the theatre, movies, television, life or just a walk in the park) should rush out and buy Gary Sloan's book - all the questions you might ever ask about the rehearsal process are addressed here and all kinds of solutions are offered but even more than the specific solutions the gold in the book is that it makes the reader understand that the profession of acting is a serious, noble, difficult, essentially human, often ridiculous, honorable, beautiful, HARD, glorious way to spend a life - this book is invaluable to people just getting started because it gives you a practice and a peek at anything and everything that might happen - for people who have been at it for the 20 years and more it is a companion to talk to and argue with and seek advice in and laugh with in that absolutely satisfying way you do when you come upon something that gets it absolutely RIGHT.'
Kathleen Chalfant, Actor
'[Sloan] talks with playwrights, dramaturgs, directors and fellow actors to explore how to interact most fruitfully with colleagues during rehearsal. (Short answer: Be polite, be willing to try anything and couch all discussions in terms of the character's need, not yours.) Sloan covers the particular requirements of film and television, where "rehearsal" is often limited to quickly setting the blocking. He illustrates his points with anecdotes (a few quite funny) from his own 30-year career, but this is at heart an earnest exhortation to actors to take their work seriously and honor the "profound responsibility [that comes] when you accept a role in a production...As for theatre's collaborative essence, that elemental theme is underscored...by Sloan...in the way [his] text [is] organized..reinforc[ing] the point by quoting liberally from interviews with other theatre professionals. Sloan comes off as ingenuously charming as he consults with costume, set and lighting designers to get their anwers to the question, "How is it any of [the actor's] business what the designers do?"'
Wendy Smith, American Theatre