In Search of the Lost Chord [US 2008 Bonus Tracks]

In Search of the Lost Chord [US 2008 Bonus Tracks]

4.8 5
by The Moody Blues

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This is the second expanded edition of this 1968 paean to psychedelia to have appeared in just 28 months -- it was preceded by a "Deluxe Edition" two-disc hybrid SACD/CD edition from Polydor's European division in the late winter of 2006; apparently, those in charge of the label either didn't think the U.S. could support that high-priced package, or that the…  See more details below


This is the second expanded edition of this 1968 paean to psychedelia to have appeared in just 28 months -- it was preceded by a "Deluxe Edition" two-disc hybrid SACD/CD edition from Polydor's European division in the late winter of 2006; apparently, those in charge of the label either didn't think the U.S. could support that high-priced package, or that the Super-Audio CD market is purely a European and Japanese phenomenon. Whatever the reason, this edition has shown up here with no multi-channel SACD layer, but with the remastered CD sound from that hybrid release. In Search of the Lost Chord was originally the most poorly-served of all the Moodies' original albums on CD, with a late-'80s edition from Polydor that literally had a crack in the sound on one song. Since then successive remasterings have made it one of the group's more satisfying CDs, as the nuances and layers are brought out -- the original album was done in a spirit of experimentation that was unusual for a pop album, with the members very consciously seeking out the richest, most outre sounds that they could generate in the studio, piling on one exotic instrument after another, along with many layers of voices; they would get better and bolder at this process over the next two albums (until they realized, in 1969, that they'd painted themselves into a corner as far as actually performing their new material on-stage); but beneath the psychedelic sensibilities on numbers like "Voices in the Sky," "The Best Way to Travel," "Legend of a Mind" etc., as one listens to the cleanest, crispest mix the record has yet had on CD (and one should state here that the multi-channel SACD mix on the European Deluxe Edition does outdo it), in the layers of finely nuanced playing, one does get a real sense of five musicians reveling in their own skills (and perhaps a recently ingested controlled substance or two) and the freedom to take them as far as the moment will carry them. That experimental nature has always resided just below the surface of what was otherwise a very pretty and smooth exercise in pop music mysticism ("Visions of Paradise" is still one of the most profoundly beautiful records this reviewer has ever heard from the psychedelic era) -- but here it's a little more up front, amid the enhanced clarity, and one would like to think it could help this album hold and renew its audience for another 40 years. The sound is so good that it's almost a shame that anything was put on here after "Om," the original album closer, but it was obligatory in these times that there be bonus tracks -- and as there was less room here than on the Disc Two of the Deluxe Edition, some decisions had to be made about removing some extras. The released Mike Pinder-sung version and the alternate Justin Hayward-sung take of "A Simple Game" are present, bookending the bonus tracks, whilst the rest includes the Mellotron track for "The Word," the lost Hayward song "What Am I Doing Here," two BBC performances ("Dr. Livingston, I Presume," "Thinking Is the Best Way to Travel"), and extended, unfaded versions of "Om" etc. They would be certain to delight serious fans, except that it's hard to imagine too many of the latter not having already bought them on the Deluxe Edition of this album over the preceding two years. Still, they may open the door to the group's sound a little further for the casually curious. [The 2008 version included bonus tracks.]

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Product Details

Release Date:
Polydor / Umgd

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Album Credits

Performance Credits

Moody Blues   Primary Artist
Justin Hayward   Acoustic Guitar,Percussion,Piano,Bass Guitar,Electric Guitar,Harpsichord,Sitar,Tabla,Vocals,12-string Guitar,Mellotron
John Lodge   Acoustic Guitar,Bass,Cello,Drums,Bass Guitar,Tambourine,Vocals,Snare Drums,Percussion
Michael Pinder   Acoustic Guitar,Piano,Autoharp,Cello,Bass Guitar,Harpsichord,Keyboards,Vocals,Mellotron
Ray Thomas   Bass,Flute,Drums,Alto Flute,Soprano Saxophone,Vocals
Graeme Edge   Piano,Drums,Tabla,Tambourine,Timbales,Timpani,Percussion

Technical Credits

Tony Clarke   Producer,Liner Notes
John Reed   Liner Notes
Derek Varnals   Engineer
Steven Fallone   Remastering
Phil Travers   Artwork,Illustrations,Cover Art

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In Search of the Lost Chord 4.6 out of 5 based on 0 ratings. 5 reviews.
Guest More than 1 year ago
After an early period of playing straight blues, the Moody Blues broke up briefly in the 1960s and then reformed, transforming themselves into one of the forerunners of ''progressive'' rock with their 1967 album ''Days of Future Passed.'' Their follow-up LP, ''In Search of the Lost Chord,'' solidified the successful formula that Moody Blues albums followed in the late sixties and early seventies. The album begins with a poem, followed by a fast-tempo rocker, with each track being part of a musical ''concept.'' Decried as pretentious by some rock critics (the Rolling Stone music guide trashes almost all of their albums), the band shows here, as it would in later albums, its talent for providing the listener with tight harmonies, poetic lyrics, and proficient instrumental playing. All the band members wrote songs, giving each track a unique style. ''Ride My Seasaw'' has gotten the most airplay over the years, but other tracks surpass it. Justin Hayward's ''The Actor,'' for example, is one of the most beautiful pop songs from the 1960s that you will likely ever hear. Some of the tracks, however, such as ''House of Four Doors, Part I'' and ''Legend of a Mind,'' go on for too long. And the album's psychedelic elements and references to Timothy Leary make it somewhat more dated than the band's other efforts. On this LP, nevertheless, the Moody Blues showed that they were capable of achieving the musical heights reserved for the greatest British pop groups of the 1960s.
Guest More than 1 year ago
I own 12 Moody Blues albums and this is my favorite one . The band's ability to learn 37 different instument including Mike Pindar's mastery of the mellotron is remarkable all in and of itself . The album contains my favorite Moody Blues song , Voices In The Sky . While this album never received the critical acclaim that was given to Days Of Future Passed , it was more like the other 5 concept albums . Yes , the material is some what dated , but , this is the begining of the art rock era . Any one who likes the band should own this .
Guest More than 1 year ago
-Pros: Ray Thomas' flute is awesome Legend of a Mind, Dr. Livingstone I Presume, and the Best way to travel are my favs. Awesome guitar by Justin Hayward Excellent drums by Graeme Edge -Cons: John Lodge's Ride my See-Saw is boring and un inviting, House of Four Doors is anoyyingly long and boring.
Anonymous More than 1 year ago
Anonymous More than 1 year ago