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| Roger Waters | Primary Artist, Bass, Guitar, Vocals |
| Andy Fairweather Low | Bass, Guitar, Vocals |
| Snowy White | Guitar |
| P.P. Arnold | Vocals |
| Graham Broad | Drums |
| Jon Carin | Guitar, Keyboards, Vocals, Lap Steel Guitar |
| Katie Kissoon | Vocals |
| Susannah Melvoin | Vocals |
| Doyle Bramhall II | Guitar, Vocals |
| Roger Waters | Composer, Liner Notes |
| Jon Carin | Programming |
| Guy Charbonneau | Engineer |
| James Guthrie | Producer, Engineer |
| Doug Sax | Mastering |
| Charlie Bouis | Engineer |
| Chris Hudson | Cover Design |
| Christopher Brooks | Digital Editing |
| Ted Barela | Engineer |
| Ian Charbonneau | Engineer |
| Joel Plante | Engineer |
Editorial Reviews
All Music Guide - William Ruhlmann
Roger Waters' tours of the U.S. during the summers of 1999 and 2000 were a pleasant surprise, since the reclusive rocker had not toured since 1987. In his liner notes to this two-CD set drawn from those performances, Waters does not shy away from discussing his antipathy to big concert venues. But he makes a distinction between stadiums and arenas, and he also notes that he found himself becoming more comfortable in the role of a frontman. This more personable Roger Waters isn't what comes across on the album, but the closer relationship he perceives to his audience is nevertheless palpable. As the man who wrote Pink Floyd's lyrics, he is far more concerned with their ...