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In the Morning

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Editorial Reviews

All Music Guide - Hal Horowitz
Rootsier than Robert Cray, more soulful than Jimmie Vaughan, and boasting a gospel background similar to the great Sam Cooke, Joe Louis Walker is a contemporary soul/bluesman who flawlessly and effortlessly mixes his diverse influences. On his first album in three years and Telarc label debut, Walker proves he's an artist capable of terse, searing guitar solos, as on the R&B "Do You Wanna' Be With Me?"; mid-tempo, jazzy soul such as "Leave that Girl Alone"; or rugged acoustic Delta blues like the appropriate album-closing "Strangers in Our House." Walker -- who began his career playing religious music -- not surprisingly proves himself a more than adequate soul/gospel ...
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Editorial Reviews

All Music Guide - Hal Horowitz
Rootsier than Robert Cray, more soulful than Jimmie Vaughan, and boasting a gospel background similar to the great Sam Cooke, Joe Louis Walker is a contemporary soul/bluesman who flawlessly and effortlessly mixes his diverse influences. On his first album in three years and Telarc label debut, Walker proves he's an artist capable of terse, searing guitar solos, as on the R&B "Do You Wanna' Be With Me?"; mid-tempo, jazzy soul such as "Leave that Girl Alone"; or rugged acoustic Delta blues like the appropriate album-closing "Strangers in Our House." Walker -- who began his career playing religious music -- not surprisingly proves himself a more than adequate soul/gospel vocalist in the Al Green vein on the spiritual "Where Jesus Leads." In fact, the Memphis groove is infused through much of this album, with Walker's simmering version of the Stones' "2120 South Michigan Avenue" sounding like a lost Booker T. & the MG's B-side. But he's at his strongest when plowing through gritty, Southern-styled swamp-rocking R&B, as on "Strange Love," the album's strongest track, where he shouts, growls, howls, and testifies like Wilson Pickett in his prime. Walker is in full control throughout, moaning and crooning in a honey-and-grits style that is immediately recognizable. Even when he plays it straight on "Joe's Jump," Walker sounds invigorated, whipping off piercing leads even in a timeworn shuffle style. The opening tracks, "You're Just About to Lose Your Crown" with its bubbling Latin percussion, and the easygoing groove of the title tune smoothly coalesce Walker's soul, blues, and gospel roots. One of the versatile musician's most consistently successful albums, this is convincing proof that Joe Louis Walker is one of the most overlooked and distinctive artists working in the soul/blues genre.
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Product Details

  • Release Date: 7/23/2002
  • Label: Telarc
  • UPC: 089408354120
  • Catalog Number: 83541
  • Sales rank: 19,927

Album Credits

Performance Credits
Joe Louis Walker Primary Artist
Technical Credits
Steve Drown Engineer
Randy Labbe Producer
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Customer Reviews

Average Rating 5
( 1 )
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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Rock Solid Blues

    There is still a lot of good blues being recorded and "In the Morning" is some of the best. I saw Joe Louis Walker live at a San Mateo jazz event this summer and was inspired to go buy some CDs. I was not disappointed and you will not be either. Highly recommended.

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Sort by: Showing 1 Customer Reviews