Henley returns with a worthy successor to her first novel, Hummingbird House. The heroine, Ruth Anne Bond, is a woman of 50, living in Indiana; Johnny, her husband of nearly 30 years, is the proprietor of an upscale restaurant. Everything seems picture perfect until devoutly Catholic Ruth Anne learns that their only daughter, Laurel, is a lesbian. While she adjusts to this revelation (she is more upset by the Church's intolerance than by the fact itself), her own secret past catches up with her: she is contacted by Tin, the illegitimate son she conceived with a blind Vietnamese boy when she was a teenager working in a convent in Saigon. The moral dilemmas attendant upon living with such a secret are sensitively treated and readers' sympathies for each of the troubled characters will be fully engaged. Written from the point of view of Ruth Anne, the tale unfolds in her memories as she relives the events resulting from her stay in Vietnam. But she must also focus on her current problems, including marital discord and a violent attack on Laurel and her lover, Oceana. Though the plot moves back and forth in time a great deal, it is enhanced rather than weakened by this strategy. Henley, who is also a poet, balances long, stream-of-consciousness passages with short, potent sentences to wonderful effect, tilling the familiar ground of sexuality and spirituality with originality and grace. (Oct. 1) Forecast: Henley's work has appeared in the Pushcart Prize anthology and The Best American Short Stories, and Hummingbird House was a 1999 National Book Award finalist. Expect more of the same kind of attention for her latest. Copyright 2002 Cahners Business Information.
Nothing from the past ever really goes away. When Ruth Anne hits 50, she seems to have all the parts of her life nicely organized. Even the unexpected, like her only daughter acknowledging her lesbianism, can be handled. But when her son, born in Vietnam, sends her an e-mail saying he would like to meet her, her past suddenly roars up. It is this past that makes Ruth Anne's story most interesting to YAs. In a combination of flashbacks and scenes from the present, Ruth Anne looks at her Roman Catholic past, her aunt's influence on her, and her marriage. She figures out who she is now and who she wants to be for the rest of her life. KLIATT Codes: SARecommended for senior high school students, advanced students, and adults. 2002, Random House, Anchor, 291p., Ages 15 to adult.
Ruth Anne Bond has been happily married for more than 25 years. Judging from appearances, things couldn't be better: her relationship remains loving, her spouse owns a thriving restaurant, and she spends her days aiding the good Father Carroll in a small-town Indiana parish. Then, seemingly out of nowhere, a confluence of events shatters this domestic peace. First, Ruth Anne's adult daughter, Laurel, announces that she is a lesbian. While Ruth Anne loves her child, this news sends her reeling, forcing her to reconsider the homophobia promulgated by her beloved Catholic Church. But before she can fully process what is happening, a disturbing e-mail from a man who claims to be Ruth Anne's son causes her to confront a history she has spent decades denying. Vexing questions about commitment, faith, forgiveness, and love make Ruth Anne scrutinize the personal politics that control her life. Henley's second novel following National Book Award finalist Hummingbird House weaves important issues into a compelling story. Although spiritually disinclined readers will find its theological bent excessive, it is recommended for all public and academic libraries. [Previewed in Prepub Alert, LJ 6/15/02.] Eleanor J. Bader, Brooklyn, NY Copyright 2002 Cahners Business Information.
Poet, storywriter, and second-novelist Henley (Hummingbird House, 1999) offers a historical romance that goes back and forth between the contemporary Midwest and 1960s Vietnam. Ruth Anne Bond is quiet and self-effacing, a devout Catholic and devoted wife and mother, who works at the town library in Tarkington, Indiana. She doesn't always see eye-to-eye with Father Carroll, but she shares his discomfort with homosexuality: Ruth's daughter Laurel has recently declared herself a lesbian, and Ruth is torn between her love of Laurel and her disapproval. Not that Ruth has never strayed herself-she had a doomed affair with a man in Vietnam many years before-but there are certain lines she simply can't cross. One day, however, her past comes back to haunt her when she receives an e-mail from a Tin Tran, who claims to be Ruth's son. The Vietnamese affair is now more than a distant memory, and Ruth needs to learn how to organize the disparate elements of her life. Tin is getting married, and his fiancée naturally wants to know something of his family history. Slowly Ruth recalls the steps that took her to Vietnam, where she worked as librarian in a convent of French nuns in order to be closer to her husband-to-be, Johnny. But there she also met Vo, who became her lover and the father of her first child. Overwhelmed by past (Tin invites her to his wedding) and present (Laurel and her girlfriend decide to buy a house together), Ruth goes to Michigan to stay in the convent where a childhood friend of hers, now a nun, has lived for over 20 years. She also tries to bring about a reconciliation with her elderly aunt, now in a nursing home run by the convent. There is, as everyone knows, a period ofmiddle age wherein almost everyone ends up regretting the compromises of youth. Will Ruth manage? Sentimental, but readable and sincere all the same. Author tour
From the Publisher
“Emotionally rich. . . . Nuanced. . . . Voluptuous. . . . A true accomplishment in the craft of fiction.” —Chicago Tribune
“Absolutely superb. . . . With a poet’s eye for the essential and a novelists’s sweeping vision . . . Patricia Henley iluminates here the wounds and yearnings of us all.” —Andre Dubus III, author of House of Sand and Fog
“Beautifully rendered. . . . An absorbing story.” —The Boston Globe
“Sure to please readers deeply. . . . Henley conjures the bygone Vietnam era with eerie and bittersweet poignancy.” —The Dallas Morning News
“An atmospheric and involving drama of family, belief and moral quandaries.” —Seattle Post-Intelligencer