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| Brian Bromberg | Primary Artist, Upright Bass |
| Gary Meek | Flute, Tenor Saxophone |
| Alex Acuña | Percussion, Drums |
| Corey Allen | Piano, Conductor, Fills |
| Oscar Castro-Neves | Guitar (Nylon String) |
| Otmaro RuÃz | Piano |
| Ramon Stagnaro | Guitar (Nylon String) |
| Joel Taylor | Drums |
| Mike Shapiro | Percussion, Drums |
| Airto | Percussion, Vocals, Soloist |
| Mitch Forman | Piano |
| Kei Yamamoto | Concert Master |
| Brian Bromberg | Arranger, Composer, Producer, Engineer, Mastering, Orchestral Arrangements, Whistle |
| Corey Allen | Orchestral Arrangements |
| Antonio Carlos Jobim | Composer |
| Tom McCauley | Engineer, Mastering |
| Demoraes | Composer |
| Maria Ehrenreich | Producer |
| Denny Stilwell | Executive Producer |
| Raj Naik | Art Direction |
| Mendonca | Composer |
| Gretchen Valade | Executive Producer |
| Gimbel | Composer |
| Kishore Manwar | Management, Booking |
Editorial Reviews
All Music Guide - Campbell
On the flipside of the Bromberg Plays Hendrix album, which was released at the same time, bassist Brian Bromberg pays tribute to the Bossa Nova Master, Antonio Carlos Jobim. Bromberg employs Brazilian musicians and the Rising Sun Orchestra on six Jobim compositions and six Jobim-inspired originals. Unlike Bromberg's Hendrix release, these arrangements stick close to Jobim's original versions of "One Note Samba," "Wave," "Triste/Desafinado," "Corcovado," "Once I Loved," and "The Girl from Ipanema." On this release, Bromberg uses a nylon-stringed acoustic bass with piccolo tuning, which comes close to the signature breezy sound Jobim perfected ...