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In This Rain

In This Rain

4.0 3
by S. J. Rozan

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Three years ago, a child’s death blew open a vortex of corruption inside Manhattan’s lucrative construction industry. And it sent one innocent man to jail. Joe Cole is a former city investigator who now lives a broken life, cut off from his wife and daughter, and from the city he once knew so well. But for Joe, everything changes when a woman’s


Three years ago, a child’s death blew open a vortex of corruption inside Manhattan’s lucrative construction industry. And it sent one innocent man to jail. Joe Cole is a former city investigator who now lives a broken life, cut off from his wife and daughter, and from the city he once knew so well. But for Joe, everything changes when a woman’s murder and a teenager’s rooftop freefall rip open old wounds—and reveal a shocking layer of rage and deception.

It is Joe’s former partner, beautiful, hard-charging investigator Ann Montgomery, who first sees the lies, forcing Joe out of his self-imposed isolation to help her unravel the cover-ups and secret relationships that allow the powerful to hide their crimes. Soon, the two are entering the darkest corners of their city, delving into the hidden desires of a borough president who wants to be mayor, the motivations of a charismatic community activist, and the machinations of a mayor whose ambitions know no bounds. As the secrets of each player are exposed, as the primal forces of greed, sex, and power come to the surface, Ann and Joe know they must press their search all the way to the end—because the most powerful revelations are yet to come.

From a brilliantly choreographed press conference to a scandalous love affair gone terribly wrong, In This Rain takes us into the heart of a sprawling, brawling city—in a masterpiece of suspense that proves once again the unique and daring genius of S. J. Rozan.

From the Hardcover edition.

Editorial Reviews

Publishers Weekly
Edgar-winner Rozan (Absent Friends) draws on her experience as a professional architect in this complex thriller that focuses on New York City's construction and development business. Ann Montgomery, an officer in the New York Department of Investigation, shows up on former partner Joe Cole's doorstep with a file containing evidence pointing to a murder at a Mott Haven construction site. She needs Joe's help, but he's fresh off a two-and-a-half-year prison sentence connected to an earlier DOI investigation and wants nothing to do with the case. Meanwhile, the mayor of New York, Charlie Barr, is having problems with the press and political opponents who are questioning his dealings with big-time developer Walter Glybenhall, the mayor's pal and chief financial contributor. This is a New York story, steeped in political intrigue, ripe with descriptions of the city and its history. The payoff will be particularly rewarding for readers interested in big machines, both the kind that move earth and those behind political parties. (Jan.) Copyright 2006 Reed Business Information.
Library Journal
Joe, a former Building Department inspector, has been unfairly implicated in a behind-the-scenes payoff that resulted in a little girl's death. While in prison, he loses his job, his family, and his trust. With this opening, Edgar Award winner Rozan (Absent Friends) takes us into the steamy, corrupt world of city politics, race relations, and mob connections. Unfortunately, while the premise is good, Rozan never makes it come together into an exciting story and fails to give readers characters with whom they can empathize. Joe and his former partner, Ann, are not very likeable, and the other characters come across as stereotypical. The short chapters, multiple viewpoints, and choppy story lines also make this book hard to follow, unlike Rozan's last standalone novel, Absent Friends, whose characters you could really feel for and whose story line gave you something to think about. Recommended for large public libraries only. [See Prepub Alert, LJ 9/1/06.]-Marianne Fitzgerald, Annapolis, MD Copyright 2006 Reed Business Information.
Kirkus Reviews
The author of the Lydia Chin-Bill Smith mysteries follows up her ambitious 9/11 novel (Absent Friends, 2004) with an equally wide-ranging anatomy of construction skullduggery. Nurse's aide Harriet Winston, killed by falling bricks as she's walking past the Mott Haven construction site in the Bronx, is the third victim of an accident at the blighted project. Are the accidents compelling evidence of Mott Haven contractor Walter Glybenhall's unfitness to take on the gigantic Harlem project he's angling for, or are they really sabotage planned by his enemies, as Glybenhall insists? As Mayor Charlie Barr tussles with Manhattan Borough President Edgar Westermann and Harlem community leader Ford Corrington, Glybenhall's principal rival for the new project, the casualties begin to mount. A gangbanger is tossed off a roof at Mott Haven. The guy who tossed him is gunned down. And death waits for a young woman who overhears the wrong phone call. It sounds like a job for the Buildings Department's internal inspectors, who investigate charges of corruption involving Buildings Department personnel. But star inspector Joe Cole has only recently finished serving three years in prison after perjured testimony implicated him in an earlier death he'd been probing. Now Joe's old girlfriend, wealthy inspector Ann Montgomery, is so intent on nailing Glybenhall, who years ago seduced her mother and menaced her, that she fails to read the same signs. Soon after she's enticed into throwing all her weight into accusations against Glybenhall, she realizes she's been set up too-just in time to get frozen out of the case and the department. The story is familiar, but Rozan embeds it in social fabric so dense and soconvincing that everyone in the Big Apple, from power-hungry politicos to money-hungry developers to survival-hungry street kids, comes alive. An exuberant celebration of the rainbow city in all its crime-drenched glory. Agent: Steven Axelrod/Axelrod Agency
From the Publisher
“Complex…. Steeped in political intrigue, ripe with descriptions of the city and its history.”—Publishers Weekly

“A murder mystery, make no mistake, but [In This Rain] also may be the most Manhattan-centric entertainment to come our way since Woody Allen switched his cameras to London.”—Los Angeles Times

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Chapter One

Sutton Place

Ann Montgomery sped up the Thruway thinking about Joe Cole's garden.

The old garden, the one at the house that wasn't Joe's anymore: she couldn't keep her mind off it. Its chaos of color and scent, shape and size. Its bright gleams and secret shadows.

How amazed she'd been, the first time she'd seen it. Joe had led her through the house, a shipshape sparseness that didn't surprise her, suiting well her new partner, so precise, methodical, soft-spoken, and civil. The wood floors and white walls stood in quiet contrast to the asphalt anarchy outside the front door; but outside the back she found a wild extravagance that stopped her, openmouthed. She'd turned to Joe to find out who the gardener was, himself or the thin-lipped Ellie who'd looked her up and down at the door. But Joe's eyes weren't on her. She followed his gaze to a vine loosed from its stake, a flower head faded but not yet cut, and she didn't have to ask.

Intense, powerful, this memory of Joe and his garden: but not enough to distract her from the highway or her location on it. She was coming up on the exit she'd never taken, that led to the college she'd never been near. There, the concert hall, to honor the man whose will endowed it, bore his name, which was the same as hers.

Ann added speed, pushing the car through curves. As she'd done for distraction and for buttressing since she was nine, she called Jen.

Not that Jen would answer. Sunday morning? Once, they'd been party animals together, dancing wherever the music was, drinking whatever was served, and though Ann these days preferred her own den, Jen was still joyfully on the prowl.

"Hey, get up," she said into the air, her cell phone on speaker in its car cradle. "The sun's shining. You remember the sun, I'm sure you've seen it. Guess where I'm going, win a prize. You have an hour till I'm there. Get on it, girl."

Brief, that phone message, but it took her past the college exit, this highway's only pitfall. The pounding storm that had started Friday night and hung stubbornly on through yesterday had left shiny roadside puddles and scrubbed the air clean. She loved to drive this road: her joy in it had led to guilt each time she'd taken it to the prison, to see Joe. She'd never told him how she'd looked forward to the wide sky (he could see a slice of sky from his cell), the rolling land (the prison's grounds sloped steeply), and the feel of soaring through it (he could go nowhere in the prison without permission). Odd, she thought, that though now he was out, she was heading up to see him along this same road.

It was her father who'd taught her to drive like this, fearlessly and fast, when she was too young to be legally behind any wheel, when, with her father beside her, she feared nothing. Lean into it, Annie, he'd say. Be part of what's coming, not what is. Her mother preferred the back seats of limos and cabs and to this day complained about Ann's driving.

"After what happened to your father I'd have thought you'd want to be more careful."

"Nothing 'happened' to him. You and that bastard, that's what happened to him," Ann always answered, because it was true and because it made her mother turn away, her lips pressed into a thin hard line.

Flying up the left lane, Ann was forced to slow behind a blue SUV cruising at sixty-five. She flashed the Boxster's lights, crept closer. Nothing. She gave the SUV the lights again and hit the horn.

He acted as though she weren't there.

Veering right, she moved alongside, held a moment, then shot ahead. As she swerved in front of him she slowed to sixty. His shiny bulk loomed in her mirrors. He blared his horn and flashed his lights.

She acted as though he weren't there.

Another blare, and he gunned the big engine; she had Tosca in the CD player but the blue SUV had so much power under that overgrown hood she could hear him anyway. He charged into the right lane; she sped up so he couldn't pass on her right. Hell with you, you s.o.b., she thought, though she didn't know him, didn't know what was on his mind, any more than she knew what had been on her father's when he skidded his Ferrari through a curve and slammed into a stand of trees outside Zurich twenty years ago.

She was yanked back from that Swiss hillside by a cloud-splitting horn blast and a shriek of brakes. In her mirror a Toyota sprayed gravel as it peeled onto the shoulder. The blue SUV wove wildly back behind her, then steadied and slowed. The Toyota, which must have been tooling along in the right lane unseen by the SUV–God knew she hadn't seen it–squealed to a stop.

Ann held her breath and listened. Nothing: No scream of metal or crash of glass. She watched in the mirror as the Toyota edged back onto the road, its driver probably still cursing out the guy in the SUV. He had a right. Bastard almost killed him.

The bastard who'd been driving the legal limit in the proper lane until he'd pissed Ann Montgomery off.

Shit. Her hands pounded the steering wheel. She glanced back once more, then sped up and left them both behind.

The second act of Tosca came to an end. She tried to swallow away the sour taste in the back of her throat. No harm, no foul. And goddammit, maybe next time that SUV bastard would pull over when someone wanted to pass him.

No. He wouldn't. He'd never get it. The next time, he'd be the same jerk. People don't change.

Yes, they do, she argued with herself. A baby can distinguish between sounds that seem the same to adults, a skill that fades once a child starts talking and learns which sounds are useful. A person changes like that: by discarding pieces, littering the roadside with what he doesn't need.

If he's lucky, she thought, racing up the highway. Sometimes–a crumpled car, skid marks on slush–what a person throws away is something he really should have kept.

Chapter Two

Harlem: 134th Street

T. D. Tilden leaned on the water tank steel and fired up a blunt. No way he was walking to the edge of the roof again, look down like some bitch wondering where her date got to. Not going to let this nigger get him stressed.

The first hit made him less jangly, like it always did. He looked at the clouds running across the sky. Truth was, sometimes he come up here just to hang. This roof, he could sit and draw, no one saying Yo, lemme see that shit. He drew the clouds, and the buildings, sometimes these right here or ones from his head, too, the ones he was going to build when he had his business. Sometimes he drew the flowers from the next-door backyard. He'd wave down at the old lady there and she'd always wave back.

No, not so bad up here. Just, this Kong fucker should have more respect. Making him wait every damn time, what was up with that? T.D., he liked to be on time. It showed you knew what business was and you wasn't scared of it.

T.D. watched the clouds some more and got lost in a movie in his head, him going off to his business. Setting his Kangol on, kissing Shamika goodbye. He could see her baby-don't-go smile, but he the man of the house. Got to take care of business.

Or maybe Shamika come with him. Shamika be his secretary at his office high up in some glass building, one of those buildings downtown he never been in yet but he been seeing them all his life past the roofs of Harlem. Shamika been working for Mr. Corrington for a year, so she knew all what secretaries got to know, typing, all that. Damn, he liked that idea. Shamika, sitting at a big desk, saying Mr. Tilden too busy to talk to you now.

That made him smile. Shamika wasn't like other girls T.D. knew. She didn't run around announcing his private business. He could talk to Shamika, like about this Kong asshole, he could brag on himself and he wouldn't find it coming back at him from the street.

Thinking about Kong messed up his mellow mood. The way Kong talked when he told T.D. what he wanted him to do next. Like T.D. was some retard, like what Kong wanted him to do was so hard. Even coming with those drawings that one time. Kong don't know about T.D., how he don't need drawings, how you tell T.D. something, he see the picture in his head. Well, how he gonna know? T.D. sure as hell ain't about to tell him, just like he ain't told Kong he know Kong wasn't the one drew those drawings. You could tell from how he explained them to T.D., someone else had to explain them to him.

Sure, job like this might be hard, if you was big and clumsy. That's why Kong didn't come with T.D. no more, T.D. knew that. Too busy, that was bullshit. The first job, Kong almost got their asses caught, all his noise clomping up that damn scaffold. Then taking out that drawing again, like T.D. wasn't about to remember? T.D. knew what the job was, he knew what to do. Truth was, he'd know which of them damn bolts to pull without ever seeing no drawing. It just worked that way with him. He knew what was holding what up, just by looking. But that was another thing he wasn't about to tell no one.

Anyhow, it was easier without Kong. T.D. was quick, he was quiet, he could slip in and out of places like a shadow. Sometimes, climbing on this water tank steel right here, he almost thought he could fly. Like if he let go the steel he'd swoop down close to the rooftops, for a second or two look like he was bound to hit something, but he'd soar back up again. Kong was lucky he found T.D., that was definite. Kong should be more grateful, not disrespect T.D. like he do.

The money wasn't that good, neither, now he thought about it. Maybe he'd tell Kong that. These three jobs, they was–what was it, when you was in the union? "Apprentice," that was the word–they was apprentice jobs. Now you seen what I can do, you got to pay more. Yeah, that's what he'd tell Kong. Serve the fucker right, always keep him waiting.

He jumped when the roof door creaked, but he made himself stay where he was. He watched Kong walk out onto the tar and look around. Big light-skinned fucker, head all shaved and shiny. Frowning around like this roof was his and better not be nothing on it he didn't like.

Kong found T.D., nodded, and said, "T.D., my man."

"I ain't your man." Fuck, this cocksucker was scratching on his last nerve.

Kong smiled. He didn't move, but it seemed like maybe he did. Like sometimes on the corner, you could feel the subway running uptown even if you couldn't hear it.

T.D. suddenly got cold. He blew out smoke and decided to quit. Didn't have to put up with this shit. There was lots of work out there for someone smart and quick as him. "You got what you owe me?"

"Sure, T.D." Kong walked toward him still smiling, like it was cool with him that T.D. was over by the tank and Kong had to do the work, walking over.

T.D. knew it wasn't cool but fuck if he was going to say anything. He finished off the blunt, ground out the fire, and pocketed the roach. "About the next job," he began. You got to give notice, he knew that. He wasn't in no union but he knew about being businesslike.

"No next job, T.D."

What shit was that? "The fuck you mean, no next job?" How could he give notice, walk out on this asshole, if there was no job to quit?

"There was a problem Friday, my man."

"I ain't your fucking man and there wasn't no fucking problem! Nobody saw me, heard me, nothing. The way that storm was pounding my ass, you lucky I ain't charged you double!"

"Guess you don't read the paper."

T.D.'s face heated up, like it always did when somebody talked about reading. His moms, always coming with Reading is all that, you got to try, Thaddeus, you just got to try some. He sneered, "Don't have no time for that shit."

Kong shrugged, like he knew it didn't have nothing to do with time but he didn't give a shit could T.D. read or not. "My people says there was a problem."

People? The asshole coming like he got people? He somebody else's people, no doubt about that. "Well, fuck," T.D. said. "Don't matter. Don't want no more of your shit, anyway."

"My shit? What shit is that?"

"I quit!" T.D. spoke too loud and too fast, like he seriously gave a damn. He told himself to chill. "I ain't working for you no more. I already decided that, before you come talking about there was a problem." There, at least Kong would know T.D. got there first.

Kong nodded like T.D.'s moms did sometimes, like T.D. was right but it didn't matter. T.D.'s face went hot again.

"Just give me my fucking scratch," T.D. said.

"I don't think I got no more scratch for you, my man."

"The fuck? The fuck you mean, you don't think? You owe me!"

"You fucked up."

"Bullshit! Oh, bullshit, nigger! You pay me, or you be sorry."

"How you gonna make me sorry?" Kong asked this like he was just interested, like he was asking, How you gonna light that blunt, you ain't got no matches?

"How?" Damn, that was a good question. But from nowhere, T.D. had the answer. "Them drawings you give me. For the first job? The ones you say I better study, the ones you was so serious, I better give 'em back?"

"You gave 'em."

T.D. smiled big because Kong sounded confused. "I copied their asses."

"Say what?"

"I got copies. Zee-rocks."

Kong's face rippled into a grin. "Naw. You ain't got no copies. Why you gonna do that, make copies? I know you didn't."

"Did," said T.D. Damn, this was fun. "Because you was so serious. I thought, these things is so important, maybe I need to keep 'em." That wasn't the real answer. T.D. liked those drawings. They were like little pieces of blueprints. He was planning on studying them. Not the way Kong said, but to practice making lines like the ones in them. Maybe even work out the words. "You want them, you got to pay me. What you owe me, plus extra. For my trouble. I got to go get 'em for you."

"What, they far away?"

T.D. wasn't falling for that, no way. "Just show me the money, bro."

"Couldn't be no trouble, getting 'em. You just ask your moms, right? Nice lady, your moms. Got a skinny ass like you. Or Shamika. Bet Shamika got 'em. Hot bitch like that, I know I'd give her my copies."

"I ain't saying, cocksucker! You want 'em, you gotta pay me."

Kong nodded his huge head, up and down, up and down. "All I got to do? I pay you, you give me the copies? Awright." Kong smiled again. Because of the blunt, T.D. didn't see right away that this was a different kind of smile. He tipped to it just before Kong slammed him in the gut. As he crumpled, Kong's fist smashed his jaw. The clouds spun crazily. T.D. sucked in air, tried to stand himself up. Kong clamped onto his arm. T.D. tried to shake him off, to yell What the fuck? but he didn't have the breath and Kong didn't let go.

All this time Kong didn't say a word, even when he dragged T.D. to the edge of the roof, even when he picked him up, even when he tossed him off. Whoa, T.D. thought, tumbling through the air; and he tried to soar, swoop down near the rooftops and fly up again. For a second or two, he thought he had it.

From the Hardcover edition.

Meet the Author

S. J. Rozan is the author of the acclaimed novel Absent Friends in addition to eight novels in the Edgar, Shamus, Nero, Macavity, and Anthony awards-winning Lydia Chin/Bill Smith series, including Winter and Night, which won the Edgar, Nero, and Macavity awards for Best Novel, and was nominated for the Shamus, Anthony, and Barry awards. Born and raised in the Bronx, Rozan is an architect in a New York firm and lives in Greenwich Village, where she is at work on her next novel of suspense.

From the Hardcover edition.

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In This Rain 4 out of 5 based on 0 ratings. 3 reviews.
Anonymous 7 months ago
Anonymous More than 1 year ago
Like all but one of her novels this one is worth reading.
harstan More than 1 year ago
Nurse's aide Harriet Winston was walking past a construction site in the Mott Haven section of the Bronx when she hit by a falling object and dies. She is the third victim to be killed at the location. New York City's Buildings Department of Investigation case worker Ann Montgomery is assigned to look into the deadly incidents to ascertain neglect, another type of violation or sabotage as three is too much for coincidence though the first two are linked. Her inquiry has wider implications. The developer Walter Glybenhall, a campaign donor and personal friend of Mayor Charlie Barr, has put in a bid for a bigger project in Harlem that has racial overtones as Harlem developer Ford Carrington has put in a bid too and political impact too as Manhattan Borough President Edgar Westermann covets moving to Gracie Mansion. Within the department others want to push the case against Glybenhall for personal reasons, complicating a messy investigation. Harriet realize she needs help so she turns to her former partner, Joe Cole, who just spent two plus years in prison due to perjury while testifying on a wrongful death probe he wants nothing to do with this mess. --- Timely with the recent elections, this is a terrific look at the link between local politics, campaign funding and business deals in which the Big Apple is the star for sale by its leaders. The story line is action-packed and filled with a myriad of believable characters from Harlem to Gramercy Park to the Bronx and elsewhere. The cleverly designed construction investigation enhances the vast lifestyles of New Yorkers that range from corrupt, lethal, to fast-paced and adrenaline pumping. --- Harriet Klausner