INCredible Sound of Drum'n'Bass

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Barnes & Noble - Martin Johnson
With the release of his outstanding American album debut, 1995's TIMELESS, Goldie was crowned the great crossover hope of drum 'n' bass. Although his success created an opening for artists like Roni Size, LTJ Bukem, Photek, and others, the hard-driving, quickly mutating genre failed to penetrate mall culture as easily as more accessible fare from beat masters like the Chemical Brothers, the Prodigy, and Fatboy Slim. Instead, Goldie used his stature to embark on several ambitious experiments. He collaborated with Pat Metheny, Noel Gallagher, and David Bowie and on his second recording, SATURNZ RETURN, included an hour-long symphonic work influenced by Górecki's Third ...
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Editorial Reviews

Barnes & Noble - Martin Johnson
With the release of his outstanding American album debut, 1995's TIMELESS, Goldie was crowned the great crossover hope of drum 'n' bass. Although his success created an opening for artists like Roni Size, LTJ Bukem, Photek, and others, the hard-driving, quickly mutating genre failed to penetrate mall culture as easily as more accessible fare from beat masters like the Chemical Brothers, the Prodigy, and Fatboy Slim. Instead, Goldie used his stature to embark on several ambitious experiments. He collaborated with Pat Metheny, Noel Gallagher, and David Bowie and on his second recording, SATURNZ RETURN, included an hour-long symphonic work influenced by Górecki's Third Symphony. On INCREDIBLE, Goldie gets back to his drum-'n'-bass roots with a double CD of his mixes of tracks by many of the top names in the genre, including Size, Doc Scott, Grooverider, Source Direct, and Alex Reece. In that regard, this disc works as an update for the 1996 double-disc PLATINUM BREAKZ, with Reece's "Pulp Fiction," included on both sets, serving as a barometer of Goldie's distinctive style. Where the earlier album offers Reece's original mix, a quiet track that nestles the rhythmic chatter alongside the vocals, Goldie's INCREDIBLE mix renders the beat deep, dark, and dominant. A clean, progressive sound and frequent lead vocals marked Goldie's early work, but on INCREDIBLE he favors a busier, more oblique style with fewer vocal tracks, featuring surf-music riffs on London Elektricity's "Dirty Dozen," abstracting Source Direct's "Sculptures Hide" to create a stark perspective, and making intriguing use of Roya Arab's Björk-esque vocals on Grooverider's "Rainbows of Colour."
All Music Guide - John Bush
He's known more for his production expertise and musical vision than his skills behind the turntables, but Goldie has been a DJ almost as long as he's been a producer. And despite the fact that it's not his specialty, INCredible Sound of Drum'n'Bass is a solid album. Though his mixing isn't up there with the best Grooverider, Fabio, Bukem, Goldie's track selection is excellent. Almost half of the tracks either originally appeared on Goldie's Metalheadz label or were produced by close compatriots. The nepotism is hardly a problem, however, since Metalheadz released a raft of crucial singles -- "Pulp Fiction" by Alex Reece, "The Angels Fell" by Dillinja, "To Shape the Future" by Optical, "The Warning" by Grooverider's Codename John project, "Here Come the Drumz" by Doc Scott, "Your Sound" by J. Majik -- that can only help any collection they're on. The second disc also includes two of Goldie's earliest productions, "Manslaughter" and "Terminator." Goldie usually plays out most of the songs before moving on to the next, but drops in plenty of twists to keep listeners into it. True, a better mix album by a less popular name would never sell in the numbers this one has, but Goldie proves with INCredible Sounds of Drum'n'Bass that his status as jungle superstar number one is untouched.
Spin Magazine - Jon Dolan
...wonderful singles leap out of the void.

...wonderful singles leap out of the void.
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Product Details

  • Release Date: 1/4/2000
  • Label: Sony
  • UPC: 074646392423
  • Catalog Number: 63924

Tracks

Disc 1
  1. 1 Here Comes the Drums - Doc Scott (1:42)
  2. 2 Pulp Fiction - Alex Reece (5:21)
  3. 3 Spacefunk - Digital (3:31)
  4. 4 Thursday - Deep Blue (5:31)
  5. 5 The Calling - DJ Die (1:49)
  6. 6 Unofficial Ghost (4:42)
  7. 7 See Red - Jonny L (3:37)
  8. 8 Close Range - DJ Kalm (4:04)
  9. 9 Warning - Codename John (5:24)
  10. 10 No Reality - Ram Trilogy (4:54)
  11. 11 Bambaata Back to the Core - Shy FX (4:00)
  12. 12 Otto's Way - Vegus (3:56)
  13. 13 Rainbows of Colour - Grooverider (5:51)
  14. 14 Fade 2 Black - Souljah (5:53)
Disc 2
  1. 1 Manslaughter (2:10)
  2. 2 Angels Fell - Dillinja (6:31)
  3. 3 Terminator (3:10)
  4. 4 Dark Angel - Doc Scott (5:10)
  5. 5 Gesture Without Motion - Neil Trix (7:21)
  6. 6 Far Out - Digital (4:30)
  7. 7 Dirty Dozen - London Elektricity (5:24)
  8. 8 Sahara Dawn - Randall (4:22)
  9. 9 To Shape the Future - Optical (3:22)
  10. 10 Your Sound - J Majik (1:52)
  11. 11 Sculpture Hide - Source Direct (4:56)
  12. 12 Convoy (1:19)
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Album Credits

Performance Credits
Goldie Primary Artist
Source Direct Track Performer
Shy FX Track Performer
Deep Blue Track Performer
Ram Trilogy Track Performer
DJ Kalm Track Performer
Roya Arab Vocals
Norman Robinson Vocals
Technical Credits
James Baker Producer
Chris Goss Producer
Randall Producer
Tony Colman Engineer
Alex Reece Producer
Doc Scott Producer, Remixing
Goldie Producer
J Majik Producer
Freddy Fresh Producer
Andy C. Producer
Roni Size Producer
Dillinja Producer
Grooverider Producer
Jonny L Producer
Roger Martin Text
DJ Die Producer
Optical Producer
Codename John Producer
Cool Hand Flex Producer
Shimon Producer
Souljah Producer
Sam Bryant grooming
Fresh'n'Vegas Producer
Phil Aslett Producer
D.J. Freebase Producer
Scott McIlroy Producer
S Midgley Producer
Ant Miles Producer
E. Morris Producer
S. O'keeffe Producer, Engineer
Clifford Price Producer
Jamie Quinn Producer
Marcus Rutherford Producer
Neil Trix Producer
Vegus Producer
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