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The Inferno, by Dante Alighieri, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
The Inferno remains literature’s most hallowed and graphic vision of Hell. Dante plunges readers into this unforgettable world with a deceptively simple—and now legendary—tercet:
Midway upon the journey of our life I found myself within a forest dark For the straightforward pathway had been lost.
With these words, Dante plunges readers into the unforgettable world of the Inferno—one of the most graphic visions of Hell ever created. In this first part of the epic The Divine Comedy, Dante is led by the poet Virgil down into the nine circles of Hell, where he travels through nightmare landscapes of fetid cesspools, viper pits, frozen lakes, and boiling rivers of blood and witnesses sinners being beaten, burned, eaten, defecated upon, and torn to pieces by demons. Along the way he meets the most fascinating characters known to the classical and medieval world—the silver-tongued Ulysses, lustful Francesca da Rimini, the heretical Farinata degli Uberti, and scores of other intriguing and notorious figures.
This edition of the Inferno revives the famous Henry Wadsworth Longfellow translation, which first introduced Dante’s literary genius to a broad American audience. “Opening the book we stand face to face with the poet,” wrote William Dean Howells of Longfellow’s Dante, “and when his voice ceases we may marvel if he has not sung to us in his own Tuscan.” Lyrically graceful and brimming with startlingly vivid images, Dante’s Inferno is a perpetually engrossing classic that ranks with the greatest works of Homer and Shakespeare.
Features a map of Hell and illustrations by Gustave Doré.
Peter Bondanella is Distinguished Professor of Comparative Literature and Italian at Indiana University and a past president of the American Association for Italian Studies. His publications include a number of translations of Italian classics, books on Italian Renaissance literature and Italian cinema, and a dictionary of Italian literature.
From Peter Bondanella's Introduction to The Inferno
Church doctrine in Dante’s time (as today) holds that Hell’s function is to punish for eternity human souls who died in mortal sin without a sincere confession of their faults that expresses repentance for their misdeeds. These miscreants do not qualify for the purifying punishments of Purgatory, where souls who do not die in mortal sin escape eternal damnation and suffer temporary expiation before receiving their blissful reward in Paradise. When Dante began his poem, he was certainly aware of biblical and classical views of the afterlife. In the Sheol of the Hebrew Old Testament and the Hades of classical antiquity, souls after death did not really receive retribution for their earthly sins or particularly attractive rewards for their earthly merits. But the Christian church, affirmed by the theology of such major writers as Augustine and Thomas Aquinas, conceived of Hell as a place where the good were separated from the evil, and deeds on earth were weighted and judged. Dante’s famous notice over the gate of Hell underlines the eternity of Hell’s punishment (“All hope abandon, ye who enter in!”), but it is also clear from a reading of the entire poem that Dante considers the greatest punishment possible to be not the incredibly original and grotesque physical punishments he invents for his work but, instead, the eternal loss of communion with God that is enjoyed by the blessed.
Dante’s poetic genius partly resides in his many ingenious inventions for the shape and character of Hell. Dante’s Inferno is a hollow cone shaped by the displaced territory after Lucifer’s expulsion from Heaven and fall to Earth. It is situated under Jerusalem and consists of nine concentric circles that grow ever smaller and house more and more evil sinners. Ultimately, Hell ends at Earth’s core, where Lucifer is imprisoned in ice. Contrary to popular opinion, fire and brimstone are not the typical infernal punishments, although they are present. The place is filled with a number of rivers, swamps, deserts, a burning plain, a huge waterfall, a frozen lake, the towers of the City of Dis, and the ditches and bridges of Malebolge (ten sections of a circle shaped like ditches, pouches, or purses). Because the science of Dante’s day followed the Ptolemaic system of the universe in astronomy and Aristotle’s teachings on physics and biology, Dante considered Hell to be in the center of Earth, which in turn was in the center of the universe, with the sun revolving around it. A great chain of being extended from gross matter, animals, and humanity to the nine orders of the angels, and then to God in the Empyrean Heaven. Dante’s Inferno generally reflects traditional medieval thinking on astronomy and science, but the poet is also capable of enriching this tradition with his own ideas to enliven his picture of the Other World.
The most important rule in the Inferno, as well as in Purgatory and Paradise, is that Dante makes the rules. Laws can be broken or twisted to suit his poetic purposes, but they are always his alone. Such inventive details, often created by the author out of whole cloth, provide the reader with a rich, textured world of real individuals and a universe with its own specifically Dantesque regulations and customs. In many respects, Dante’s Inferno is not an unfamiliar place. Its most interesting inhabitants are not classical monsters, mythological figures, or heroes but instead are contemporary Italians, figures from all over the peninsula. It is an all too human world that we all immediately recognize as the one in which we live. Jean-Paul Sartre once wrote that Hell is other people. Dante would have said: “We have met the damned, and they are we.”
Apart from all of the entertaining and ingenious “house rules” in Hell that Dante invented, one of the great intellectual achievements of Dante’s Inferno as a work of art is its original synthesis of the Christian and the classical worlds in Hell’s organization. For example, the idea of a visit to the Underworld was suggested to Dante by the obvious example of Virgil’s Aeneid. Since Virgil had been to Hell before, who else would be more qualified to guide an Italian poet who loved Virgil’s epic work on another journey through the same territory? Numerous specific physical punishments in Hell require guardians or bureaucrats (not to mention torturers enjoying their work), just as a prison requires jailors and executioners. Thus Dante employs a wide variety of classical figures to serve in this capacity, including Charon, Minos, and the centaurs. The rivers of Hell are those of classical antiquity (such as Acheron, Styx, Phlegethon, and Lethe). Numerous classical figures, such as Alexander the Great, Brutus, Cassius, and Ulysses, appear in the various circles in which they suffer eternal damnation along with Dante’s contemporaries. No more heuristic juxtaposition of ancient and modern, classical and contemporary, will occur in Western literature until the sixteenth-century appearance of The Prince and the Discourses on Livy, two books by Niccolò Machiavelli that effect a similar synthesis by founding a new realistic view of politics upon comparative analyses of ancient Romans and contemporary Italy or Europe.
Anonymous
Posted Sat Nov 19 00:00:00 EST 2005
Yes, once again, Aaron actually reads a classic. The last time this happened was, ummm..., a few years ago. Anyway, this time I tackled the famous recounting of one man's journey to Hell. The version I read used the Henry Wadsworth Longfellow translation from the nineteenth century, which might have made things harder then they needed to be, as there were definitely some archaic words used. Not that the subject wasn't hard enough, considering that the book was written around 750 years ago. What I wasn't prepared for was how personal everything would be (for the author, not for me). See, Dante used this book (and most likely all of the Divine Comedy, of which The Inferno is just the first part) to take some rather serious pot shots at various people he didn't like, as well as showing favor to people that he did like. For example, many of Dante's political enemies find themselves in some rather interesting situations in hell, undergoing some rather perverse tortures for their sins in life. A number of classical philosphers and poets show up in Hell, too, which only makes sense considering that they died without acknowledging the Lordship of Jesus Christ. However, because Dante likes these guys, they are only in the first circle of Hell, where things relatively aren't all that unpleasant (like Judas Iscariot, who gets eaten by Lucifer for all eternity. Lovely.). Lastly, I would like to note that the preface, the footnotes, and the endnotes were very helpful in getting a proper understanding for what was going on and putting it in the proper context. Props to whoever put that all together.
9 out of 10 people found this review helpful.
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Posted Sun Sep 27 00:00:00 EDT 2009
I Also Recommend:
If your looking at this as a possible book to reread, get it. If you've never read The Inferno, BUY THIS COPY. Its the greatest poem in history, arguably the greatest work of art in history. It is epic, beautiful, amazing, and stimulating, intellectualy and emotionally. In ways, it is beyond flawless. Everything about this work: the writing, the story, the characters, the presentation, eben the preface is masterful. Buy it, and never sell it unless you can get another copy cheaper.
6 out of 6 people found this review helpful.
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Posted Thu Nov 29 00:00:00 EST 2007
The writing in Dante¿s Inferno is beautiful, powerful, and effective. It was a little hard to comprehend, but I understood much of it. I thought the book was very excellent and fun to read. I would recommend it to anyone who finds fantasy interesting. The way God/Dante punishes the people in Hell is weird/interesting, but I loved it.
6 out of 6 people found this review helpful.
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Posted Fri Jun 20 00:00:00 EDT 2008
I really enjoyed this book. It was great I L.O.V.E a book with symbolizism in it. This book is always misrepresented as one thing when its talking about something else. Dante biography is amazing. N his L.O.V.E for Beatrice was incredible. I had decided to do farther research on his life. From start to finish the book his life....both very wonderful. I enjoyed it...it is a MUST READ!!!
3 out of 5 people found this review helpful.
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Posted Sun Feb 05 00:00:00 EST 2012
It probably took me a month to trudge through Dante's Inferno. That being said, it was probably one of the best books i have ever read, and I really wish there was a modern text version of it.
1 out of 1 people found this review helpful.
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Posted Sun Jul 03 00:00:00 EDT 2011
Good soo mch fun!!!!!!!!!!!!!!!!!!!!!!!!
1 out of 1 people found this review helpful.
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Posted Tue Mar 08 00:00:00 EST 2011
i have the Dantes Inferno video game which is based on this and i really wanted to read this and i thought it was really good
1 out of 2 people found this review helpful.
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Posted Sat Mar 27 00:00:00 EDT 2010
Dante takes a journey through the 9 levels of hell with incredible dipictions of the tortures of each level... yeah if you can understand it. This was written in 1300 so obviously the writting is much different. I found it incredibly hard to read and if it hadnt been for the endnotes i would have finished and had no idea what i just read. The idea behind the book is briliant, i loved it, i just couldnt follow along very well. I learned a lot and it was interesting enough, but it is just a tough book to follow along with. If you have lots of time, READ IT, and good luck.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged....and I read this because I wanted to. And enjoyed it so much more than in college. The professors were generous with their dialogue and had easy to follow commentaries. It resparked my enjoyment of the original by guiding me line by line through this great work. The translation from the Italian enhanced not only the understanding of the original, but provided a rich understanding and guide. The guide on the opposing page to the original was so useful, as well as extensive. The Hollender translation truly raises the bar.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The Inferno is one of the best books I have read. Once I began reading it, I could not stop. Normally books written in this time period do not hold my interest, but Dante did.
1 out of 1 people found this review helpful.
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Posted Sat Jun 28 00:00:00 EDT 2008
The Inferno is an epic poem, rather than a novel. Written in the first person, Dante takes the reader through his version of Hell. As he descends, the sins become increasingly catastrophic. Comical at times, serious at times, but all around a great read.
1 out of 1 people found this review helpful.
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Posted Fri Mar 23 00:00:00 EDT 2007
I had rather mixed feelings about this book. On the one hand the actual plot is fascinating. One man¿s chance to walk through hell and report what it¿s like. This is what actually drew me to the book in the first place. I also liked Dante¿s interpretations of the punishments of hell, with each punishment being symbolic of the actual offense committed: poetic justice. However, I didn¿t care for the manner in which Dante narrated the story. When he is in Limbo, he describes how the great poets of the world accepted him into their numbers, and he describes how angels in heaven weep for him so that they sent him a guide to bring him safely through hell. This undertone, which is found throughout the novel, I think make Dante sound rather arrogant and preachy. This ¿holier than tho¿ attitude, I find, distracts from the story. Also, while I like Dante¿s use of poetic justice, I thought he might have played down hell. Hell is supposed to be a place of eternal torment, but for many of the punishments he lists I found myself thinking, ¿Yeah that would suck for the first couple decades¿but then you¿d get used to it.¿ Being devoured by the Cerberus on level 3 would be torture, but you have an eternity of it ahead: you would learn to live with it. Even all the way down on level 9 where you are frozen in ice for committing treason. You would eventually become accustomed to the cold. In conclusion, I would say that The Inferno by Dante is a good story told poorly. It has no real climax, no conflict to speak of, it seems to contradict itself in being something interesting portrayed in an uninteresting way. I¿m afraid I must admit that I did not enjoy reading The Inferno.
1 out of 5 people found this review helpful.
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Posted Sun May 29 00:00:00 EDT 2005
I have wanted to read the Inferno on my own for quite a while. However, not reading it in an English class somewhat concerned me. I thought that perhaps not having a professor explaining all of the symbolism and historical background might cheat me of the Dantean experience. Ciardi's translation, summary at the beggining of each canto, and notes on the text at the end of the canto were amazing! But let's not forget the genius that was Dante here. I thought that his work was highly creative and imaginative. I would not only recommend this to someone who wishes to read a great classic, (that everyong one should atleast be aware of)but to those that simple like horror novles.
1 out of 1 people found this review helpful.
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Posted Thu Apr 03 00:00:00 EST 2003
Virgil guides Dante through the torturing of Hell. Dante gives his readers a great and scary vision through the eternal misery of Hell.
1 out of 1 people found this review helpful.
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Posted Tue Jan 08 00:00:00 EST 2013
Don't get this version. There is only a tiny fraction of the poem here. What a rip off!
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Posted Mon Oct 08 00:00:00 EDT 2012
Not good
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Posted Tue Jun 19 00:00:00 EDT 2012
I had to read this as a summer reading assigment. This is a book i would of never have read, but i had to. Goes by really fast and its really interesting. Its.kinda repetitive. Overvall a decent book.
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Posted Mon Sep 26 00:00:00 EDT 2011
This book is one of my favorites, the translation is excellent especially if you are a first time reader of this book. Very easy to read and understand.
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Posted Tue Jul 05 00:00:00 EDT 2011
Oh my gosh sooo awsome
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This translation is much easier to read than the traditional Longfellow. I really enjoyed it. However, it could really use an interactive TOC and footnotes.
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Overview
The Inferno, by Dante Alighieri, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: