Infidels: A History of the Conflict between Christendom and Islamby Andrew Wheatcroft
In this dazzlingly written, acutely nuanced account, Andrew Wheatcroft tracks a deep fault line of animosity between civilizations. He begins with a stunning account of the Battle of Lepanto in 1571, then turns to the main zones of conflict: Spain, from which the
Here is the first panoptic history of the long struggle between the Christian West and Islam.
In this dazzlingly written, acutely nuanced account, Andrew Wheatcroft tracks a deep fault line of animosity between civilizations. He begins with a stunning account of the Battle of Lepanto in 1571, then turns to the main zones of conflict: Spain, from which the descendants of the Moors were eventually expelled; the Middle East, where Crusaders and Muslims clashed for years; and the Balkans, where distant memories spurred atrocities even into the twentieth century. Throughout, Wheatcroft delves beneath stereotypes, looking incisively at how images, ideas, language, and technology (from the printing press to the Internet), as well as politics, religion, and conquest, have allowed each side to demonize the other, revive old grievances, and fuel across centuries a seemingly unquenchable enmity. Finally, Wheatcroft tells how this fraught history led to our present maelstrom. We cannot, he argues, come to terms with today’s perplexing animosities without confronting this dark past.
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Read an Excerpt
"We Praise Thee, O God"
on august 14, 1571, a gigantic ship's pennant of silk damask passed through the congested streets of Naples. Embroidered to the pope's commission, it was the standard of Christendom, to fly from the tallest mast in the fleet of the Holy League as it sailed into battle. The pope's banner with a huge golden figure of Christ nailed to the cross loomed over the stocky Spanish soldiers who carried it in procession from the steps of the Church of Santa Clara. As the blue flag moved through the Neapolitan crowds, an unnatural stillness gripped all who watched it go by. An hour before, inside the church, the assembled nobles, officers, monks, and priests had stood silent and unmoving, all their eyes on the admiral of the Holy League, Don John of Austria. Arrayed in cloth of gold, scarlet satin, and white velvet, the young admiral knelt before the altar as the pope's representative, Cardinal Granvelle, handed him his staff of office and pointed to the great banner behind him. "Take these emblems," the cardinal exhorted, "of the Word made flesh, these symbols of the true faith, and may they give thee a glorious victory over our impious enemy and by thy hand may his pride be laid low."
Below the cross of Christ were the emblems of the king of Spain and of the Holy Father, Pope Pius V, with the badge of the Republic of Venice, all linked by a great golden chain, symbolizing the power of faith that bound them together. From that chain, in slightly smaller scale, hung the pendant crest of Don John.The emblems marked a brief moment of unity. For the first time in more than a century, Christendom had combined in force to do battle with the power of "Islam." The war was sanctified, waged under the protection of the golden figure of Christ. The pope had declared that those who fought in this struggle were to be granted the same plenary indulgences as earlier Crusaders fighting to secure the Holy Sepulchre in Jerusalem. All who died in the shadow of this battle flag would be spared the worst rigors of purgatory.
Eight hundred miles to the east a similar, if less public, ceremony had already taken place. From the treasury of the imperial palace in Constantinople, a bulky bundle wrapped in silk had been brought from Sultan Selim II to Ali Pasha, admiral of the Ottoman fleet. It also contained a flag, but one colored a vivid green instead of the lambent Christian blue. Even larger than the banner that Pope Pius V had entrusted to his commander, this was one of the most potent emblems of Islam. Upon its surface the ninety-nine names and attributes of God had been embroidered in gold. It was reputed that these were repeated no less than 28,900 times. The giant Kufic characters were surrounded and interlaced with endless reiteration of those same names, in a smaller script, so that from a distance the whole surface of the pennant appeared a shimmering network of golden filigree.
The two commanders were opposites-in rank, status, and experience of life. Don John was the acknowledged natural brother of the king of Spain, Philip II, and the by-blow from a few months Emperor Charles V had spent with a young widow called Barbara Blomberg in the imperial city of Regensburg. Don John had come to Naples from fighting a savage war in the mountains of southern Spain, to command the largest fleet ever assembled by Christian Europe. He had never fought at sea before. By contrast, Ali, the Kapudan Pasha of the Ottoman fleet, was a veteran of galley warfare, feared throughout the Aegean and into the far west of the Mediterranean. His origins were more humble, as the son of a muezzin, a mosque servant who called the faithful to prayer. But the two leaders, for all their differences, had much in common. They were like twin paladins from an epic poem: yearning for battle, chivalrous, and honorable. Fate decreed divergent destinies for them. One would die with a musket ball through the skull, his head then hacked off and stuck on the point of a pike. The other would return in triumph, honored and feted, his victory celebrated with paintings, engravings, poems, coins and medals, essays and learned disquisitions through more than four centuries.
Stories of their encounter abound, some closely following facts, others embellished to make a better tale. Quite where history ends and legends begin is still unsure. The battle they fought in the Gulf of Lepanto has a double character: the event itself and its burgeoning afterlife. This afterlife, the mythic Lepanto, came to stand as a synecdoche for the contest between the Islamic and the Christian worlds. In deciphering the meaning of Lepanto, we may find a point of entry into those deeper mysteries. The greater struggle had deep roots. For almost a thousand years the Christian world had felt threatened by the power in the East. Sometimes, with the Crusades in the Levant, for example, in Sicily and in Spain, Christian Europe had taken war to the enemy. Over the centuries a brooding sense of Muslim threat came to mesmerize Christendom. By the sixteenth century conflict was accepted as the natural and inevitable relationship between East and West. Like a child's seesaw, the rise of the East required the fall of the West. In 1571, the two adversaries sat roughly in balance.
Scholars reinforced a common belief in the danger and evil of "Islam." The Muslims, according to the Venerable Bede, who wrote in the eighth century, were descended from Hagar, the prophet Abraham's concubine. Many Muslims believed that she and her son, Ishmael, lay buried under the Kaaba, the great black stone in Mecca, which was the focal point of the Islamic faith. Christians, however, were descended from Abraham's lawful offspring, Isaac. Worse still than the stain of bastardy, an even darker curse hung over the people of the East. Christians inferred that while all men traced their line back to Adam and Eve, the Muslims were the lineal descendants of Cain, thrust from the presence of God for murdering his brother Abel. For his crime, Cain bemoaned that he would "be a fugitive and a wanderer upon earth . . . and everyone who finds me will slay me." They had been forced to dwell "east of Eden." Between the children of Cain and the other descendants of Adam, there could be only mutual slaughter and revenge for the primordial crime of fratricide. So this struggle grew from a long tradition of atavistic hatred between the peoples of the West and East.
What this meant in practice it is hard to say. Naturally, Christians in battle routinely insulted their enemies as the "sons of Cain," as "misbegotten," or "Antichrist." Muslims decried their enemies with equal vehemence. Conflict between East and West seemed permanent, inevitable, preordained, as much for the Christians as for the Muslims. Yet it did not destroy the skein of mutual economic and political interests that dominated the Mediterranean and the Balkans, the border and boundary between the two worlds. Trade and commercial interests were constantly in play, especially in the case of Venice and the other city-states of the Adriatic, which preferred to negotiate with Muslim power rather than fight it.
The Christian powers in the Mediterranean had much to fear from an Ottoman Empire intent on expansion. The desire for a great victory went beyond political calculations, and not only for the pope, the architect of the grand alliance. After the capture of Constantinople in 1453, many Christians were convinced that the triumphant advance of Islam could only be part of God's plan. The Islamic scourge was a means to chasten mankind to a better sense of its faults and flaws. Were Christians being punished for the sins of declining faith and, latterly, schism? For more than a century Christian Europe had resisted the Islamic onslaught, but had won few decisive victories. What better sign of renewed divine favor could there be than a great and annihilating victory over the forces of darkness?
Victory was also much in the minds of Sultan Selim II and his advisers in Constantinople. Although the armies of "Islam" had continued to press forward against the infidel, the pace of advance had slowed. Selim's grandfather and namesake had brought vast territories in Egypt, Arabia, and the Levant into the Ottoman domain. His father, Suleiman the Lawgiver, had captured the fortress island of Rhodes, Belgrade, and Budapest, and held the Hungarian plain almost to the walls of Vienna. Suleiman had destroyed the Kingdom of Hungary in a single day on the battlefield of Mohacs in 1526. Yet Suleiman too had his setbacks. He twice failed to capture Vienna-in 1529 and 1566-and the island of Malta had withstood all the Turkish efforts at storm and siege. In the Mediterranean, the great naval battle in 1538 at Prevesa, just off the Greek mainland north of the Gulf of Lepanto, produced no decisive result.
The Ottoman state was built upon a theory of infinite expansion, and annual war to advance its frontiers. Without conquest it would decay. Moreover, all good Muslims were duty bound to extend the Domain of Peace, and that burden weighed heaviest upon the sultan. Selim II had committed himself to advance the boundaries of righteousness by seizing the island of Cyprus, which was under the rule of Venice. He used the pretext that privateers had sailed from the island to harry his shipping and the coastal towns of Anatolia. By late 1570, it seemed likely that the island would fall to his armies. Even so, he desired much more than the capture of an island. The sultan demanded a dramatic victory from his commanders, another Mohacs. Thus, his admiral, Ali Pasha, knew that he had to achieve the complete destruction of the Christian fleet, and return laden with trophies, slaves, and booty.
The two adversaries gathered their forces from far distant points in the Mediterranean. Throughout the summer of 1571, little clusters of ships moved toward the designated meeting points: Messina for the Christians commanded by Don John, the Aegean for the sultan's war fleet under Ali Pasha. They were galleys, a type of ship built for the specific conditions of the Mediterranean. Galley warfare occupied its own universe, utterly different from battles fought between the sailing ships of the Atlantic. Long, sitting low on the water, frail by comparison with their solid northern counterparts, war galleys appeared to be able to move regardless of the force or direction of the wind. Although these slender craft carried two or three large triangular sails, their main motive power was banks of oars that extended out forty feet or more from either side of the ship, both banks pulling in unison so that the boat moved forward swiftly in what seemed a series of rhythmic spasms. In their element, with a calm sea and a following wind, they resembled gigantic water beetles skittering on their long legs over the surface of the water. Although the galleys were faster under sail than when they depended on their oars alone, their power of maneuver came from the rowers. It meant that a galley never risked being blown ashore onto a rocky coast, which was a constant danger for the clumsy deep-hulled merchant sailing ships. A galley could move almost as fast backward as it did forward and, with its shallow draft, could negotiate shoals that would strand other sailing vessels.
Over the centuries galleys had developed many forms, some designed to carry cargo, but by the mid-sixteenth century they were evolving for a single purpose: war. The Mediterranean war galley had been adapted over many generations, from the Greek triremes that destroyed the Persian fleet at the battle of Salamis, almost two thousand years before. After 1500, some galleys acquired superstructures at bow and stern, to house guns and fighting men. But the essence of the galley remained the same. As in classical times, galleys were merely a floating platform from which men could board and overcome the crews of other ships, an insubstantial shell for carrying the oarsmen and men-at-arms. Originally, as in the rowing skiffs and caïques to be found in every Mediterranean port, each man had pulled his own oar, but this became a costly option since oars had to be made from expensive well-seasoned timber, much of it imported from northern Europe. From the mid-sixteenth century a new style of rowing appeared that reduced the number of oars. Three or four men, sometimes as many as five, would sit side by side on benches, all pulling in unison on a single massive sweep. It was easy thereafter to add more men to increase the force behind the oars.
The power of a war galley lay in its personnel. Aboard each one would be a number of well-equipped professional fighting men, a battle crew. On Muslim and Venetian ships, many among the rowing crew were also armed and would join the melee. Of the Venetian oarsmen, who were volunteers, those on the end of each bench had a sword and short pike close at hand, while the second man had a bow and a quiver of arrows. As the ships closed, they would leave their oars to the third man and gather, ready to swarm across onto the deck of their victim. No merchant vessel loaded with cargo could hope to outrun a galley pursuing at full speed. Most tried, because the alternative was dire. The galley attack resembled that of a hawk swooping to snatch its prey. The sharp beak of the galley would come closer and closer to the fleeing ship, so close that the crew of the doomed vessel could see its nemesis preparing to board. At that point, many ships yielded; any that continued to run would be showered with arrows or musket fire and the crew killed. For reasons of economy the great bow guns of the attacking galley were rarely used.
Galleys were raptors, living off weaker and less well armed vessels.
Like the carnivorous dinosaur the war galley dominated its environment. But like the dinosaur, it grew progressively larger and more powerful to compete with its own kind until, like the dinosaur, it became increasingly immobile. The tactical power of the Mediterranean war galley, with the teeth and jaws of Tyrannosaurus Rex, depended on a continuous supply of flesh and blood.
Unless a galley could keep its rowing benches filled it could not survive. Much of the ceaseless raiding and predation was to seize not cargo but manpower. When a Muslim vessel took a Christian ship, all non-Mus-lims aboard would be immediately enslaved. Often the crew and any passengers would be the most valued prize. Some could be ransomed, and others sold for a good profit in the markets of North Africa or Constantinople.
If a Christian galley intercepted a Muslim ship, exactly the same transactions would take place. All non-Christians would be made prisoner and put to work at the oars. But Spanish, French, and Venetian ships preyed as frequently on the ships of other Christian nations.
Meet the Author
ANDREW WHEATCROFT is the author of many books including The Habsburgs: Embodying Empire, The Ottomans: Dissolving Images, and (with John Keegan) Zones of Conflict: An Atlas of Future Wars. One of the first scholars to use photography in writing the history of the Middle East, he has made art and images a central focus of his work. He is director of the international postgraduate Centre for Publishing Studies at the University of Stirling in Scotland.
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The subtitle of this book should read; A History of the War of Words Between Christendom and Islam. It discusses a few battles, but the main focus is just on how one group viewed the other and tried to lable the other as evil, etc. The book is a bit tedious and boring, I skipped over quite a bit looking for descriptions of historic battles. It starts with the battle of Lepanto, but the clash of these civilizations began centuries before. The author jumps around a bit too much for my comfort and there doesn't seem to be a consistent narrative. At times, Wheatcroft writes as a third person historian and then he will throw in his personal anecdotes which seem out of place. I would have enjoyed a more historical and objective overview of battles rather than a historical look at the Christian/Muslim smear campiagn. I'm not sure how much it contributes to the current discussion. Everyone knows that both sides hated each other, that doesn't need to be proved. Parts are interesting, but it's not worth the price. I still have my receipt and might exchange or return it...