Ingres Then and Now

Overview

Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with ...

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Ingres Then, and Now

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Overview

Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon.
Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their 'other'. He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres' image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres' early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other.
Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects.

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What People Are Saying

Alex Potts
…offers the reader an array of brilliant and unexpected insights-at times focused on Ingres, at others opening out onto new ways of thinking about modernity and the fabric of modern culture.
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Product Details

  • ISBN-13: 9780415066983
  • Publisher: Taylor & Francis
  • Publication date: 2/28/2000
  • Series: RE Visions Series
  • Edition description: New Edition
  • Pages: 176
  • Product dimensions: 6.10 (w) x 9.10 (h) x 0.50 (d)

Meet the Author

Adrian Rifkin is Professor of Visual Culture and Media at Middlesex University. He is the author of Street Noises: Parisian Pleasure 1900-1940 (1993).

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Table of Contents

List of illustrations
Acknowledgements
Preliminary: from the bizarre to the sublime 1
Introduction: formation of a palimpsest 8
Ch. 1 Ingres and the Arcades 41
Ch. 2 Academie, or the colour white and the childhood of art criticism 86
Ch. 3 A filament in the tissues of modernity 116
Index 157
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