Innocent Traitor: A Novel of Lady Jane Grey

( 147 )


I am now a condemned traitor . . . I am to die when I have hardly begun to live.
Historical expertise marries page-turning fiction in Alison Weir's enthralling debut novel, breathing new life into one of the most significant and tumultuous periods of the English monarchy. It is the story of Lady Jane Grey-"the Nine Days' Queen"-a fifteen-year-old girl who unwittingly finds herself at the center of the religious and civil unrest that nearly ...
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I am now a condemned traitor . . . I am to die when I have hardly begun to live.
Historical expertise marries page-turning fiction in Alison Weir's enthralling debut novel, breathing new life into one of the most significant and tumultuous periods of the English monarchy. It is the story of Lady Jane Grey-"the Nine Days' Queen"-a fifteen-year-old girl who unwittingly finds herself at the center of the religious and civil unrest that nearly toppled the fabled House of Tudor during the sixteenth century.
The child of a scheming father and a ruthless mother, for whom she is merely a pawn in a dynastic game with the highest stakes, Jane Grey was born during the harrowingly turbulent period between Anne Boleyn's beheading and the demise of Jane's infamous great-uncle, King Henry VIII. With the premature passing of Jane's adolescent cousin, and Henry's successor, King Edward VI, comes a struggle for supremacy fueled by political machinations and lethal religious fervor.
Unabashedly honest and exceptionally intelligent, Jane possesses a sound strength of character beyond her years that equips her to weather the vicious storm. And though she has no ambitions to rule, preferring to immerse herself in books and religious studies, she is forced to accept the crown, and by so doing sets off a firestorm of intrigue, betrayal, and tragedy.
Alison Weir uses her unmatched skills as a historian to enliven the many dynamic characters of this majestic drama. Along with Lady Jane Grey, Weir vividly renders her devious parents; her much-loved nanny; the benevolent Queen Katherine Parr; Jane's ambitious cousins; the Catholic "Bloody" Mary, who will stop at nothing to seize the throne; and theprotestant and future queen Elizabeth. Readers venture inside royal drawing rooms and bedchambers to witness the power-grabbing that swirls around Lady Jane Grey from the day of her birth to her unbearably poignant death. Innocent Traitor paints a complete and compelling portrait of this captivating young woman, a faithful servant of God whose short reign and brief life would make her a legend.
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Editorial Reviews

From Barnes & Noble
In her first historical novel, popular royal biographer Alison Weir cunningly places the short-lived Lady Jane Grey (1537-54) at the heart of a fiction with haunting similitude. Real personages, including Henry VIII, Prince Edward, and the ill-fated Anne Boleyn, people this tale of religious strife and court intrigues. An auspicious fiction debut.
Ron Charles
You can't resist Jane -- so young, so brilliant, so cruelly used and sacrificed. In the nine days' queen, Weir has found a fascinating and deeply sympathetic figure through which to examine one of the strangest crises of British history.
— The Washington Post
Publishers Weekly
Popular biographer Weir (Eleanor of Aquitaine, etc.) makes her historical fiction debut with this coming-of-age novel set in the time of Henry VIII. Weir's heroine is Lady Jane Grey (1537-1554), whose ascension to the English throne was briefly and unluckily promoted by opponents of Henry's Catholic heir, Mary. As Weir tells it, Jane's parents, the Marquess and Marchioness of Dorset, groom her from infancy to be the perfect consort for Henry's son, Prince Edward, entrusting their daughter to a nurse's care while they attend to affairs at court. Jane relishes lessons in music, theology, philosophy and literature, but struggles to master courtly manners as her mother demands. Not even the beheadings of Anne Boleyn and Katherine Howard deter parental ambition. When Edward dies, Lord and Lady Dorset maneuver the throne for their 16-year-old daughter, risking her life as well as increased violence between Protestants and Catholics. Using multiple narrators, Weir tries to weave a conspiratorial web with Jane caught at the center, but the ever-changing perspectives prove unwieldy: Jane speaking as a four-year-old with a modern historian's vocabulary, for example, just doesn't ring true. But Weir proves herself deft as ever describing Tudor food, manners, clothing, pastimes (including hunting and jousting) and marital politics. (Mar.) Copyright 2006 Reed Business Information.
Library Journal
This first novel by British historian Weir (The Life of Elizabeth I), who addresses the life of Lady Jane Grey, is a treat for fans of meaty historical fiction. Well written and researched, it succeeds as a thoroughly involving novel by bringing a disparate, sympathetic group of characters to life. Lady Jane, known to history as the Nine Days Queen, is a tragic and appealing figure. Abused by her parents, this talented and intelligent girl was bullied into a hateful marriage and pushed into accepting the Crown after the death of King Edward VI. Edward's older sister, Princess Mary (later known as Bloody Mary, and for good reason), rightfully claimed the Crown as her own, and Jane was sent to the Tower of London and eventually executed. Weir tells the story of Jane's short life from multiple viewpoints, which might initially confuse readers unfamiliar with the history, but this is a small fault in an otherwise entertaining and moving novel. Sure to be popular with those who enjoy the works of Philippa Gregory (The Other Boleyn Girl), this London Times best seller is highly recommended for all public libraries.-Elizabeth M. Mellett, P.L. of Brookline, MA Copyright 2006 Reed Business Information.
Library Journal

Historian Weir has written ten biographies about the British monarchy. In her first novel, she tells the tragic story of Lady Jane Grey, who was the great-niece of Henry VIII and who reigned for nine days in 1553. Jane's parents, the Duke and Duchess of Suffolk, were ruthless in their political ambitions, and the author portrays them as abusive toward the precocious, intelligent, and pious Jane. Jane's happiest days were spent in the household of the Dowager Queen Katherine Parr, Henry VIII's sixth wife. Henry's son and heir, Edward VI, was a sickly nine-year-old when he was crowned upon Henry's death. Edward's sisters Mary (a devout Catholic) and Elizabeth (whose alliance was uncertain) were declared illegitimate. Jane, the avowed Protestant, was declared the next in line and at age 15 accepted the crown. Within days, the balance of power tilted to the Catholics, and Jane was dethroned and imprisoned by the newly crowned Queen Mary; she was beheaded in February 1554. Weir keeps a complicated story untangled with the deft use of multiple first-person points of view. The recording enhances the technique by using varied clear-voiced narrators. Highly recommended for fiction collections.
—Nann Blaine Hilyard

School Library Journal

Adult/High School
Weir ventures into fiction with this story. In the prologue, Jane is stunned that her trial is over and that she has been convicted of treason, a capital offense. The novel then begins with her birth, a sore disappointment to her ambitious parents who desperately yearned for a son. Various narrators describe the events and fill in the historical background in alternating chapters. Jane is a bright and quick child, but does not enjoy some of the robust activities, such as hunting, associated with her station in society (her mother is the niece of King Henry VIII). For teens, Jane's will be the most compelling voice as she recounts the callousness of her mother, especially compared to the love and support from her nurse, Mrs. Ellen; the idyllic time she spends with the widowed Queen Katherine Parr while plans are made for Jane to marry the young King Edward; then her unsatisfying marriage to Guildford and its brutal consummation. Jane, who has adopted the Protestant faith, is pushed into the line of succession (since Henry VIII was her great-uncle) by those who fear England's return to Catholicism. Readers who enjoyed Philippa Gregory's The Other Boleyn Girl (2002) or The Constant Princess (2005, both Touchstone) will be drawn to Jane's quiet strength of character as she is used by her parents for their advancement and is condemned to pay the ultimate price.-Teri Titus, San Mateo County Library, CA

Copyright 2006 Reed Business Information.
Kirkus Reviews
Weir's erudition in matters royal finds fictional expression in the story of England's briefest reigning sovereign, Lady Jane Grey. Lady Jane is often viewed as merely pathetic. Who better to rehabilitate her than Weir (Queen Isabella, 2005, etc.), author of numerous works of popular history, five of which concern the Tudor dynasty. In setting her first novel around Lady Jane, daughter of Henry VIII's niece, Frances, Weir must surmount two major historical constraints; first, that Jane's fate is known, and second, that Jane, though precocious and unusually well-schooled for a girl of the time, is a necessarily passive character. A minor throughout, Jane is subject to the whims of corrupt and ambitious adults bent on exploiting her bloodline to advance their own agenda. A Tudor Mommie Dearest, Frances hardens her heart against Jane for failing to be born male. Frances brutally punishes her on the slightest pretext, and Jane is happy to escape to the household of Queen Katherine Parr, King Henry's sixth wife. After Katherine's death, Jane narrowly escapes getting caught up in the doomed machinations of the Seymours, protectors of boy-king Edward VI. Frances' plan to betroth Jane to Edward fizzles. The Seymours' replacement, the Duke of Northumberland, seeks to circumvent Henry's will, which provides for the succession of princesses Mary and Elizabeth. As Edward lies dying of consumption exacerbated by a little arsenic, the Duke prompts him to name Jane as his successor. Jane at first refuses the crown, but, a devout Protestant, she's persuaded that the accession of Mary would mean the country's reversion to Catholicism. Jane reigns for nine days, but her court evaporates when Mary musters alarge army. Now Queen, Mary is loath to execute 16-year-old Jane, but succumbs to pressure from her Catholic allies. Jane has one chance to escape the headsman: Convert to Catholicism. But although Protestants don't have saints, they have martyrs, and Jane, in the end, is determined to be one. An affecting portrayal.
From the Publisher
Praise for Alison Weir

Queen Isabella

“Compelling, gripping and believable . . . a highly readable tour de force that brings Queen Isabella vividly to life.”
–The Washington Post Book World

“Insightful . . . the acclaimed Weir offers well-researched surprise after surprise about the sensual, rather avaricious but eminently admirable Isabella.”
–USA Today

Mary, Queen of Scots, and the Murder of Lord Darnley

“The finest historian of English monarchical succession writing now is Alison Weir. . . . Her assiduousness and informed judgment are precisely what make her a writer to trust.”
–The Boston Globe

Eleanor of Aquitaine

“Extraordinary . . . exhilarating in its color, ambition, and human warmth. The author exhibits a breathtaking grasp of the physical and cultural context of Queen Eleanor’s life.”
–Publishers Weekly (starred review)

“Evocative . . . a rich tapestry of a bygone age and a judicious assessment of her subject’s place within it.”

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Product Details

  • ISBN-13: 9781428120525
  • Publisher: Recorded Books, LLC
  • Publication date: 2/28/2007
  • Series: The RuneWarriors Series
  • Format: CD
  • Edition description: Unabridged, 15 CDs, 18 hrs. 30 min.
  • Pages: 15
  • Product dimensions: 5.08 (w) x 5.96 (h) x 2.17 (d)

Meet the Author

Alison Weir

Alison Weir is the New York Times bestselling author of Eleanor of Aquitaine; Mary, Queen of Scots and the Murder of Lord Darnley; The Six Wives of Henry VIII; Queen Isabella; and several other historical biographies. She lives in Surrey with her husband and two children.

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Read an Excerpt

Frances Brandon, Marchioness of Dorset

Bradgate Hall, Leicestershire, October 1537

My travail begins as I am enjoying a walk in the garden. There is a sudden flood of liquid from my womb, and then, as my maid runs for cloths and assistance, a dull pain that shifts from the small of my back to the pit of my stomach. Soon, they are all clustering around me, the midwives and the women, helping me through the great doorway of the manor house and up the oaken stairs, stripping me of my fine clothing and replacing it with a voluminous birthing smock of bleached linen, finely embroidered at the neck and wrists. Now I am made to lie upon my bed, and they are pressing a goblet of sweet wine to my lips. I don’t really want it, but I take a few sips to please them. My two chief ladies sit beside me, my gossips, whose job it is to while away the tedious hours of labor with distracting chatter. Their task is to keep me cheerful and to offer encouragement when the pains grow stronger.

And they do grow stronger. Less than an hour passes before the dull ache that accompanies each pang becomes a knifelike thrust, vicious and relentless. Yet I can bear it. I have the blood of kings in my veins, and that emboldens me to lie mute, resisting the mounting screams. Soon, God willing, I will hold my son in my arms. My son, who must not die early like the others, those tiny infants who lie beneath the flagstones of the parish church. Neither lived long enough even to sit or crawl. I do not account myself a sentimental person; indeed, I know that many think me too strong and hard-willed for a woman—a virago, my husband once said, during one of our many quarrels. But hidden within my heart there is a raw place reserved for those two lost babies.

Yet it is natural that this third pregnancy has often led me to revisit this secret place, to disturb and probe it gently, testing to see if past trage- dies still have the power to hurt. I know I should forbid myself such weakness. I am King Henry’s niece. My mother was a princess of England and Queen of France. I must face the pain of my loss as I do my labor—with royal dignity, refusing to indulge any further in morbid fancies, which, I am assured by the midwives, could well be harmful to the child I carry. One must try to be positive, and I am nothing if not an optimist. This time, I feel it in my bones, God will give us the son and heir we so desperately desire.

Another hour passes. There is little respite between each contraction, but the pain is still bearable.

“Cry out if you need to, my lady,” says the midwife comfortingly, as the women fuss round me with candles and basins of water. I wish they would all go away and leave me in peace. I wish they would let some fresh air into this fetid, stuffy chamber. Even though it is day, the room is dark, for the windows have been covered with tapestries and painted cloths.

“We must not risk the babe catching any chills from drafts, my lady,” the midwife warned me when she ordered this to be done. Then she personally inspected the tapestries to ensure that there was nothing depicted in them that could frighten the child.

“Make up the fire!” she instructs her acolytes, as I lie here grappling with my pains. I groan; it’s hot enough in here already, and I am sweating like a pig. But, of course, she is aware of that. At her nod, a damp cloth is laid on my brow. It does little to relieve my discomfort, though, for the sheets are wet with perspiration.

I stifle another groan.

“You can cry out, madam,” the midwife says again. But I don’t. I would not make such an exhibition of myself. Truly, it’s the indignity of it all that bothers me the most, conscious as I am of my birth and my rank. Lying here like an animal straining to drop its cub, I’m no different from any common jade who gives birth. There’s nothing exalted about it. I know it’s blasphemy to say this, but God was more than unfair when He created woman. Men get all the pleasure, while we poor ladies are left to bear the pain. And if Henry thinks that, after this, I’m going to . . .

Something’s happening. Dear God, what’s going on? Sweet Jesus, when is this going to end?

The midwife draws back the covers, then pulls up my shift to expose my swollen, straining body, as I lie on the bed, knees flexed, thighs parted, and thrusts expert fingers inside me. She nods her head in a satisfied way.

“If I’m not mistaken, this young lad is now in something of a hurry,” she tells my anxiously hovering ladies.

“Ready now!” she crows triumphantly. “Now push, my lady, push!”

I gather all my strength, breathe deeply, and exhale with a great effort, knowing that an end is in sight. I can feel the child coming! I ram my chin into my chest again and push as I am instructed, hard. And the miracle happens. In a rush of blood and mucus, I feel a small, wet form slithering from me. Another push, and it is delivered into the midwife’s waiting hands, to be quickly wrapped in a rich cloth of damask. I glimpse its face, which resembles a wrinkled peach. I hear the mewling cry that tells me it lives.

“A beautiful daughter, my lady,” announces the midwife uncertainly. “Healthy and vigorous.”

I should be joyful, thanking God for the safe arrival of a lusty child. Instead, my spirits plummet. All this—for nothing.

Queen Jane Seymour

Hampton Court Palace, Surrey, October 1537

It has begun, this labor that I, the King my husband, and all England have so eagerly awaited. It began with a show of blood, then the anxious midwives hurried me into bed, fearful in case anything should go wrong. Indeed, every precaution has been taken to guard against mishap. Since early summer, when the babe first fluttered in my womb and I appeared in public with my gown unlaced, prayers have been offered up throughout the land for my safe delivery. My husband engaged the best physicians and midwives and paid handsomely to have the soothsayers predict the infant’s sex: all promised confidently that it would be a boy, an heir to the throne of England. Henry insisted that I be spared all state appearances, and I have spent these past months resting in opulent idleness, my every whim and craving gratified. He even sent to Calais for the quails I so strongly fancied. I ate so many I sickened of them.

Most pregnant women, I am told, sink into a pleasant state of euphoria as their precious burden grows heavier, as if Nature is deliberately affording them a short respite before the ordeal that lies ahead and the responsibilities of motherhood that follow it. But I have enjoyed no such comforting sense of well-being or elation at the glorious prospect fac- ing me, God willing. My constant companion is fear. Fear of the pain of labor. Fear of what will happen to me if I bear a girl or a dead child, as my two unfortunate predecessors did. Fear of my husband, who, for all his devotion and care for me, is still a man before whom even strong men tremble. How he could ever have settled his affections on such a poor, plain thing as I is beyond my limited comprehension. My women, when they dare mention the subject, whisper that he loves me because I am the very antithesis of Anne Boleyn, that black-eyed witch who kept him at bay for seven years with promises of undreamed-of carnal adventures and lusty sons, yet failed him in both respects once he had moved Heaven and earth to put the crown on her head. I cannot think about what he did to Anne Boleyn. For even though she was found guilty of betraying him with five men, one her own brother, it is horrifying to know that a man is capable of cutting off the head of a woman he has held in his arms and once loved to distraction. And it is even more horrifying when that man is my husband.

So I live in fear. Just now I am terrified of the plague, which rages in London so virulently that the King has given orders that no one from the city may approach the court. Confined to my chamber for the past six weeks, as is the custom for English queens, with only women to wait on me and the imminent birthing to brood on, I am prey to all kinds of terrors, so in a way it is a relief now to have something real upon which to focus my anxieties.

Henry is not here. He has gone hunting, as is his wont and passion, although he has given me his word that he will not ride more than sixty miles from here. I would be touched by his concern had I not learned that it was his council that advised him not to stray farther from me at this time. But I am glad, all the same, that he has gone. He would be just one more thing to worry about. His obsessive and pathetic need for this child to be a boy is more than I can cope with.

It is now afternoon, and my pains are recurring with daunting intensity, even though the midwife tells me that it will be some hours yet before the child can be born. I pray God that this ordeal may soon be over, and that He will send me a happy hour, for I do not think I can stand much more of this.

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Reading Group Guide

1. In what ways might this fictional treatment of Lady Jane Grey’s life diverge from a historical account? Is it obvious where the author has made up passages? Are these convincing, given what is known about Lady Jane

2. What are the advantages of having several narrators? Are there any disadvantages? Which voices are the most, or least, convincing? Why is Henry VIII portrayed as a far more likable character than one might imagine?

3. The passages narrated by Admiral Thomas Seymour and Lord Guilford Dudley, which provided lighter and more humorous insights, were edited out of the book, making it an altogether darker tale. Do you think that these voices could have added anything to our overall view of Jane, or to the book itself?

4. Getting the contemporary dialogue right is always a challenge for any historical novelist. What are the potential problems and pitfalls? How far do you think the author has succeeded in writing the dialogue in this book?

5. Another challenge for the author was writing a story that has a famous ending. How does she manage to maintain tension and interest in the plot, when many of her readers will know its outcome?

6. 1To lend impact to the rape scene, earlier sex scenes were cut from the novel. Does the author succeed in shocking us with this scene? Does it convince us that suffering an experience like this might have been the reason why the historical Jane refused to sleep with her husband thereafter, or make him King Consort? How does Guilford view what happened on their wedding night?

7. 1In writing the execution scene, the author deliberated for a long time as to when Jane’s narrative should be superseded by that of the headsman. Did she make the right decision? Or would it have been more dramatic to have narrated this scene from Jane’s perspective beyond the grave?

8. Jane’s mother, Frances Brandon, is one of the most unsympathetic characters in the novel. Her treatment of the child Jane is based on Jane’s own outpourings to Roger Ascham in 1550, when she was thirteen. How convincing are these early scenes, which are all the product of the author’s imagination? What do we learn from the novel about the status of women and children in Tudor England?

9. Some readers have found Frances’s change of heart at the end unconvincing, saying it is out of character. The author based it on the fact that Frances is known to have been back at court at this time, and may–given her earlier successful intercession with Mary for her husband–have been hoping to soften the Queen’s heart and save her daughter. Is this likely? Or was Frances perhaps trying to re-establish herself at court and so distance herself from the tragedy that had overtaken her family?

10. What makes the Tudor age so perennially fascinating? Why is this period more popular than ever today?

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Customer Reviews

Average Rating 4
( 147 )
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See All Sort by: Showing 1 – 20 of 147 Customer Reviews
  • Anonymous

    Posted February 10, 2009


    Lady Jane Grey is one of the most fascinating characters in English history. That said, she does not need to be involved in highly unlikely plot twists that involve her finding the order for the arrest of Katherine Parr or being graphically raped by her new husband. I got thoroughly disgusted after reading about Jane and a court gown. Jane is forced to wear it and is so disgusted that she unlaces it, rips it over her head, and "tug[s] at the sleeve, and it rips at the seam". !!!! Anyone interested in the fashions of Tudor times knows THIS COULD NOT HAPPEN. Royal/upper-class Tudor women wore bodices, which were worn over overskirts, which were worn over petticoats, and which had sleeves *sewn* to the bodice. Sewn TO the bodice, not set into an armhole. I'm not up on historical fashion in minute detail, but I'm pretty sure set-in sleeves didn't appear until sometime in the early 19th century for upper-class clothing. As Alison Weir is purportedly a historian, she should know all this, but as I've noticed she likes to pick and choose facts that support her own particular hypothesis and discard ones that do not (see "The Princes in the Tower"), I really shouldn't have been surprised that she would do the same in a work of fiction. For way-out there theories about Tudor England, give me Philippa Gregory any day. At least she knows how Tudor clothes are put together......and writes a darn-good story, as well..... :)

    5 out of 14 people found this review helpful.

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  • Posted April 12, 2010

    A Tragic Story

    I was surprised to find myself so enthralled by this book. Usually I don't like first person accounts, or narratives that jump between narrators. However, the writing is so fluid and well-done that it's easy to make the transition. Knowing Jane was a real person made the story even more tragic, especially when I suddenly remembered her age at the time of her execution. Having visited many of the locations in the book, such as the Tower and Hampton Court made it even more meaningful.

    3 out of 3 people found this review helpful.

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  • Posted February 19, 2009

    more from this reviewer

    Kept me Interested

    I really enjoyed reading this book. In doing historical Renaissance Re-enacting, I found this portrail of Jane very interesting. In a time when women and children were viewed as posessions and items to be traded I liked that it shower Lady Jane Grey as a pawn in the plots of her father and other men in her life. It was full of things that might have happened in her tragic life, but because of her untimely death there is a lot that we don't know. In response to another comment, in actually having to wear the cloths from this time period, not all sleeves were sewn into the bodice. Sleeves and forepars were often made to be removed and added to another dress to make it look like a brand new dress. So the fit about the dress could have been completely possible.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted May 2, 2010

    I Also Recommend:

    Great Novel

    As Lady Jane is one of my favorite historical figures, I love reading anything that I can on her. This novel is very well researched, and the way that it is written from different perspectives helps move the story along. Most novels about Jane Grey are told only from her perspective and they get a little bit boring when she is imprisioned, as they all seem to say the same thing. Weir's version provides the reader with the perspectives of people outside of the prison, and allow the reader to know more of what actually happened. It is one of the best accounts of Lady Jane that I have read.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted August 15, 2008

    Historical Fiction Lover

    This is an amazing story of Lady Jane Grey. If you love Tudor history, this book is for you. I knew very little about the life of Lady Jane Grey before reading Innocent Traitor. After reading it, I researched the life of this tragic figure. I was delighted to find that Allison Weir's facts were accurate. While reading this book, I felt that I got to know Lady Jane Grey and understood the hardships she was faced to endure. I thought about her story days after completing the novel. I am looking forward to reading more from this author.

    2 out of 2 people found this review helpful.

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  • Posted August 15, 2011

    Great read!

    Very enjoyable book.

    1 out of 1 people found this review helpful.

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  • Posted April 13, 2009

    more from this reviewer

    Good Book!

    This book gave me a good feel for how it came to be that Jane Grey took over England. Not much is written about this part of the Tudor line but I thought it was very informative.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 3, 2008

    Really, Ms. Weir!

    I'm always disgusted at the way the general public eats, regurgitates, and enjoys this junk! I read this book with the express intent and purpose to learn more about Jane Grey, and instead found a misdirected encroachment on decent literature. Maybe Miss Weir thinks her book is better with belabored smatterings of crassness, or maybe she has an addiction to it herself!

    1 out of 6 people found this review helpful.

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  • Anonymous

    Posted June 13, 2007

    Terriblely crass

    I started this book with high hopes because I'm fascinated with Lady Jane Grey. And I was very dissapointed! This book is unbelievably disgusting with details we don't need! If you want that kind of junk, grab a lewd fiction, don't muck up a brave historical figure.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted March 28, 2007

    Stick with non-fiction Ms. Weir!

    I was thoroughly disappointed this offering by Alison Weir. I am a great fan of all of her other books, but her first foray into adult fiction was a let down. I thought the dialogue was stilted and, while the subject was interesting, it was presented in a manner more befitting a less weighty subject.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted October 1, 2013

    A must read

    If you enjoy History you will not be able to put this book down.
    Very interesting.

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  • Anonymous

    Posted May 20, 2013

    Grear read!

    Very moving story of a lovely young girl used for the gains of her family and selfish men. She personifies dignity and grace!

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  • Anonymous

    Posted August 4, 2012

    Loved it!

    Was beautifully written, one of my top 20 favorite novels.

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  • Anonymous

    Posted March 12, 2012

    Liked the book, not Alisons best.

    Great book. But when i read the Lady Elizabeth, it was almost like reading the same book. I was a little disappointed in the similarity between the two.

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  • Posted January 12, 2012

    One of my favorites!

    Great book and i couldn't put it down. I have been obsessed with Lady Jane Grey since seeing the 1986 movie as a child. I like learning more about her and was excited when this book came out. There is a lot of fantasy mixed in with facts but that's point of historical fiction.

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  • Posted October 22, 2011


    There isn't really much I can say about this book. I appreciate Alison Weir as a non-fiction writer, but this book sadly disappointed me. I thought the beginning might have been a little slow and that it would get better through time. It didn't. I felt like I was reading a textbook, that happened to have dialogue, for a class that you dread going to every day.

    I stopped reading it for a while and picked up other books. I eventually tried to keep reading it for longer than 10-20 minutes at a time. Finally I finished it and was relieved. I didn't like this book at all. If I were to read another Alison Weir book, it would be one of her non-fiction works.

    0 out of 1 people found this review helpful.

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  • Posted April 25, 2011

    more from this reviewer


    I couldn't put it down or wait to pick it up again!

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  • Posted February 14, 2011

    more from this reviewer

    One of my very favorite books!

    I love this book about Lady Jane Grey! It is such a sad, yet powerful story about a young woman willing to die for what she believed it. How her family hated her for not being the boy they wanted.

    Historically this is a very well written book and Ms. Weir's writing style is captivating!

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  • Posted February 10, 2011

    more from this reviewer

    Very Highly Recommended

    Another brilliantly-written page turner. You are drawn right into the center of everything, as if you are actually there as the action unfolds. Hard to put down from the very beginning.

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  • Posted November 20, 2010

    more from this reviewer

    Well written historical fiction

    Innocent Traitor was excellent. I could not put the book down and was glad I took the time the read it. Since I knew very little about Jane Grey, it was as if I got to know her a bit more throughout this book. My heart went out to her as although she tried hard to please her parents (her mother in particular) but never received the proper love and support except only when it suited them. It was only too late when her parents actually came to fully appreciate and love her. I really felt for Jane especially in her early childhood years. Her mother was just plain awful and only really cared for Jane (if you could call it that) when it suited her purposes (i.e. mostly for political gain and ambition). There were times when I thought Jane had what it took to stand up to her mother, but she backed down whenever she tried. It got frustrating and I thought Jane was never going to have her own personality and she'll just be a puppet for everyone. Yet past the midway point of the novel Jane does take a slight turn for the better and eventually stands up for herself (particularly against her husband). Towards the end, Jane becomes a much stronger woman and despite her circumstances, maintains her strength. I loved that. She became such a strong character that I loved her even more than I did in the beginning.

    The plot of this novel was well written and very interesting. It follows Jane all throughout her life and it highlights moments of interest such as the marriage of Katherine Parr and Thomas Seymour, and its' failure. The addition of something like this is a little strange considering this should have been told all in Jane Grey's point of view. I'm not really sure why this was added as it really had nothing to do with her (except maybe because she was around Katherine a lot around the time?) yet it was a small but well done way to take a break from the main plot and add in a mini story arc to it. I'd have to say the ending was one of the most dramatic. Jane stayed true to herself and that makes her all the more admirable. I absolutely hated the way everyone around her just started using her as a political pawn and her parents are just as bad as parents today who live through their small children and use them for their own gains. I really disliked her mother though. She was horrible! and she didn't gain any sympathies from me at the end. Her emotions and "love" came way too late to even make a difference. I'm not sure what to say about Jane's father. It looked like he was the "better" parent of the two, but his love was misguided and ambition just went in the way. It was sad to see that, as I thought he loved Jane more than her mother did.

    I thought this was a great novel featuring Lady Jane Grey. It's a tragic story but her strength is strong throughout the last half of the novel it's hard not to admire her. This is definitely a worthy read for Tudor fans.

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