Interpreting Lahiriâ¿¿s Maladies
We are often wowed by tales of war, tragic love, or deceitful revenge, but some stories invoke that same amazement through more ordinary situations. Exhibiting the emotional essence of humanity in all its frailty, perseverance, and beauty, these stories leave a lasting impression that echoes within our hearts. Such is the case in Jhumpa Lahiriâ¿¿s 'Interpreter of Maladies,' which captures the struggle for love and a peoplesâ¿¿ search for identity in a way that touches readers regardless of background. The short stories in Lahiriâ¿¿s book chronicle the happiness and hardship of Indian immigrants through situations and emotions that need no translation, focusing on emotional similarities while holding true to the beauty of cultural diversity. Despite many different changes in voice, time period, and location, the reality of the situations is flawless. Lahiri switches from first to third person, male to female, and old to young. In each case the characters come across so real that the reader feels as if theyâ¿¿re reading about someone theyâ¿¿ve known for years. The scenes and characters jump to life within the pages of 'Interpreter of Maladies,' giving an almost voyeuristic insight into the scenarios. Lahiriâ¿¿s excellent rhythm and perfect believability never once leave that, â¿¿Câ¿¿mon, that would never happen,â¿ impression, even to the most skeptical of readers. So in terms of technique, it is easy to see why this book won the Pulitzer Prize for Fiction, but the reasons go far beyond technique. The content of a story like 'When Mr. Pirzada Came to Dine' really challenges the reader in several ways. The first is the obvious conflict between clinging to oneâ¿¿s culture and assimilating to the ways of the land. Lilia, the ten year-old daughter of first generation Indian immigrants, is the perfect literary tool to demonstrate the tensions of cultural absorption. She is corrected for calling her fatherâ¿¿s pre-division Pakistani friend, Mr. Pirzada, â¿¿the Indian manâ¿ (Lahiri, 25). She is confused by her fathers need to point out the difference in a man who, â¿¿spoke the same language, laughed at the same jokes, [and] looked more or less the sameâ¿ (25). In these few lines, Lahiri uses the innocence of a ten year-old girl to mock the seemingly never-ending conflict between Muslim and Hindu, but at the same time, she is showing how their similarities draw them together on the foreign soil of America. 'When Mr. Pirzada Came to Dine' also challenges the naïve isolationism that exists in the minds of many Americans. Despite her motherâ¿¿s pointing out to her husband that, â¿¿We live here now, [Lilia] was born here,â¿ he is confused at his daughterâ¿¿s lack of a more global education, questioning, â¿¿what does she learn about the world?â¿ (26-27). Then later, after Lilia goes out trick-or-treating with her American friend, Dora, she is surprised to find that, â¿¿the television,â¿ covering the Pakistani Civil War, â¿¿wasnâ¿¿t on at Doraâ¿¿s house at allâ¿â¿¿during the conflict that kept her family glued to the TV screen, Doraâ¿¿s father is, â¿¿lying on the couch, reading a magazine, with a glass of wine on the tableâ¿ (39). Wisely choosing the puzzled observations of an innocent youth to soften the blow and avoid any inkling or preachiness, Lahiri creates an eye-opening assessment of American global naivety. At the same time though, she uses horrific descriptions of war and poverty in and around India throughout the story as an indirect homage to the same country she is critiquing. One of the best examples in 'Maladies' of creating a fictional situation we can all relate to emotionally, and also this writerâ¿¿s favorite story from the book, is 'This Blessed House.' The hilarity of this piece is also a good indication of Lahiriâ¿¿s range as an author. We have all, at one time or another, gotten uptight over the seemingly embarrassing behavior of a loved oneâ¿¿given credence to the views of acquaintances without re
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