Intimate Voices from the First World War
World War I was waged by young people from twenty-eight countries in an era without the advantages of military "embeds," satellite phones, and streaming media coverage. Intimate Voices from the First World War fills in the gaps in the history of the world's first global confrontation with excerpts from recently uncovered letters and diaries of those on the front lines and their friends at home. In their reflections on the vastness of the enterprise of war, these combatants, victims, and eyewitnesses re-create the scope of the conflict with immediacy and tenderness. Written with the frankness and intimacy of words not intended for public eyes — full of private passions, prejudices, humor, and vivid insights — these communiqués speak to us directly from within the war itself and from all sides of the conflict. These marvelous historical narratives not only immerse readers in an ongoing dialogue about the meaning of human conflict but also serve as reminders of the individual perspectives and beliefs that sometimes get overlooked during times of global strife.

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Intimate Voices from the First World War
World War I was waged by young people from twenty-eight countries in an era without the advantages of military "embeds," satellite phones, and streaming media coverage. Intimate Voices from the First World War fills in the gaps in the history of the world's first global confrontation with excerpts from recently uncovered letters and diaries of those on the front lines and their friends at home. In their reflections on the vastness of the enterprise of war, these combatants, victims, and eyewitnesses re-create the scope of the conflict with immediacy and tenderness. Written with the frankness and intimacy of words not intended for public eyes — full of private passions, prejudices, humor, and vivid insights — these communiqués speak to us directly from within the war itself and from all sides of the conflict. These marvelous historical narratives not only immerse readers in an ongoing dialogue about the meaning of human conflict but also serve as reminders of the individual perspectives and beliefs that sometimes get overlooked during times of global strife.

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Intimate Voices from the First World War

Intimate Voices from the First World War

by Svetlana Palmer, Sarah Wallis
Intimate Voices from the First World War

Intimate Voices from the First World War

by Svetlana Palmer, Sarah Wallis

Paperback(Reprint)

$15.99 
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Overview

World War I was waged by young people from twenty-eight countries in an era without the advantages of military "embeds," satellite phones, and streaming media coverage. Intimate Voices from the First World War fills in the gaps in the history of the world's first global confrontation with excerpts from recently uncovered letters and diaries of those on the front lines and their friends at home. In their reflections on the vastness of the enterprise of war, these combatants, victims, and eyewitnesses re-create the scope of the conflict with immediacy and tenderness. Written with the frankness and intimacy of words not intended for public eyes — full of private passions, prejudices, humor, and vivid insights — these communiqués speak to us directly from within the war itself and from all sides of the conflict. These marvelous historical narratives not only immerse readers in an ongoing dialogue about the meaning of human conflict but also serve as reminders of the individual perspectives and beliefs that sometimes get overlooked during times of global strife.


Product Details

ISBN-13: 9780060584207
Publisher: HarperCollins
Publication date: 01/04/2005
Edition description: Reprint
Pages: 400
Product dimensions: 5.31(w) x 8.00(h) x 0.90(d)

About the Author

Svetlana Palmer was born in Moscow in 1969. She studied at Moscow State University as well as in London and Berlin. She moved to Britain in 1990 and has worked on critically acclaimed documentaries including the BAFTA-nominated CNN/BBC Cold War series and ITV's award-winning The Second World War in Colour. Svetlana also co-produces arts and music documentaries with her filmmaker husband. They live in north London with their two sons.


Sarah Wallis was born in America in 1967 and moved to Britain as a child. She studied Russian and German and used these languages while working as an assistant producer on many historical documentaries including the BBC series People’s Century, for which the episode "Master Race" won an Emmy Award, and the RTS award-winning Homecoming, a film following the return to Russia of Alexander Solzhenitsyn. Now a producer, she lives in north London with her partner and their two children.

Read an Excerpt

Intimate Voices from the First World War


By Palmer, Svetlana

Perennial

ISBN: 0060584203

Chapter One

The First Shots

28th June-30th July 1914

On 28th June 1914 Archduke Franz Ferdinand, the heir to the Austro-Hungarian throne, and his wife, Sophie, were assassinated during a state visit to Sarajevo, capital of the Austro-Hungarian province of Bosnia-Herzegovina. The fatal shots were fired by nineteen-year-old Gavrilo Princip, a Bosnian Serb who wanted Bosnian unification with Serbia and independence from the Austro-Hungarian Empire. Franz Ferdinand, as a member of the ruling Habsburg family, was a symbol of that ancient, multi-national empire and the repression of its minorities. Unknown to his assassin the archduke, who was an advocate of political reform, had recently given an after-dinner toast: 'To peace! What would we get out of war with Serbia? We'd lose the lives of young men and we'd spend money better used elsewhere. And what would we gain, for heaven's sake? A few plum trees, some pastures full of goat droppings, and a bunch of rebellious killers.'

Now he was dead. The Austrian army's Chief of the General Staff thought differently about a war with Serbia. On 23rd July, Vienna will issue an ultimatum with demands unlikely to be met in Belgrade. Five days later Austro-Hungarian troops will invade with the backing of Germany. Two Balkan wars had gripped this unstable region in the early twentieth century. But this time what could have been thethird Balkan War will become a world war.

The youngest of the assassins involved in the plot to kill Archduke Franz Ferdinand left an account of his role in the assassination. Seventeen -year-old Vaso Cubrilovic, a Bosnian Serb from Basanska Gradiska, was educated in the Bosnian town of Tuzla, then part Of the Austro-Hungarian Empire. The Habsburgs had only recently wrested control of Bosnia and Herzegovina from the Ottoman Empire, which had ruled large parts of the Balkans for four hundred years. While Bosnia exchanged one imperial rule for another, for over three decades neighbouring Serbia had been an independent kingdom. The very existence of Serbia inspired many still living under foreign rule to hope for independence. This, in turn, threatened the stability of the Habsburgs who ruled an empire of at least ten different nationalities, any one of which could have attempted to follow Serbia's example. Like his fellow assassin Gavrilo Princip, Vaso Cubrilovic was a member of Young Bosnia, an underground organisation with one main aspiration: the creation of a southern Slav state, Yugoslavia, which would unite Serbs, Croats and Slovenes, be they Orthodox, Catholic or Muslim, in a new state free from both Ottoman and Habsburg influence.

Vaso Cubrilovic is spared execution for his part in the plot, as he is under twenty. In a letter to his sisters, Vida and Staka, written while serving a sixteen-year sentence in prison, he explains how he came to participate in one of the world's most notorious assassinations.

Zenica Prison, 1918

I shall write as much as I can remember about the assassination. I first thought of it in October 1913 in Tuzla, incensed by the fights we had with our teachers, the mistreatment of Serbian students, and the general situation in Bosnia. I thought I'd rather kill the one person who'd really harmed our people than fight in another war for Serbia. All I'd achieve in a war is to kill a couple of innocent soldiers, while these gentlemen who were responsible for it would never come anywhere near the war itself.

In January 1914 I was expelled from high school in Tuzla. I wavered for a while, unsure whether to escape to Serbia or come to you in Sarajevo. Finally, I decided to come to you. It was while staying with you in Sarajevo that I was introduced to various students, mainly to those who felt the same way as I did.

And then came April. I remember clearly reading in Srpska Rec [Serbian Word] and in Pobratimstvo [Fraternity] that Ferdinand was coming to Sarajevo. I immediately began thinking about an assassination. With all the anti-Austrian feelings at college, I was convinced that someone else must be planning it too. I knew that Lazar Djukic had gone to jail in 1910 for his role in a similar plot against the emperor. He was bound to know if anyone was plotting, and I decided to find out. I would join them, or at the very least persuade Djukic to hide the weapons I planned to obtain in Tuzla. While we were out walking one day he was telling me about the emperor's visit in 1909. I casually remarked that now Ferdinand was coming. 'Yes,' answered Djukic.

I said, 'We ought to welcome him.' That was our code for assassination.

'Ahem, yes, if we can find the people to do it,' he said.

'The people are there, but they've nothing to do it with.'

'Weapons can always be found, if people really want them,' he responded.

Up until now our exchange seemed light-hearted, but at this point it got serious. I told him I was willing to do it and that my mind was made up. I just couldn't find the weapons.

Djukic introduced me to Danilo Ilic. He would also get me two bombs, a gun and some cyanide. All that Ilic told me was that there would be three others, apart from us three, and that Serbian officers were supplying the weapons. I asked if the Serbian government knew about it. He said no, in Serbia everything was being done in secret. We didn't talk about it any more.

We worried that the Sarajevan police might decide to remove us all from the city [during Ferdinand's visit]. Besides, I wanted to leave you before the assassination, to avoid causing you problems. This is why I kept nagging Staka to let me leave before the exam results came out ... Continues...


Excerpted from Intimate Voices from the First World War by Palmer, Svetlana Excerpted by permission.
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