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| Don Lanphere | Primary Artist, Soprano, Soprano Saxophone, Tenor Saxophone |
| Don Friedman | Piano |
| Ignacio Berroa | Drums |
| Jeff Fuller | Bass, Double Bass |
| Jonathan Pugh | Trumpet |
| John Pugh | Trumpet |
| Dave Peterson | Guitar |
| Glen Gurnard | Marimbas |
| Don Lanphere | Composer |
| Harold Arlen | Composer |
| Ted Grouya | Composer |
| E.Y. "Yip" Harburg | Composer |
| Billy Strayhorn | Composer |
| Ron Gangnes | Engineer |
| Alun Morgan | Liner Notes |
| James Hutcheson | Cover Design |
| Alastair Robertson | Producer, Liner Notes |
| Emilsam Velazquez | Engineer |
| Traditional | Composer |
| Jonathan Pugh | Liner Notes |
Editorial Reviews
All Music Guide - Scott Yanow
One of the happier events in jazz of the early '80s was the comeback of Don Lanphere. A talented tenor-saxophonist during the late '40s who had held his own on a record date with trumpeter Fats Navarro and who also played with Artie Shaw's short-lived bebop band and the Woody Herman Orchestra, Lanphere was off the jazz scene for a few decades. He came back with a series of superb albums for the Hep label, often teaming up with trumpeter Jonathan Pugh. Lanphere's first recording for Hep was From Out of Nowhere, so Into Somewhere was the follow-up. The first few selections are particularly memorable since they consist of a speedy run-through on the chord changes of "Cherokee"...